The student needs to complete the course HV204 at the academy OR the student needs to have the following skills- Alankar singing in different rhythm patterns. Ability to distiguish and sing Shudh, Komal and Tivra Swaras. Good sense of Laya and Taal. Student has learnt and practiced Chhota Khayal in at least 12 Ragas
This course in the Raga Deep Dive series, provides an insight into Raga Bageshri. Hindusthani classical music, the Ragdari Sangeet is the music of improvisation within the perview of the Raga. Singing a Raga is much more than just making permutation…
The student needs to have completed HV105 OR needs to have practiced Swaras, Alankars and learnt classical music for at least 2 years
Jyoti Kalash Chalake is a song which created waves in 1961 when the movie Bhabi ki Chudiyan released. This song was a part of the movie, yet has been one of the most popular semi classical songs till date. The song is based on Raga Bhupali, sung by …
This is a popular song from the film Rangeela. Originally sung by Hariharan and Swarnalatha. This song was composed by AR Rehman.
None
MALHAR Batch for new students of Hindustan Vocals (Adults)
None
MALHAR Batch for students of Hindustan Vocals (Adults)
This course contains self study materials for all the Naman Sajan Piya courses. To listen to all songs on your phone, register for this course for free and download the "Listen to Learn" free app from the website. You would be ready to listen and le…
This song is from the movie Waqt and has been sung by Asha Bhosle.
Should be a grade 1 student or be of the age group 6 +
This course has been designed for grade 1 (or similar age group students) to study music, in the Indian and Western Music systems. Students will learn through 3 modules. 1. Elements of Music - Demystify the Elements of Music in both the Indian Music…
Any student of music who is passionate to learn and understand the theory and history of music. It would definitely help if the student has some previous learning in this system of music.
This is the first of the series of Carnatic music theory . This descibes and defines some of the basic terminologies used in music.
Overview Indian Hertiage is rich with simple ways of creating within us a sense of optimism and peace. They are many ways in which one can help improve one’s concentration . Yoga Meditation, Shlokas are some of the methods to help us in this. …
Skill Level HVS105
Vaishnav janato is a popular Gujarati Kirtan composed by Bhakti poet Narasinh Mehta.He was known for his devotion to Lord Krishna/Vishnu. This prayer which describes the virtues of a true devotee of Vishnu, was Mahatma Gandhi's favorite prayer.
Should know 10 krithis
Tulasidala is a beautiful composition Shri thyagaraja in raga Mayamalavagowla set to rupaka tala.
Individual should be at least 8 years old
This course serves as an introduction to singing and arranging a cappella music. The aim of the course is to increase knowledge and appreciation about this genre of music.
Pitch also known as Shruthi is the foundation for music and is an important aspect for learners and performers. This is what keeps all the musicians in sync while performing and provides a delightful experience for the audience to listen. …
Building and maintaining a budding or experienced singer's voice is akin to maintaining the wellness of their body. This course works on teaching the basic functioning and mechanics of voice production and using a singer’s voice to its optimal…
This course is for singers who have already completed AE761 (Voice Gym). It is also for intermediate to advanced level singers and vocal performers who are looking to enhance their skills. This course centers around relaxed control of voice, leading…
Students are required to complete Voice Gym 1 and 2 before enrolling for this course
In this course student will be introduced to different aspects of Rhythm, understanding songs in different beat patterns, introduction to what a raga is, and a few compositions composed in the same raga in classical and film music. Student wil…
None - this course is available for anybody
This course is designed to help with alleviating stress in corporate situations. The course touches upon fundamentals of music and how music in a group activity helps create positive solutions for problems at hand. The course includes introduction…
None - this course is available for anybody
This course is designed to help with alleviating stress in corporate situations. The course touches upon fundamentals of music and how music in a group activity helps create positive solutions for problems at hand. The course includes introduction o…
The course is best for students who are above the age of 6 years & have some training - formal or informal - in singing. The student is expected to have:
1. Basic knowlege of Swara and Laya
2. Ability to sing with Tanpura. Students are required to have a Shruti Box or a Tanpura software.
3. Student needs to submit a recording of their performance
4. The Academy may request the student for an interview with our Curriculum Coordinator based on the pre-requisites submitted.
Shankar Mahadevan Academy's mission and the journey of joy of music continues. In this course, the academy prepares contestants who are skilled and who desire to take part in various vocal competitions. The course focuses on improving voice quality …
This course is best suited for children who are between 5 to 7 years of age.
A Preparatory course for young children 5 years and above to be introduced into the world of Carnatic Classical music through easy to understand and sing approach. This is the first of the 4 courses designed to introduce young children to Carnatic m…
This course is best suited for children between 6 years to 8 years of age.
A Preparatory course for young children 6 years and above to be introduced into the world of Carnatic Classical music through easy to understand and sing approach. This is the second of the 4 courses designed to introduce young children to Carnatic …
This course is best suited for children between 7 years to 9 years of age.
A Preparatory course for young children to be introduced into the world of Carnatic Classical music through easy to understand and sing approach. This is the third of the 4 courses designed to introduce young children to Carnatic music. The le…
The student has completed CV100C at the academy OR
The child sings seven Shuddh Swaras in Swara and Aakar. The child is able to sing repetitive swara patterns and simple Alankar patterns.
The child is able to sing a shloka and a few bhajans in proper shruthi and tala.(The admission in this case would be done as per the advise of experts at the academy.)
This course is suitable for chidren from age of about 7 years to any age.
A Preparatory course for young children 7 years and above to be introduced into the world of Carnatic Classical music through easy to understand and sing approach. This 4th course designed for young children to understand basics of Carnatic music. T…
Anyone who has an interest and passion to learn music and is above the age of 8 years
This course is ideal for students looking to take their first steps into the world of Carnatic Music.Entry level foundation course for students who are ready to start right at the beginning and do not have any prior experience learning Indian/Carnat…
The student should have completed the CV101 course or should have the basic knowledge of swaras, Raga, Shruthi and Tala and should be able to sing the basic swara patterns (sarali varisais) along with Talam in all the three speeds.
The CV102 course introduces to the students to the concept of Paired notes (Janta Swaras) giving the student an awareness of how many different patterns, the notes could be sung in. The student will learn 8 patterns of Janta Varisais in th…
The student should have completed CV101 and CV102 with Shankar Mahadevan Academy or should have knowledge of basics of Carnatic music which includes singing the Sarali and Janta Varisais in Mayamalavagowla in all the three speeds and the first two pillari geethams - Sri Gananatha and Kunda Gowra.
In the CV103 course the student is introduced to Dhaatu varisais (alternate/jumping note patterns) and Melsthayi varisais (upper octave note exrecises) in the Raga Mayamalavagowla, in all the three speeds. The remaining two malahari geethams wi…
Student should have completed CVESa Level examination or should have knowledge of all basic exercises of Carnatic music (Sarali, Janta varisais, Dhatu varisai), Geethams (all the 4 Pillari geethams in Malahari Ragam).
The student will be introduced to Carnatic music note exercises that aid in voice culture, understanding of different patterns of notes through the Melasthayi (Higher octave) and Mandrasthayi (Lower octave) exercises. The student will learn to sing …
Student should have completed upto the CV104 course or should know Basics lessons of Carnatic music (Includes all sarali, janta, dhatu, higher and lower sthayi varisais). Should know the 4 pillari geethams in Raga Malahari, Mohana Geetham and the Saveri Raga geetham along with the Tala.
Students will be introduced to an important lesson in Carnatic Music which is the Sapta Tala Alankarams. Alankaras are aesthetically composed groups of swara phrases that have been set to each of the Suladi Sapta Talas.The student will learn to sing…
Student should have completed CV101, 102, 103, 104, 105 or should know Basics of Carnatic music, Familiarity with Talams, alankarams. Should know about 4 geethams and also Swarajathis. Should be familiar with and be able to identify the ragams. Student should be able to sing all carnatic exercises with ease. Level description: The student will learn the lower sthayi varisais here. Will also learn two more swarajathis. The student will also be introduced to Lakshana geethams.
Students will learn to sing the Mandra sthayi varisais (Lower Octave exercises) and will continue to learn more Swarajathis in different ragams introducing them to newer ragams. A slight variation if the Geetham is introduced here &nd…
Alankarams(3 speeds) in Mayamalavagowla,Shuddha Saveri and Mohanam Dhaatu varisais in 3 speeds in the above 4 ragams. 2 swarajathis (eg. Ra ra venu and Sambashivayanave) 1 Lakshana Geetham Sarali varisais and janta varisais should be sung as akaram in 3 speeds and 4 ragams.
In the CV107 course, the student will be learning the Khamas and Ananda Bhairavi Swarajthi. They will learn a prathi madhyama raga lakshana geetham and understand the nuances of the raga lakshana through the composition. Important varisais in the ra…
Alankarams (3 speeds ) in Shankarabaranam, Mayamalavagowla,Shuddha Saveri and Mohanam Dhaatu varisais in 3 speeds in the above 4 ragams. 2 swarajathis (eg. Ra ra venu and Sambashivayanave) 1 Lakshana Geetham Sarali varisais and janta varisais should be sung as akaram in 3 speeds and 4 ragams.
Student must complete CVESa exam with a passing grade of Honors or above
One of the most important forms in Carnatic music ie. Tana Varnam is taught which lays the foundation for all further learning. Krithis are also introduced in this course. Krithi is the highest musical form. It has clear divisions in terms of Pallav…
Basics of Carnatic music, Familiarity with Talams, alankarams. Should know more than 4 geethams and also Swarajathis.Student should also know 2 lakshana geethams, atleast 4 varnams and a few krithis. Student should also be familiar with and be able to identify the ragams. Should be able to sing the basic exercises in different ragas. The student should know the Scales ( arohana and avarohana ) of all ragams.
Student must complete CVESa exam with a passing grade of Honors or above.
The student will continue learning few more Varnams in different ragas and will also learn Keerthanas of different composers. The concept of singing the Varnam in two speeds will also be learnt.
Those who have completed CV109 with the academy. Those who have had at least 2 years of training and can sing 7 tana varnams in two speeds and 2 kritis.
Student must complete CVERe exam with a passing grade of Honors or above.
Learning more varnams and kritis give us a deeper insight into the music. The way the ragas move in every composition . The creativity of the composer. Varnams give a good grip over laya. Kritis pave way for creativity in the student.
Those who have completed CV201 with the academy. Those who have trained at least 2 years and are able to sing 5 tana varnams in two speeds and are able to identify and sing the twelve swarasthanas with perfection.
Student must complete CVERe exam with a passing grade of Honors or above.
In this course, which is the 2nd of the Intermediate level, the student continues his/her journey exploring new ragas and also compsotions. The student will learn an Adi tala Varnam in the Bhashanga raga Saranga and two krithis in Prathi Madhayama R…
Those who have completed CV202 with the academy. Those who have had at least 2 years of training and can sing 8 tana varnams in two speeds and 4 kritis.
Student must complete CVERe exam with a passing grade of Honors or above.
The student needs to increase his repertoire of compositions constantly.Learning more varnams and kritis give us a deeper insight into the music,the way the ragas move in every composition, the creativity of the composer. Varnams give a good grip ov…
Those who have completed CV203 with the academy. Those who have had at least 2.5 years of training and can sing 9 tana varnams in two speeds and 6 kritis.
Student must complete CVERe exam with a passing grade of Honors or above.
The student needs to increase his repertoire of compositions constantly.Learning more varnams and kritis give us a deeper insight into the music,the way the ragas move in every composition, the creativity of the composer. Varnams give a good grip ov…
Those who have completed CV204 with the academy. Those who have had at least 3 years of training and can sing 10 tana varnams in two speeds and 8 kritis.
Student must complete CVERe exam with a passing grade of Honors or above.
The student needs to increase his repertoire of compositions constantly.Learning more varnams and kritis give us a deeper insight into the music,the way the ragas move in every composition, the creativity of the composer. Varnams give a good grip ov…
Those who have completed CV205 with the academy. Those who have had at least 3 years of training and can sing 11 tana varnams in two speeds and 10 kritis.
Student must complete CVEGa exam with a passing grade of Honors or above.
The student needs to increase his repertoire of compositions constantly.Learning more varnams and kritis give us a deeper insight into the music,the way the ragas move in every composition, the creativity of the composer. Varnams give a good grip ov…
Those who have completed CV206 with the academy. Those who have had at least 3 years of training and can sing 12 tana varnams in two speeds and 12 kritis.
Student must complete CVEGa exam with a passing grade of Honors or above.
The student needs to increase his repertoire of compositions constantly.Learning more varnams and kritis give us a deeper insight into the music,the way the ragas move in every composition, the creativity of the composer. Varnams give a good grip ov…
Those who have completed CV207 with the academy. Those who have had at least 3.5 years of training and can sing 12 tana varnams and one pada varnam in two speeds and 14 kritis.
Student must complete CVEGa exam with a passing grade of Honors or above.
The student needs to increase his repertoire of compositions constantly.Learning more varnams and kritis give us a deeper insight into the music,the way the ragas move in every composition, the creativity of the composer. Learning complicated Varnam…
Those who have completed CV208 with the academy. Those who have had at least 3.5 years of training and can sing 12 tana varnams and one pada varnam and one ata thala varnam in two speeds and 16 kritis.
Student must complete CVEGa exam with a passing grade of Honors or above.
Learning complicated Varnams will help in laying a very strong foundation for all advanced learning particularly in the creative aspects of music and also help in getting a firm grip over rhythmical aspects. The student is introduced to new types of…
Those who have completed CV209 with the academy. Those who have had at least 3.5 years of training and can sing 12 tana varnams and one pada varnam and one ata thala varnam in two speeds and 16 kritis.
Student must complete CVEGa exam with a passing grade of Honors or above.
The student is introduced to new types of compositions that are sung in the tail end of the concerts like Tillana. Tillana are useful compositions to understand the kind of music that is sung for dance. The structure of the compositions used in danc…
Student should have finished intermediate level CV210. Should be in a position to perform alapana, kalpana swara and niravel on Simple raagas.
Introducing compositions that are desnse lyrically and rhythmically. Understand how by manipulating the pace and setting the raga appropriately the difficulty is hidden from the listener. Learn a concert center piece (a.k.a. main item) as well as a …
Student should have finished CV302
The module is loaded with a Pancharatna composition in Aarabhi.As the name itself suggests, there are 5 compositions which are composed exclusively in 'Ghana ragas'.This module encompasses a Muthutandavar composition along with manodharma sangeetha.
Student should have finished advanced level CV302.
This module introduces the student the centerpiece of dance music viz. pada varnam, composed by a contemporary master. A magnum opus composition in an expansive traditional raga is also studied as required learning in any intermediate/advanced carna…
Student should have finished advanced module CV303.Learnt at least 1 Pancharatna composition.
Introducing compositions that are dense lyrically and rhythmically.Understand how by manipulating the pace and setting the raga appropriately the difficulty is hidden from the listener. The module is rounded off by a smaller composition set in a rak…
Those who have completed the CV304 from the Academy. Those who have trained in Carnatic music for at least 6 years and a strong foundation of Varnams, Kritis and singing kalpana swaras and alapanas.
Half way through the advanced training of 300 series. The student is now ready to give short concert performances. With this module, the insight into different ragas are further honed through grand composition in varied thalas. Here Devagandhari, is…
Those who have completed the CV305 from the Academy. Those who have trained in Carnatic music for at least 6 years and a strong foundation of Varnams, Kritis and singing kalpana swaras and alapanas.
This course takes the student further into the depths of our music through more compositions of different composers. New ragas and their scope are explored . Purvikalyani, as a raga is delved in detail as a center piece in the concert. Oothukadu Ven…
Those who have completed the CV306 from the Academy. Those who have trained in Carnatic music for at least 6.5 years and a strong foundation of Varnams, Kritis and singing kalpana swaras and alapanas.
As we learn more and varied compositions, our insight of music and perception keeps getting better. Thiagaraja’s grand Ghana raga pancharatna is a must for all music students. Here we learn the last one in sree raga. The unique feature of this…
Those who have completed the CV307 from the Academy. Those who have trained in Carnatic music for at least 6.5 years and a strong foundation of Varnams, Kritis and singing kalpana swaras and alapanas.
This module takes us one step further into the depths of our music through two very grand compositions One , is a ragamalika with nine different ragas by swati tirunal describing the entire story of Ramayana through song. Here we are able to learn t…
Those who have completed the CV308 from the Academy. Those who have trained in Carnatic music for at least 7 years and a strong foundation of Varnams, Kritis and singing kalpana swaras and alapanas.
Here , the learning done so far is going to help understand and create an entire pallavi. This is purely the creation of the student. Here the student learns what goes into making a pallavi. What are the salient features to be kept in mind while cre…
Introducing compositions that are desnse lyrically and rhythmically.Understand how by manipulating the pace and setting the raga appropriately the difficulty is hidden from the listener. The module is rounded off by a smaller composition set in a ra…
The student should have completed upto Carnatic Vocal Beginner 109 course at the Shankar Mahadevan Academy
The Ri Level Exam consists of 3 contact review classes, a written exam (take home assignment) and 1 class for viva voce. Viva voce session is up to 1 hour long. The student will have access to the exam OM Book as soon as they enroll. The actua…
The student should have completed the Carnatic Vocal Beginner 103 course with the Shankar Mahadevan Academy.
The Sa Level Exam consists of 2 contact review class for an hour, a written exam (take home assignment) and a viva voce. Viva voce session is up to 1 hour long. The student will have access to the exam OM Book as soon as they enroll. The actual exam…
A basic knowledge of the Swaras and Swarasthanas in Carnatic Music would be good. Alternatively, students who have completed CVOC 103 with the Academy or HVOC 102 with the Academy are suitable to choose this as an elective course.
This course will focus on 3, very beautiful, well known and popular compositions. The compositions are in the Ragams Bowli, Kapi and Revathi. The first is Sriman Narayana, a composition by Annamacharya who is also fondly known as Annamayya. This son…
A basic knowledge of the swaras and swarasthanas in Carnatic Music would be good. Alternatively, students who have completed CVOC 103 with the Academy or HVOC 102 with the Academy are suitable to choose this as an elective course.
This course will focus on 3, very beautiful, well known and popular compositions. The compositions are in Ragamalika, Yamunakalyani and Rathipathipriya. The first is Kurai Onrum Illai, a Tamil composition written by C.Rajagopalachari fondly known as…
This course consists of small compositions which helps students to have a strong foundation.
The students should know to sing the swara jathis and the lakshana geethams. Students should be able to sing in selected pitch and sing the scales of shankarabaranam, Mayamalavagowla , Kalyani and Kharaharapriya well. Or
Student should have completed upto CV107 at the Academy
Naadabrahma Shri Thyagaraja Swamy was a devotee of lord Rama. His music pieces give a deeper and philosophical meaning of our existence on earth. His life revolved around three aspects - spirituality, music,and godliness, which saw a perfect synchro…
Student should have completed CVC108 or CV108
The students should know to sing the geethams, swara jathis and the lakshana geethams. Students should be able to sing in selected pitch and sing the scales of shankarabaranam, Mayamalavagowla , Kalyani and Kharaharapriya well.
Shri Muthuswamy Dixitar,Patnam Subrahmanya Iyer and Shri Ramakrishna Bhagavatar have contributed immensly to Cartatic music. Their music pieces give a deeper and philosophical meaning of our existence on earth. Their lives revolved around three…
Anyone who has completed CV109 with the academy or anyone who knows at least 6 tana varnams in 2 speeds and 6 kritis .
Their music pieces give a deeper and philosophical meaning of our existence on earth. Their lives revolved around three aspects - spirituality, music,and godliness, which saw a perfect synchronization of these three characteristics. These comp…
Should have completed CV203.
This course consists of kritis by Saint Thyagaraja.Thyagaraja’s compositions are unique and give us infinite possibilities for imaginative music ( manodharma sangeetham ) because of the raga bhava inherent in his compositions.The studen…
Skill Level CV109
Vanajakshiro is an enjoyable varnam. It contains the choicest phrases of Kalyani.
Skill Level CV108
Evvari bodhana is an often sung varnam. It conveys the essence of Abhogi.
Skill Level CV108
Jalajaksha is an often sung varnam. It paints a comprehensive picture of Hamsadhwani.
Skill Level CV109
Ninnekori is an enjoyable varnam. It contains the choicest phrases of Vasantha.
Skill Level CV107
Ninnukori is an often sung varnam. It contains the choicest phrases of Mohanam.
Skill Level CV107
Sami ninne is an enjoyable varnam. It conveys the essence of Shankarabharanam.
Skill Level CV201
Sami ninne is an enjoyable varnam. It contains the choicest phrases of Panthuvarali.
Skill Level CV204
Sarasuda is an enjoyable varnam. It paints a comprehensive picture of Saveri.
Skill Level CV205
Karunimpa is an often sung varnam. It contains the choicest phrases of Sahana.
Skill Level CV206
Intha chalamu is a well-known varnam. It contains the choicest phrases of Begada.
Skill Level CV209
Chalamela is a well-known varnam. It conveys the essence of Nattakurinji.
Skill Level CV109
Deva Deva Kalayami is a popular stage song, and one of the best known songs in Raga Mayamalavagowla.
Skill Level CV109
Gopika Manoharam is a popular stage song, and one of the best known songs in Raga Mohanam.
Skill Level CV108
Kandena govindana is a popular stage song, and one of the few known songs in Raga Chandrakauns.
Skill Level CV108
Nandanandana is a popular stage song, and one of the best known songs in Raga Anandabhairavi.
Skill Level CV107
Sriman Narayana is a popular stage song, and one of the best known songs in Raga Bowli.
Skill Level CV107
Yaare Rangana is a popular stage song, and one of the best known songs in Raga Hindolam.
Skill Level CV201
Gajavadana is a popular stage song, and one of the best known songs in Raga Sriranjani.
Skill Level CV201
Ekambresa Nayike is a popular stage song, and one of the few known songs in Raga Karnataka shuddha saveri.
Skill Level CV203
Maakelara is a popular stage song, and one of the few known songs in Raga Ravichandrika.
Skill Level CV203
Sri Kanthimathim is a popular stage song, and one of the best known songs in Raga Hemavathi.
Skill Level CV203
Jagatjanani is a popular stage song, and is the best known song in Raga Rathipathipriya.
The student should have learnt all the basics of carnatic music upto a couple of Varnams.
Sri Saraswati is a popular stage song, and one of the best known songs in Raga Arabhi.
Skill Level CV204
Saravanabhavaguhane is a popular stage song, and one of the best known songs in Raga Madhyamavathi.
Skill Level CV204
Bhavasagaram is a popular stage song, and one of the best known songs in Raga Shanmukhapriya.
Skill Level CV205
Aparadhamulan is a popular stage song, and one of the best known songs in Raga Lathangi.
Skill Level CV205
Sri Raghuvara is a popular Tyagaraka Krithi and one of the best known songs in Raga Khamboji.
Skill Level CV205
Ganapathirayan is a popular stage song, and is a Ragamalika.
Skill Level CV206
Arunachalanatham is a popular stage song, and one of the best known songs in Raga Saranga.
Skill Level CV206
Visalaksheem is a popular stage song, and one of the best known songs in Raga Panthuvarali.
Skill Level CV206
Sariyevvaramma is a popular stage song, and one of the best known songs in Raga Bhairavi.
Skill Level CV207
Manasu Swadhina is a popular stage song, and one of the best known songs in Raga Shankarabharanam.
Skill Level CV207
Kaligiyunte is a popular stage song, and one of the best known songs in Raga Keeravani.
Skill Level CV207
Vallabha Nayakasya is a popular stage song, and one of the best known songs in Raga Begada.
Skill Level CV109
Maha Ganapathim is a popular stage song, and one of the best known songs in Raga Natta.
Skill Level CV204
Theeradha Vilayatu Pillai is a popular stage song, and a very good example of Ragamalika.
Skill Level CV204
Kurai Onrum Illai is a popular stage song composed by Shri Raajaaji, and a well known Ragamalika.
Skill Level CV203
Krishna Nee Begane is a popular stage song, and one of the best known songs in Raga Yamunakalyani.
Skill Level CV209
Shri Chamundeshwari is a popular stage song, and one of the best known songs in Raga Bilahari.
Skill Level CV209
Garuda Gamana-is a composition of Patnam Subramanya Iyer in a rare raga NaagaswaravaLi.
Skill Level CV204
Jagado dharana is a popular stage song, and one of the best known songs in Raga Kapi.
Skill Level CV204
Sri chakra raja is a popular stage song, and a well known Ragamalika.
Skill Level CV204
Alai payudhe is a popular stage song, and one of the best known songs in Raga Kanada.
Skill Level CV202
Marugelara is a popular stage song, and one of the best known songs in Raga Jayantasri.
Skill Level CV203
Samaja varagamana is a popular stage song, and one of the best known songs in Raga Hindolam.
Skill Level CV202
Sudha mayi is a popular stage song which is set in Amruthavarshini
Skill Level CV202
Himadri suthe is a popular composition in Kalyani
Skill Level CV208
Sri Kamakoti is a beautiful composition in Saveri
Skill Level CV208
Saatileni is a well known composition in Purvikalyani
Skill Level CV205
It is a popular stage song in Malayamarutha
CV201
Bantureeti is a popular composition of Shri Thyagaraja in raga Hamsanada. In this composition Shri Thyagaraja pleads with Rama to give him the post of a guard for Raama; symbolically meaning that he always wants to be in Sri rama's sannidhi (in his …
Nagumomu is a popular composition of Shri Thyagaraja in raga Abheri. In this composition Shri Thyagaraja says he misses Lod Raama's charming smile-lit face.Knowing Thyagaraja swamy asks Lord raama to protect him through this kriti.
A beautiful composition in the raga gowri manohari set to Adi tala, a composition of Garbapuri Vasan.
A Composition of Narayana Teertha, which is termed as tarangam.This composition is in raga Neelambari.This composition is one of the songs from a Sanskrit opera of Narayana Teertha.The songs are popularly called "Tarangas" means waves. The lyrics ar…
Manasa sancharare is one of the most popular compositions of Shri Sadashiva Brumhendrar. It is set in raga Sama, tala Adi.
Naada thanumanisham is a beautiful composition by saint Thyagaraja. The composition is in the praise of lord Shankara.
Saint Thiagaraja’s grand Ghana raga pancharatna is a must for all music students. Here we learn the last one in sree raga. The unique feature of this composition is that it starts on the second count of the thala. Here also the student is able…
Any student of music who is passionate to learn and understand the theory and history of music. It would definitely help if the student has some previous learning in this system of music.
This is the first of the series of Carnatic music theory . This descibes and defines some of the basic terminologies used in music.
An existing competency in creating music, combined with a thoughtful awareness of drama and human emotion will be critical assets to draw upon from your own background. You should be comfortable with the features and workings of your DAW (digital audio workstation) of choice, be it Logic, Pro Tools, Digital Performer, or any of the other programs specifically listed.
You should have the following prerequisite musical and technical skills:
Complete Guide to Film Scoring: The Art and Business of Writing Music for Movies and TV by Richard Davis, Berklee Press/Hal Leonard
Software Requirements
All Users
Mac Users
PC Users
Today, more than ever, music fulfills a vital role in feature films, documentaries, and television shows. The works of Wes Anderson (Rushmore, The Royal Tenenbaums) and David Lynch (Twin Peaks, Blue Velvet) are almost as well known for their musica…
Completion of any of the following sequencing courses: Producing Music with Logic, Pro Tools 101, Producing Music with Cubase, and Music Theory 101 or equivalent knowledge and experience is required.
Students must have:
None required
Mac Users
PC Users
Learn to write and apply traditional orchestration techniques to both sampled performances and live orchestral performances. Orchestration skills are an increasingly hot commodity. Placement on television, in video games and animation, and other mo…
Interest in music and devotional songs
Understand and sing the Suprabhatam – a devotional song written in the praise of the Hindu God Lord Vishnu. Focuses on teaching students how to musically render the 28 stanzas of the composition with the right enunciation and pitch
A pack of 15 devotional songs Self learning courses listed below, each with its own OMBook. You will find instuctional videos, lyrics, notations, practice/recording tools and more inside the OMBooks You can submit one practice recording per co…
This course will take children on a musical field trip to different places around the world - they will learn songs from different regions They will have a glimse into different languages and cultures
Age group----3 to 5 years
Learning the concepts of Hindustani Music with the help of songs. Learn the mapping of simple rhymes to Indian Swaras and learn the position of swaras.Learn a song which explains the concept of rhythm and tempo.Also learning few theme based songs in…
Age group - 5 years +
Learning the concepts of Hindustani Music with the help of songs. Learn the mapping of simple rhymes to Indian Swaras and learn the position of swaras.Learn a song which explains the concept of rhythm and tempo.Also learning few theme based songs in…
No prior knowledge is mandatory, but having a basic understanding of basic musical terminologies and the guitar is suggested. Access to a guitar and metronome is requred.
The course provides a solid fundamental to get you started playing guitar and music in general. Students start off with developing an awareness in identifying the different parts of the instrument. This then translates in learning the names and numb…
Guitarists should have at least one year of playing experience and the ability to play some chords on the guitar. Guitar tablature and chord blocks, in addition to traditional notation, will be used throughout the course.
Berklee Jazz Guitar Chord Dictionary by Rick Peckham, Berklee Press/Hal Leonard
A recording tool is provided within the course that will allow students to record videos of themselves playing for assignment submission. Alternatively, students can use a digital camera, smartphone, or tablet to record assignments.
All Users
Mac Users
PC Users
Many beginning guitarists have learned the basics of open and moveable chord shapes, but aren't sure how or why the individual notes within the chord work so well together, or the ways by which they can expand this chord knowledge to unlock the fret…
Guitarists should have at least one year of playing experience and the ability to play some scales and chords on the guitar. Guitar tablature and some chord blocks, in addition to traditional notation, will be used throughout the course.
None required
A recording tool is provided within the course that will allow students to record videos of themselves playing for assignment submission. Alternatively, students can use a digital camera, smartphone, or tablet to record assignments.
All Users
Mac Users
PC Users
Scale study is a fundamental building block to guitar mastery. Accomplished guitarists use scales to add color, mood, depth and feeling to their playing. When you hear an amazing solo by Frank Zappa or Robert Fripp, you can be sure that these player…
Completion of Guitar Chords 101 and Guitar Scales 101 or equivalent knowledge is required. Students should have intermediate playing skills and be comfortable using open position chords, power chords, and executing simple single-note leads.
None required
All Users
Mac Users
PC Users
Having a command of scales, chords, styles and techniques is fundamental for any guitar player who wants to play better. Getting Your Guitar Sound provides you with the skills to actually sound better by teaching you to use your ears, hands, and th…
Course is for Grade 1 students between the age group of 6.5 to 7.5yrs. This is grow with music program where they will learn about music and also use music for lateral learning.
The GWM program is aimed at taking music to children in schools. Apart from learning the musical elements, students are exposed to application of these concepts to further their cognitive and social development. The course is aimed at helping childr…
Age group between 4.5 to 5.5 years
For Lower Kindergarten kids (4.5 to 5.5 years)
Age group between 5.5 to 6.5 years
For Upper KG kids ( 2.5 to 3.5 yrs)
Age group between 2.5 to 3.5 years
For Toddlers ( 2.5 to 3.5 yrs)
Age group between 3.5 to 4.5 years
For Pre Kindergarten kids (3.5 to 4.5 years)
Age 2.5 to 4
Every child is born with musical abilities. Nurturing these skills from a very early age, will develop and build a very strong appreciation and foundation in music. This program is designed to start little ones from the age of 2.5 to 4 to experience…
Every child is born with musical abilities. Nurturing these skills from a very early age, will develop and build a very strong appreciation and foundation in music. This program is designed to start little ones from the age of 2.5 to 4 to experience…
Every child is born with musical abilities. Nurturing these skills from a very early age, will develop and build a very strong appreciation and foundation in music. This program is designed to start little ones from the age of 2.5 to 4 to experience…
Age 4+ to 6 years
This course is ideal to initiate children aged 4+ to 6 years into the wonderful world of music. In this course, we will introduce the basic elements of music such as Steady beat , Tempo, Pitch and swaras. The aim is to get children interes…
In this course, we reinforce the basic concepts introduced in GWM 102A such as beats, tempo, pitch, swaras, and dynamics and take it a level up by introducing 'grouping of beats' and beat patterns. Students will learn the connection of swaras and me…
In this course there will be a reinforcement of topics covered in GWM 102B and students will learn the concept of ‘on beat’ and ‘offbeat’. We will also introduce Timescale for beat patterns. The students will see the relation…
Age: 6+ to 8
This course has been designed for students from the ages 6+ to 8 years.Students will be exposed to different activities and singing leading to understanding music and its elements. Students will have fun singing from a wide range of genres which wil…
This course has been designed for students from the ages 6+ to 8 years.Students will be exposed to different activities and singing leading to understanding music and its elements. Students will have fun singing from a wide range of genres which wil…
This course has been designed for students from the ages 6+ to 8 years.Students will be exposed to different activities and singing leading to understanding music and its elements. Students will have fun singing from a wide range of genres which wil…
Ages 8+ to 10
This course has been designed for the age group 8+ to 10 years of age. Children at this age have clear preference on their musical choices and this program will offer students a platform outside the classical discipline. Children can learn and …
This course has been designed for the age group 7 to 10 years of age. Children at this age have clear preference on their musical choices and this program will offer students a platform outside the classical discipline. Children can learn and enjoy …
This course has been designed for the age group 8 to 10 years of age. Children at this age have clear preference on their musical choices and this program will offer students a platform outside the classical discipline. Children can learn and enjoy …
This course has been designed for students of the age group 10 to 12 years. In this program, the basic elements of music will be simplified and taught through activities. Students will have fun singing from a wide range of genres which will help the…
This course has been designed for students of the age group 10 to 12 years. In this program, the basic elements of music will be simplified and taught through activities. Students will have fun singing from a wide range of genres which will help the…
The GWM program is aimed at taking music to children in schools. Apart from learning the musical elements, students are exposed to application of these concepts to further their cognitive and social development. The course is aimed at helping childr…
The GWM program is aimed at taking music to children in schools. Apart from learning the musical elements, students are exposed to application of these concepts to further their cognitive and social development. The course is aimed at helping childr…
-
The GWM program is aimed at taking music to children in schools. Apart from learning the musical elements, students are exposed to application of these concepts to further their cognitive and social development. The course is aimed at helping childr…
You should be 14+ and have an interest in learning music.
This program is aimed for students who want to learn Hindi Movie songs as a hobby. This is a group singing program. In this program, students learn basics of singing and learn 2 popular Hindi Songs selected from a song library. This will be 12 weeks…
Learn to sing one of Kishore Kumar's all time hit song "Pal Pal Dil Ke Paas Tum Rehte Ho" from the movie Blackmail. This course will teach you the lyrics, the musical composition and the inflections and ornamentations of the song that bring out the …
Learn to sing one of Shankar-Ehsaan-Loy’s melodious compositions as sung by Mahalakshmi Iyer - “Chup Chup Ke Chup Chup Ke” from the movie “Bunty aur Babli”. This course will focus on teaching the lyrics, the musical com…
The course "Maa" from the movie Taare Zameen Par provides a unique opportunity to learn from Shankar Mahadevan, who is the OM Book artist for the course. Through instructional videos, Shankar will teach the lyrics, musical composition and the inflec…
Learn to sing one of the popular song from the movie Yadoon ki baarat - 'Chura Liya" sung by Asha Bhosle and Mohamed Rafi. This course will teach you the lyrics, the musical composition and the inflections and ornamentations of the song that bring o…
Learn to sing a song "Behti Hawa Sa Tha Woh" from Aamir Khan's movie 3 Idiots- directed by Rajkumar Hirani. This course will introduce you to the beautiful lyrics by Swanand Kirkire, the musical composition of Shantanu Moitra and the inflections, or…
Prerequisites Overview Learn the melodious song by Lata Mangeshkar "Lag Ja gale" from the movie "Woh Kaun Thi?". This course will introduce you to the lyrics, the musical composition of Madan Mohan and the inflections, ornamentations & vibrato i…
Learn to sing one of Mohammed Rafi's all time hit songs "Shirdi Wale Sai Baba" from the movie Amar Akbar Anthony. This course will teach you the lyrics, the musical composition and the inflections and ornamentations of the song that bring out the em…
Learn to sing one of Lata Mangeshkar's all time hit songs “ Allah Tero Naam" from the movie 'Hum dono'. This course will teach you the lyrics, the musical composition and the inflections and ornamentations of the song that bring out the emotio…
Learn the melodious song by Sadhana Sargam and Udit Narayan from the movie “Kyun Ho Gaya Na”. This course will introduce you to the lyrics, the musical composition of Shankar, Eashan and Loy and the inflections, ornamentations & vibr…
Learn the melodious song by Mohammad Rafi and Asha Bhosle from the movie "Hum Dono". This course will introduce you to the lyrics, the musical composition of Jaidev and the inflections, ornamentations and vibrato in the song.
Learn to sing one of Minmini's beautiful songs Dil Hai Chota Sa from the movie Roja. This course will introduce you to the beautiful lyrics by P.K. Mishra, the musical composition of A R Rahman and the inflections, ornamentations and vibrato in the …
Learn to sing one of Udit Narayan's all time hit song "Papa Kehte Hain Hain" from the movie 'Qayamat Se qayamat Tak'. This course will teach you the lyrics, the musical composition and the inflections and ornamentations of the song that bring out th…
Learn the melodious song by Sonu Nigam "Saathiya" from the movie "Saathiya". This course will introduce you to the lyrics, the musical composition of A. R Rahman and the inflections, ornamentations and vibrato in the song.
Learn to sing one of Mohammed Rafi’s all time hit song “ Tere Mere Sapne” from the movie 'Guide'. This course will teach you the lyrics, the musical composition and the inflections and ornamentations of the song that bring out the …
In this course you learn to sing a lovely song “Rim Jhim Gire Saawan” from the 1979 movie “Manzil” sung by one of the most versatile singers of Bollywood, Kishore Kumar. This course will introduce you to the beautiful lyrics …
In this course you learn to sing a lively song "Haal Kaisaa Hai Janaab Ka" from the 1958 comedy movie "Chalti Ka Naam Gaadi" sung by the two most versatile singers of Bollywood, Kishore Kumar and Asha Bhosle. This course will introduce you to the pl…
In this course you learn to sing one of the golden oldies from India's Nightingale Lata Mangeshkar – "Ae Maalik Tere Bande Hum" from the 1960 movie "Do Aankhen Barah Haath". This course will introduce you to the lyrics, the beautiful musical c…
In this course you learn to sing one of the golden oldies from India's Nightingale Lata Mangeshkar – "O Saathi Re” from the movie "Muqaddar Ka Sikanadar". This course will introduce you to the lyrics, the beautiful musical composition of…
Learn the melodious song by Alka Yagnik "Gazab Ka Hai Din" from the movie "Qayamat Se Qayamat Tak". This course will introduce you to the lyrics, the musical composition of Anand- Milind and the inflections, ornamentations and vibrato in the song.
In this course you learn to sing “Aao Huzoor Tumko” from the 1968 movie “Kismat” sung by the versatile singer of Bollywood, Asha Bhosle. This course will introduce you to the inticing lyrics by Noor Dewasi, the musical compos…
In this course you learn to sing one of the golden oldies from the most versatile Asha Bhonsle – “Aaiye Meherbaan” from the 1960 movie “ Howrah Bridge”. This course will introduce you to the lyrics, the beautiful musica…
From 6 years onwards
"I am extremely excited to bring to you one of my all time favorite renditions on Ganesha - Gananayakaya which will be a self study course and I will be teaching you how to sing this beautiful song with the help of pre-recorded lessons" - Shankar Ma…
Itti si Hansi is a popular song from the Film Barfi. The music composed by Pritam and this is originally sung by Shreya Ghoshal and Nikhil Paul George.This course will introduce you to the lyrics, the musical composition and the inflections, ornamen…
In this course you learn to sing one of the most popular theme songs of Shankar Mahadevan – “De Ghumake” from the 2011 ICC World Cup Cricket". This course will introduce you to the lyrics, the beautiful musical composition of Shankar-Ehsaan-Loy and…
The title tracks of the movie Ae Dil Hai mushkil is one of the super hit blockbuster hits from the famous music director Pritam. It has been orginally sung by Arijith Singh.
A popular number from the film Khamoshiyan origianlly sung by Arijith Singh. This song has been composed by music director Jeeth Ganguly.
Learn to sing Poet Pandit Shardha Ram Phillauri 's evergreen devotional song "Om Jai Jagadish Hare".This song is about homage to Lord Vishnu. It is sung during Aarti (Puja) by devotees in chorus.
Soch Na Sake is a popular song from the fiml Airlift directed by Raja Krishna Menon, having Akshay Kumar play the lead. The music for this film has been composed by Amaal Malik and this song has been sung by Amaal Malik, Arijith Singh and Tulsi Kuma…
In this course you learn to sing a lovely song “Kabira” from the 2013 movie “yeh jawaani hai deewani” sung by one of the most versatile singers of Bollywood Rekha Bharadwaj and Tochi Raina. This course will introduce you…
Sun Raha Hai Na Tu is one of the most popular song from the hit movie "Ashiqui 2" sung by Shreya Ghoshal. The music has been composed by Ankit Tiwari for this song.
This song Iktara is from the movie Wake Up Sid, sung by Amitabh Bhattacharya and Kavita Seth.
Moh Moh Ke Dhaage lyrics song from movie Dum Laga Ke Haisha. The song is sung by Monali Thakur (Female Version) with lyrics is penned by Varun Grover while composed by Anu Malik.
Tere Sang Yaara is a very popular song from the movie Rustom which starrs Akshay Kumar and Ileana D'cruz.
In this course you learn to sing one of the recent hit songs from the most versatile Arijith Singh – “Sanam Re” from the 2016 movie “ Sanam Re”. This course will introduce you to the lyrics, the beautiful…
What's inside the learning pack? 7 self learning courses listed below, each with its own OMBook. You will find instuctional videos, lyrics, notations, practice/recording tools and more inside the OMBooks You can submit one practice recording p…
What's inside the learning pack? 6 self learning courses listed below, each with its own OMBook. You will find instuctional videos, lyrics, notations, practice/recording tools and more inside the OMBooks You can submit one practice recording per co…
What's inside the learning pack? 6 self learning courses listed below, each with its own OMBook. You will find instuctional videos, lyrics, notations, practice/recording tools and more inside the OMBooks You can submit one practice recording per co…
What's inside the learning pack? 6 self learning courses listed below, each with its own OMBook. You will find instuctional videos, lyrics, notations, practice/recording tools and more inside the OMBooks You can submit one practice recording per co…
What's inside the learning pack? 6 self learning courses listed below, each with its own OMBook. You will find instuctional videos, lyrics, notations, practice/recording tools and more inside the OMBooks You can submit one practice recording per co…
What's inside the learning pack? 6 self learning courses listed below, each with its own OMBook. You will find instuctional videos, lyrics, notations, practice/recording tools and more inside the OMBooks You can submit one practice recording per co…
What's inside the learning pack? 6 self learning courses listed below, each with its own OMBook. You will find instuctional videos, lyrics, notations, practice/recording tools and more inside the OMBooks You can submit one practice recording per co…
What's inside the learning pack? 6 self learning courses listed below, each with its own OMBook. You will find instuctional videos, lyrics, notations, practice/recording tools and more inside the OMBooks You can submit one practice recording per co…
N/A
What's inside the learning pack? 4 self learning courses listed below, each with its own OMBook. You will find instuctional videos, lyrics, notations, practice/recording tools and more inside the OMBooks You can submit one practice recording per co…
What's inside the learning pack? 6 self learning courses listed below, each with its own OMBook. You will find instuctional videos, lyrics, notations, practice/recording tools and more inside the OMBooks You can submit one practice recording per co…
What's inside the learning pack? 6 self learning courses listed below, each with its own OMBook. You will find instuctional videos, lyrics, notations, practice/recording tools and more inside the OMBooks You can submit one practice recording per co…
What's inside the learning pack? 6 self learning courses listed below, each with its own OMBook. You will find instuctional videos, lyrics, notations, practice/recording tools and more inside the OMBooks You can submit one practice recording per co…
15 self learning courses from the songs listed below, each with its own Online Music Book or OMBooks. You will find instuctional videos, lyrics, notations, practice/recording tools and more inside the OMBooks You can submit one practice recording p…
What's inside the learning pack? 5 self learning courses listed below, each with its own OMBook. You will find instuctional videos, lyrics, notations, practice/recording tools and more inside the OMBooks You can submit one practice recording per co…
What's inside the learning pack? 5 self learning courses listed below, each with its own OMBook. You will find instuctional videos, lyrics, notations, practice/recording tools and more inside the OMBooks You can submit one practice recording per co…
What's inside the learning pack? 6 self learning courses listed below, each with its own OMBook. You will find instuctional videos, lyrics, notations, practice/recording tools and more inside the OMBooks You can submit one practice recording per co…
What's inside the learning pack? 6 self learning courses listed below, each with its own OMBook. You will find instuctional videos, lyrics, notations, practice/recording tools and more inside the OMBooks You can submit one practice recording per co…
What's inside the learning pack? 6 self learning courses listed below, each with its own OMBook. You will find instuctional videos, lyrics, notations, practice/recording tools and more inside the OMBooks You can submit one practice recording per co…
What's inside the learning pack? 6 self learning courses listed below, each with its own OMBook. You will find instuctional videos, lyrics, notations, practice/recording tools and more inside the OMBooks You can submit one practice recording per co…
What's inside the learning pack? 6 self learning courses listed below, each with its own OMBook. You will find instuctional videos, lyrics, notations, practice/recording tools and more inside the OMBooks You can submit one practice recording per co…
What's inside the learning pack? 6 self learning courses listed below, each with its own OMBook. You will find instuctional videos, lyrics, notations, practice/recording tools and more inside the OMBooks You can submit one practice recording per co…
What's inside the learning pack? 6 self learning courses listed below, each with its own OMBook. You will find instuctional videos, lyrics, notations, practice/recording tools and more inside the OMBooks You can submit one practice recording per co…
What's inside the learning pack? 5 self learning courses listed below, each with its own OMBook. You will find instuctional videos, lyrics, notations, practice/recording tools and more inside the OMBooks You can submit one practice recording per co…
What's inside the learning pack? 6 self learning courses listed below, each with its own OMBook. You will find instuctional videos, lyrics, notations, practice/recording tools and more inside the OMBooks You can submit one practice recording per co…
What's inside the learning pack? 6 self learning courses listed below, each with its own OMBook. You will find instuctional videos, lyrics, notations, practice/recording tools and more inside the OMBooks You can submit one practice recording per co…
What's inside the learning pack? 4 self learning courses listed below, each with its own OMBook. You will find instuctional videos, lyrics, notations, practice/recording tools and more inside the OMBooks You can submit one practice recording per co…
Basic knowledge of piano and/or guitar. Ability to read sheet music and guitar tabs.
This course is for students who wish to learn to play Hindi Movie Songs on the piano and guitar. This course gives the student the piano sheets and guitar tabs required to be able to learn and play the song. The student may also submit their recordi…
This course is for students who wish to learn to play Hindi Movie Songs on the piano and guitar. This course gives the student the piano sheets and guitar tabs required to be able to learn and play the song. The student may also submit their recordi…
Basic knowledge of piano and/or guitar. Ability to read sheet music and guitar tabs.
This course is for students who wish to learn to play Hindi Movie Songs on the piano and guitar. This course gives the student the piano sheets and guitar tabs required to be able to learn and play the song. The student may also submit their recordi…
Basic knowledge of piano and/or guitar. Ability to read sheet music and guitar tabs.
This course is for students who wish to learn to play Hindi Movie Songs on the piano and guitar. This course gives the student the piano sheets and guitar tabs required to be able to learn and play the song. The student may also submit their recordi…
Basic knowledge of piano and/or guitar. Ability to read sheet music and guitar tabs.
This course is for students who wish to learn to play Hindi Movie Songs on the piano and guitar. This course gives the student the piano sheets and guitar tabs required to be able to learn and play the song. The student may also submit their recordi…
This course is for students who wish to learn to play Hindi Movie Songs on the piano and guitar. This course gives the student the piano sheets and guitar tabs required to be able to learn and play the song. The student may also submit their recordi…
This course is for students who wish to learn to play Hindi Movie Songs on the piano and guitar. This course gives the student the piano sheets and guitar tabs required to be able to learn and play the song. The student may also submit their recordi…
Basic knowledge of piano and/or guitar. Ability to read sheet music and guitar tabs.
This course is for students who wish to learn to play Hindi Movie Songs on the piano and guitar. This course gives the student the piano sheets and guitar tabs required to be able to learn and play the song. The student may also submit their recordi…
Basic knowledge of piano and/or guitar. Ability to read sheet music and guitar tabs.
This course is for students who wish to learn to play Hindi Movie Songs on the piano and guitar. This course gives the student the piano sheets and guitar tabs required to be able to learn and play the song. The student may also submit their recordi…
Basic knowledge of piano and/or guitar. Ability to read sheet music and guitar tabs.
This course is for students who wish to learn to play Hindi Movie Songs on the piano and guitar. This course gives the student the piano sheets and guitar tabs required to be able to learn and play the song. The student may also submit their recordi…
Basic knowledge of piano and/or guitar. Ability to read sheet music and guitar tabs.
This course is for students who wish to learn to play Hindi Movie Songs on the piano and guitar. This course gives the student the piano sheets and guitar tabs required to be able to learn and play the song. The student may also submit their recordi…
Basic knowledge of piano and/or guitar. Ability to read sheet music and guitar tabs.
This course is for students who wish to learn to play Hindi Movie Songs on the piano and guitar. This course gives the student the piano sheets and guitar tabs required to be able to learn and play the song. The student may also submit their recordi…
The minimum age for this course is 6 years completed. This course is best suited for children from 6 years to 9 years of age.
The HV100 series of courses for children are designed to introduce young children to Hindustani Music. These courses provide a foundation for young children to enjoy and appreciate Indian music. The lessons introduce the children to the fundamentals…
The student has completed HV100A at the academy OR
The child has learnt music, sings seven Shuddh Swaras in Swar and Aakar. The child is able to sing repetitive Alankar patterns and simple Alankar patterns (in rhythms of 2 and 3). The child is able to sing a prayer and a Hindi song(non film) in Sur and Taal. The admission in this case would be done as per the advise of experts at the academy.
This course is best suited for children of 6 years to 9 years of age
In this course HV100B, Shuddh Swar Saptak is reinforced with the song “Sa se Savan”. The mellifluous Bengali song introduces the rhythm of three. The child gets the exposure for singing with the Electronic Tanpura OR Tanpura app. There i…
The student has completed HV100B at the academy OR
The child has learnt music, sings seven Shuddh Swaras in Swar and Aakar. The child is able to sing repetitive Alankar patterns and simple Alankar patterns.
The child is able to sing a prayer and 2 Hindi songs (non film) in Sur and Taal. The admission in this case would be done as per the advise of experts at the academy.
This course is best suited for children of 6.5 years to 10 years of age
This is the third of the 4 courses designed to introduce young children to Hindustani Music. Know the names of the seven Swaras with a beautiful song “Ek Saptak mein’! This course includes a Sargam Geet/Swarmalika. This composition…
The student has completed HV100C at the academy OR
The child sings seven Shuddh Swaras in Swar and Aakar. The child is able to sing repetitive Alankar patterns and simple Alankar patterns (in rhythms of 2,3,4)
The child is able to sing a prayer and 3 Hindi songs (non film) in Sur and Taal. The admission in this case would be done as per the advise of experts at the academy.
This course is suitable for chidren from age of about 7 years to any age
This is one among the courses designed to introduce young children to Hindustani Music. This course includes a melodious Saraswati Vandana, and two Bhajans. Kheti Karo is a Bhajan by saint poet Kabir. The student reviews the songs learnt earlier.&nb…
The students who are of 7 yrs of age need to have previous learning experience of one year.
It is advisable that children less than age 10 years, who wish to learn Hindustani vocal start from HV100A of HV100 series courses. These are specially designed foundational courses. Children of age 10years or below may be moved to HV100 series of courses.
Interest in music and curiosity to discover the joy of learning are the other prerequisites. There is no upper age limit. Music can be learnt at any age.
This course is ideal for students looking to take their first steps into the world of Hindustani Vocal Music. The course aims at providing a strong foundation where learning is a process of constant discovery. The student acquires the ability to use…
In order to enrol for level HV102 the students should have completed Hindustani Vocal Beginner 101 from Academy or must demonstrate the ability to sing Shudh Swaras and simple Alankar patterns in different rhythm structures. They must be able to sing a Prayer or a song in Sur and Laya. They need to be able to sing Aaroh Avaroh of Raga Bhupali, Alankar in Raga Bhupali and a Bandish in Raga Bhupali in Sur and Laya.
This course reinforces the concepts of Swar Sadhana and patterning of Swaras by the repetitive practice of Alankars. The idea of Swara mapping is introduced to the student by taking up simple songs like Jana gana Mana OR Honge Kamyab. Samooha Gaan o…
Student should have completed HV102 from the academy OR; the student should have the ability to: • Create and sing Alankar patterns in Shuddh Swar Saptak and Ragas Bhupali and Durga • Render Chhota Khayal Bandish with simple Aalap and Taan in Ragas Bhupali and Durga • Create a Sargam Geet
The process of identifying Swaras may seem daunting but in reality it can be taught in such a way that the learner can pick up this skill by connecting the right dots. This is what the Beginner Hindustani Vocal 103 enables the learner to do. Differe…
Student needs to complete HV103 at the academy OR the student should demonstrate the ability to sing stable notes perfectly in tune with the Tanpura, to sing Chhota Khayal with self-created Aalap and Taan in Ragas Bhupali and Durga in Taal Teentaal and Jhaptaal, to create a Sargam Geet and present it, to listen to a musical sound and identify Swaras- at least one Swara sung at a time
This course, HV104 reinforces concepts of Swar Pehchan or Swara identification by practice of certain exercises. The Swar Sadhana process is unbroken and is enhanced by encouraging the student to create and sing various Swara patterns. The Raga that…
This course includes study of Raga characteristics. Raga Brindavani Sarang, a Raga that points out towards the folk music roots of Ragas is introduced. A Chhota Khayal in this Raga is learned in detail with Aalap, Bol Aalap and Taan. The principles …
The student needs to complete HV105 from the academy OR the student should be able to:
In this course the creative elements of Chhota Khayal are dealt with a deeper understanding of the Taal. The principles and guidelines to create Swar Vistar are reinforced. Aalap, BolAalap and Taan are practised to perform with confidence within the…
The student should have completed HV106 from the academy ‘OR’ the student should be able to:
This course HV107 reinforces the techniques of Swara Sadhana and Swara patterning with the practice of complex or Vakra Swara patterns. The Chhota Khayal in Raga Des is detailed out with development of Aalap and Taan, Bol Aalap gains focus. Raga Kaf…
The student should have completed HV107 at the academy or the student should be able to:
This course HV108 focuses on navigating from one Raga to another with ease. This is done with the practice of a variety of Swara patterns in each Raga and the Swar Vistar. The student creates a composition of a Sargam geet by taking two Ragas. …
The student should have completed HV110 with honours or high honours, at the academy and complete the Re level examination with honours or high honours OR The student should have at least 2.5 years of learning experience with an ability to sing a simple Swara Vistar,Chhota Khayal with self composed Aalap, Taan in at least eight Ragas. The student should be able to sing a Dhrupad composition with Dugun and a Tarana. The student should have the ability to compose a simple Sargam Geet in any of the Ragas learnt. The students who wish to join this level directly need to submit the prerequisite assessment assigned by the academy on enrolment
With the initiation into singing the Bada Khayal Bandish, the student enters the Intermediate level of learning. The Vilambit Laya forms the framework of the Bada Khayal. Practice of holding this slow Laya is given importance here in order to lay a …
The student should have completed HV201 at the academy OR The student should have above two years of learning experience with an ability to sing a simple Swara Vistar,Chhota Khayal with self composed Aalap, Taan in at least eight Ragas. The student should be able to sing a Dhrupad composition with Dugun, Tarana. The student should have the ability to compose a simple Sargam Geet and a Tarana in any of the Ragas learnt. Students who wish to join this level directly need to submit the prerequisite assessment assigned by the academy on enrolment
The singing of Bada Khayal is reinforced with the introduction of Aalap within the Bandish in Vilambit Ektaal. Raga Asavari and Raga Kedar are chosen for a detailed learning of Raga characteristics and Chhota khayal singing. Raga Malkauns is revisit…
The student should have completed HV202 at the academy OR The student should have above two years of learning experience with an ability to sing a simple Swara Vistar,Chhota Khayal with self composed Aalap, Taan in at least ten Ragas and Bada Khayal with basic Aalap in Yaman. The student should be able to sing a Dhrupad composition with Dugun and Tarana with improvisation. The student should have the ability to compose a simple Sargam Geet and a Tarana in any of the Ragas learnt. Students who wish to join this level directly need to submit the prerequisite assessment assigned by the academy on enrolment
The Bada Khayal learning is in Raga Bhupali. While singing the slow Aalap with the Bada Khayal there is a deeper understanding of the Raga characteristics. Bhupali Chhota Khayal is sung with improvisation. The improvisation here will be done with a …
The student should have completed HV203 at the academy OR The student should have about three years of learning experience, with an ability to sing a simple Swara Vistar,Chhota Khayal with self composed Aalap, Taan in at least ten Ragas. The student should be able to sing a Dhrupad composition with Dugun, Tarana with improvisation. The student should have the ability to compose a simple Sargam Geet in any of the Ragas learnt. The student should be able to sing Bada Khayal with basic Aalap in Yaman. Students who wish to join this level directly need to submit the prerequisite assessment assigned by the academy on enrolment
The singing of Bada Khayal in Bhupali is reinforced with the Aalap within the Bandish in Vilambit Ektaal. The Trivat in Bhupali is sung with rhythmic improvisation concepts. Raga Bhimpalasi Chhota Khayal is revisited with extempore Aalap. Dhrupad co…
The student should have completed HV204 at the academy OR The student should have three years of learning experience, with an ability to sing a Swara Vistar,Chhota Khayal with self composed Aalap, Taan in at least twelve Ragas. The student should be able to sing a Dhrupad composition with Dugun and Tarana. The student should have the ability to compose a simple Sargam Geet and a Tarana in any of the Ragas learnt. The student should be able to develop Aalap and sing Bada Khayal in Yaman and Bhupali. Students who wish to join this level directly need to submit the prerequisite assessment assigned by the academy on enrolment
The student at this level has developed a good sense of Vilambit Laya. The third Vilambit Khayal is learnt in the early morning melody Raga Bhairav. The Swar Vistar and Badhat within the Vilambit Khayal are done with the awareness of the nuances of …
The student should have completed HV205 at the academy OR The student should have the ability to sing a Swara Vistar, Chhota Khayal with self composed Aalap, Taan in at least twelve Ragas. The student should be able to sing a Dhrupad composition with Dugun and Tarana with improvisation. The student should have the ability to compose a simple Sargam Geet in any of the Ragas learnt. The student should be able to sing Bada Khayal in any two of Ragas Yaman, Bhairav, Bhupali. Students who wish to join this level directly need to submit the prerequisite assessment assigned by the academy on enrolment
In this course Raga Bageshri is studied. A Dhamar composition is introduced in Raga Bageshri and the Chhota Khayal is revisited. The relationship between Dhrupad and Dhamar is highlighted. Exploring the Bhakti Ras a Bhajan is learnt in Raga Tilang. …
The student should have completed HV206 at the academy OR The student should have above three years of learning experience, with an ability to sing a Swara Vistar, Chhota Khayal with self composed Aalap, Taan in at least twelve Ragas. The student should be able to sing a Dhrupad composition with Dugun with Dugun Tigun Chougun and Tarana with improvisation. The student should have the ability to compose a simple Sargam Geet and a Tarana in any of the Ragas learnt. The student should be able to develop Aalap within the Bada Khayal in Rags Yaman, Bhupali and Bhairav. Students who wish to join this level directly need to submit the prerequisite assessment assigned by the academy on enrolment
In this course we develop the understanding of three Ashraya Ragas: Marva, Kalyan and Bhairavi. Raga Marva is studied in greater detail. A Tarana is learnt in Marva, while reinforcing the placement of the notes in Marva, and the factors that differe…
The student should have completed HV207 at the academy OR The student should have about four years of learning experience, with an ability to sing a Swara Vistar, Chhota Khayal with self composed Aalap, Taan in at least fourteen Ragas. The student should be able to sing a Dhrupad composition with Dugun and Tarana. The student should have the ability to compose a simple Sargam Geet and a Tarana in any of the Ragas learnt. The student should be able to develop Aalap and sing Bada Khayal in Yaman, Bhupali and Bhairav. The student shouls be able to sing Taan with at least one of the Bada Khayals. Students who wish to join this level directly need to submit the prerequisite assessment assigned by the academy on enrolment
This course introduces the Vilambit Teentaal with the Bada Khayal in Bihag set to this slow paced 16 beat cycle. A Dhrupad in Bihag follows this. Raga Jaunpuri Chhota Khayal Bandish is learnt with a reference to how this Raga differs from Asavari th…
The student should have completed HV208 at the academy OR The student should have above five years of learning experience, with an ability to sing a Swara Vistar, Chhota Khayal with self composed Aalap, Taan in at least fourteen Ragas. The student should be able to sing a Dhrupad composition with Dugun, Tigun, Chougun and Tarana with improvisation. The student should have the ability to compose a simple Sargam Geet and a Tarana in any of the Ragas learnt. The student should be able to develop Aalap and Bol Aalap within the structure of the Bada Khayals in Ragas Bhupali, Yaman, Bhairav and Bihag, Layakari and Taan in Bada Khayal in at least one Bada Khayal. Students who wish to join this level directly need to submit the prerequisite assessment assigned by the academy on enrolment
Bada Khayal in Bhairav is revisited. Three Chhota Khayal compositions in Bhairav are in Teentaal, Ektaal and Jhaptaal. These compositions are sung with improvised Aalap and Taan. Raga Shankara comes in with its cascading Swara movements. The Chhota …
The student should have completed HV209 at the academy OR The student should have above five years of learning experience, with an ability to sing a Swara Vistar, Chhota Khayal with self composed Aalap, Taan in at least fifteen Ragas. The student should be able to sing a Dhrupad composition with Dugun, Chougun and Tarana with improvisation. The student should have the ability to compose a simple Sargam Geet and a Tarana in any of the Ragas learnt. The student should be able to sing Bada Khayals in at least 2 Ragas with Aalap, Bol Aalap, Layakari concepts like Bol Taan and Taan. The Ragas for Bada Khayal are Yaman, Bhupali, Bhairav and Bihag. Students who wish to join this level directly need to submit the prerequisite assessment assigned by the academy on enrolment.
At this point the learner has developed intense listening skills in both Sur and Taal. Hence the Ragas learnt earlier are reviewed with a new approach and skill level. Student is encouraged tossing extempore Aalap with different compositions like Ba…
The student has completed HV210 at the academy OR The student has learnt Chhota Khayal in about fifteen Ragas and is able to present at least 10 Ragas with Swar Vistar Aalap and Taan. The student is able to sing Bada Khayals with Aalap in Yaman, Bairav, Bhupali and Bihag
The development of each Raga learnt is detailed and the student is encouraged to sing extempore Swar Vistar and Aalap. Swar Sadhana is done with Aakar, Uukar and Mmkar. Raga Poorvi is the first Raga introduced in this course. The Raga descriptions a…
The student has completed HV301 at the academy OR The student has learnt Chhota Khayal in about fifteen Ragas and is able to present at least 10 Ragas with Swar Vistar Aalap and Taan. The student is able to sing Bada Khayals with Aalap in Yaman, Bairav, Bhupali and Bihag. The student is able to compose simple Sargam Geet/Tarana in the Ragas learnt.
The Raga introduced here is the mellifluous Jaijaivanti. The Ragaang system can be applied to study the Raga Roop with clarity. The student attempts to bring out the different shades of this Raga effectively. Swar Sadhana is done with Aakar, Uukar a…
The student has completed HV302 at the academy OR The student has learnt Chhota Khayal in about eighteen Ragas and is able to present at least 12 Ragas with Swar Vistar Aalap and Taan. The student is able to sing Bada Khayals with Aalap in Yaman, Bhairav, Bhupali,Bihag and Malkauns. The student is able to compose simple Sargam Geet/Tarana in the Ragas learnt.
In this course Raga Sohini is taken up for learning. The student has listened to this Raga and seen how Sohini has a different persona as compared to Marva. The study of Raga Chalan is important in this Uttarang Pradhan Raga. The Raga exploration is…
The student has completed HV303 at the academy OR The student has learnt Chhota Khayal in about eighteen Ragas and is able to present at least 12 Ragas with Swar Vistar Aalap and Taan. The student is able to sing Bada Khayals with Aalap in Yaman, Bairav, Bhupali, Malkauns and Bihag. The student is able to compose simple Sargam Geet/Tarana in the Ragas learnt.
The seosonal Raga Bahar is a part of this course. This Raga welcomes the arrival of spring with colourful phrases and combinations of Swaras. The Swar Sadhana concepts are reinforced and practiced regularly. The Bada Khayal in Bhimpalasi is further …
The student has completed HV304 at the academy OR The student has learnt Chhota Khayal in about twenty five Ragas and is able to present at least 12 Ragas with Swar Vistar Aalap and Taan. The student is able to sing Bada Khayals with Aalap in Yaman, Bhairav, Bhupali, Bihag and Malkauns. The student is able to compose Sargam Geet/Tarana in the Ragas learnt.
The association of Ragas with seasons has been an interesting study to every student of music. Raga Basant is introduced with a Chhota Khayal. Another Raga belonging to the Poorvi family is Paraj. Paraj can be differenciated from Basant with change …
The student has completed HV305 at the academy OR The student has learnt Chhota Khayal in about twenty seven Ragas and is able to present at least 14 Ragas with Swar Vistar Aalap and Taan. The student is able to sing Bada Khayals with Aalap in Yaman, Bhairav, Bhupali, Bihag, Bhimpalasi and Malkauns. The student is able to compose Sargam Geet/Tarana in the Ragas learnt set to different basic Taals.
Raga Todi signifies a myriad of emotions from pathos to ecstacy. The journey with this Raga begins here by introducing a Chhota Khayal. This is elaborated with Aalap and Taan. The Raga expresses itself most beautifuly in the Bada Khayal. In addition…
The student has completed HV306 at the academy OR the student has learnt Chhota Khayal in about thirty Ragas and is able to present at least 16 Ragas with Swar Vistar Aalap and Taan. The student is able to sing Bada Khayals with Aalap in Yaman, Bhairav, Bhupali, Bihag, Bageshri, Malkauns and one Thumri composition in Des or Khamaj. The student is able to compose Sargam Geet/Tarana in the Ragas learnt set to different basic Taals.
Raga Jaunpuri is a Raga which is similar to Asavari in substance. This course starts with Swar Sadhana in Jaunpuri Swaras. The Chhota Khayal in this Raga is reviewed. The essence of this Raga is explored by learning a Bada Khayal with Aalap and Taan…
The student has completed HV307 at the academy OR the student has learnt Chhota Khayal in about thirty five Ragas and is able to present at least 18 Ragas with Swar Vistar Aalap and Taan. The student is able to sing Bada Khayals with Aalap and Taan in Yaman, Bhairav, Bhupali, Bihag, Bageshri, Malkauns and one Thumri composition in Des or Khamaj. The student is able to compose Sargam Geet/Tarana in the Ragas learnt set to different basic Taals.
Darbari, as the name suggests is a majestic Raga. The Swar Sadhana includes the practice of Khatkas and meend. Swar Vistar is done with the knowledge of the Raga characteristics. Raga Darbari also called Darbari Kanada is further explored by learnin…
The student has completed HV308 at the academy OR the student has learnt Chhota Khayal in about thirty five Ragas and is able to present at least 20 Ragas with Swar Vistar Aalap and Taan. The student is able to sing Bada Khayals with Aalap and Taan in Yaman, Bhairav, Bhupali, Bihag, Bageshri, Malkauns, Jaijaivanti Todi and Darbari and one Thumri composition in Des or Khamaj. The student is able to compose Sargam Geet/Tarana in the Ragas learnt set to different basic Taals.
Raga Goud Malhar is a beautiful melody, the names indicating that this is sung during the rainy season. The Raga is derived from folk melodies and manifests itself in a unique way in its classical form. Raga Shree is introduced in this course. The S…
The student has completed HV309 at the academy OR the student has learnt Chhota Khayal in about thirty-five Ragas and is able to present at least 20 Ragas with Swar Vistar Aalap and Taan. The student is able to sing Bada Khayals with Aalap and Taan in Yaman, Bhairav, Bhupali, Bihag, Bageshri, Malkauns, Jaijaivanti, Bhimpalasi and one Thumri composition in Des or Khamaj. The student is able to compose Sargam Geet/Tarana in the Ragas learnt set to different basic Taals.
Raga Poorvi is one of the concert favourite evening Ragas. The Bada Khayal is learnt in this course with Aalap Badhat, Bol Aalap and Taan. Singing Swar Vistar, composing and singing various Swara patterns in the Paltas of Poorvi is practised during …
The student has completed HV310 at the academy OR the student has learnt Chhota Khayal in about thirty five Ragas and is able to present at least twenty Ragas with Swar Vistar Aalap and Taan. the student is able to sing Bada Khayals with Aalap and Taan.
Raga Multani is introduced in this course. Multani is one of the Ragas, which is sung elaborately. Beginning with the Swar Sadhana and Paltas in this Raga, we proceed into the Swar Vistar. This Raga though from Todi Thaat, has a Raga Swaroop of its …
The student has completed HV311 from the academy OR the student has Chhota Khayal in about thirty five Ragas and is able to present at least 20 Ragas with Swar Vistar, Aalap and Taan. The student is able to present 20 Bada Khayals with development. The Bada Khayal includes Ragas Yaman, Bhairav, Bhupali, Bihag, Bageshri, Bhimpalasi, malkauns, Jaijaivanti, Todi and Darbari. The student is able to compose ones own Sargam Geet/Tarana in the Ragas learnt set to various basic Taals.
Marva is a Gambhir Raga which paints the picture of the sunset with its contemplative Swaras. The Bada Khayal is sung with a peaceful Aalap Badhat. The Bada Khayal is followed by the Chhota Khayal in Marva. Raga Jog Madhya Laya Khayal and a Ta…
The student has completed HV312 from the academy OR the student has Chhota Khayal in about 35 Ragas and is able to present at least 22 Ragas with Swar Vistar, Aalap and Taan. The student is able to present 22 Bada Khayals with development. The Bada Khayal includes Ragas Yaman, Bhairav, Bhupali, Bihag, Bageshri, Bhimpalasi, Malkauns, Jaijaivanti, Todi and Darbari. The student is able to compose ones own Sargam Geet/Tarana in the Ragas learnt set to various basic Taals.
The students applying for this course need complete the pre requisite assessment.
The next Bada Khayal is in Raga Shuddha Kalyan. Shuddh Kalyan is a Raga which captivates your imagination with the beauty of Meend. Beginning with the Swar Sadhana and Paltas in this Raga, we proceed into the Swar Vistar. This Raga has Swaras o…
The student has completed HV313 from the academy OR the student has Chhota Khayal in about 35 Ragas and is able to present at least 22 Ragas with Swar Vistar, Aalap and Taan. The student is able to present 22 Bada Khayals with development. The Bada Khayal includes Ragas Yaman, Bhairav, Bhupali, Bihag, Bageshri, Bhimpalasi, Malkauns, Jaijaivanti, Todi and Darbari. The student is able to compose ones own Sargam Geet/Tarana in the Ragas learnt set to various basic Taals.
The students applying for this course need complete the pre requisite assessment.
Madhuvanti is a popular Raga. It is also a concert favourite Raga. A Chhota Khayal and Bada Khayal is learnt in Madhuvanti. The Swara Vistar is sung exploring this beautiful night melody. Raga Kaamod has been introduced earlier. In this course the i…
The student has completed HV314 from the academy OR the student has Chhota Khayal in about 35 Ragas and is able to present at least 23 Ragas with Swar Vistar, Aalap and Taan. The student is able to present 23 Bada Khayals with development. The Bada Khayal includes Ragas Yaman, Bhairav, Bhupali, Bihag, Bageshri, Bhimpalasi, Malkauns, Jaijaivanti, Todi and Darbari. The student is able to compose ones own Sargam Geet/Tarana in the Ragas learnt set to various basic Taals.
This morning Raga keeps you engrossed in its mood by the unique way of singing both the Madhyams and the Komal Dhaivat. Raga Lalit is sung in detail with the Bada Khayal and Chhota Khayal improvisation. The emotions of this Raga are expressed by the…
The student has completed HV315 from the academy OR the student has Chhota Khayal in about 35 Ragas and is able to present at least 25 Ragas with Swar Vistar, Aalap and Taan. The student is able to present 25 Bada Khayals with development. The Bada Khayal includes Ragas Yaman, Bhairav, Bhupali, Bihag, Bageshri, Bhimpalasi, Malkauns, Jaijaivanti, Todi and Darbari. The student is able to compose ones own Sargam Geet/Tarana in the Ragas learnt set to various basic Taals.
Raga Puriya Dhanashri is a concert favourite Raga. This Raga has got the depth of emotions, yet has a Raga Roop which is not complex. This Raga which can be sung in all three Saptaks is studied by ltaking a Bada Khayal as well as a Chhota Khayal in …
The student has completed HV316 at the academy OR the students who have completed about 8 years of learning. The students need to fulfill the prerequisites set by the acdemy.
For a Masters course, content mastery will be approached with a big picture idea. Each course will have a set of Ragas, selected on the basis of a general principle. It is expected that the student analyses the principle and hypothesizes on the link…
The student has completed HV401 at the academy OR the student has learnt Hindustani Vocal for above 8 years. The student needs to fulfill the pre requisites set by the academy.
This course will deal with three varieties of Malhar, the Raga family associated with the life giving season in India, the monsoons. Raga in this family is Miya ki Malhar and is attributed to Miya Tansen. In addition, this course will contain Goud M…
The student has completed HV402 at the academy OR the student has learnt Hindustani Vocal for 8.5 years. The student needs to fulfill the pre requisites set by the academy.
Three Ragas chosen for this course are evocative of seasons. Megh Malhar is sung during the Monsoon, Hemant in winter and Bahar in spring. The texts of Bandhishes in these Ragas as well as their Swara combinations will be explored in the light of th…
The student has completed HV403 at the academy OR the student has learnt Hindustani Vocal for above 8.5 years. The student needs to fulfill the pre requisites set by the academy.
We now move into a selection of morning Ragas, all with nuances and characteristics that a student at this level should be able to grasp: Gurjari Todi, which is very similar to Miya Ki Todi that the student has learnt earlier, except that it has no …
The student has completed HV404 at the academy OR the student has learnt Hindustani Vocal for at least 9 years. The student needs to fulfill the pre requisites set by the academy.
The Ragas chosen for this course are variants of one parent Raga – Bilaval. With the addition of shades of other Ragas, new personalities have emerged in the forms of Ragas Devgiri Bilaval, Kukubh Bilaval, Yamani Bilaval . In this course you w…
The student has completed HV405 at the academy OR the student has learnt Hindustani Vocal for above 9 years. The student needs to fulfill the pre requisites set by the academy.
The three Ragas chosen for this course Puriya Kalyan, Shyam Kalyan and Gorakh Kalyan, all have the title of Kalyan, but whereas the first two are combinations (Jod) of two Ragaangas to yield a variety of the parent Raga Kalyan. The study of how Puri…
The student has completed HV406 at the academy OR the student has learnt Hindustani Vocal for at least 9.5 years. The student needs to fulfill the pre requisites set by the academy.
The four Ragas, Desi, Bhatiyar, Ahir Bhairav and Vibhas are all morning Ragas and will be studied in the context of their distinctive features. Desi and Bhatiyar are both Vakra Ragas, their characteristic movement has twisted ascending and descendin…
The student has completed HV407 at the academy OR the student has learnt Hindustani Vocal for above 9.5 years. The student needs to fulfill the pre requisites set by the academy.
The three Ragas being explored in this course range from having six notes (Puriya) to five (Chandrakauns) and then four with a touch of the fifth to make it to the compulsory number to form a Raga (Hindol). In addition, this study will involve the u…
The student has completed HV408 at the academy OR the student has learnt Hindustani Vocal for at least 10 years. The student needs to fulfill the pre requisites set by the academy.
The three Ragas in this course, Nayaki Kanada, Kalavati and Madhuvanti will not just be explored with their distinctive characteristics in mind, the concept of Taals and Bandhishes will also be researched deeply through these Ragas. Nayaki Kanada, w…
The student needs to have completed HV110 at the academy OR the student needs to have the following skills- Alankar singing in different rhythm patterns.Ability to distiguish and sing Shudh, Komal and Tivra Swaras.Good sense of Laya and Taal. Student has learnt Chhota Khayal in at least 10 Ragas including Yaman with basic improvisattion.
This course , the first in the Raga Deep Dive provides an insight into Raga Yaman. Hindusthani classical music, the Ragdhari Sangeet is the music of improvisation within the perview of the Raga. Singing a Raga is much more than just making permutati…
The student has completed HV203 at the academy OR the student has practiced a variety of Alankars, the student has learnt Chhota Khayal in about 10 Ragas with Swar Vistar, Aalap and Taan.
The Raga deep dive courses are aimed at internalising Raga concepts. Bhupali also known as Raga Bhup is one of the first Ragas to be introduced to a student of classical music. The Raga can take the listener into flights of imagination with just fiv…
The student has completed HV304 at the academy OR the student has learnt Chhota Khayal in about 20 Ragas with Swar Vistar, Aalap and Taan. The student is able to sing Bada Khayals with Aalap and Taan in any 4 of the following Ragas- Yaman, Bhairav, Bhupali, Bihag, Bageshri, Malkauns, Bhimpalasi
The Raga deep dive courses are aimed at internalising Raga concepts. In this Raga Deepdive course Raga Todi is explored. Todi is a concert favourite morning Raga. Perfect Sur in the notes of this Raga can be achieved by complete focus and Swar Sadha…
The student has completed HV305 at the academy OR the student has learnt Chhota Khayal in about 25 Ragas with Swar Vistar, Aalap and Taan. The student is able to sing Bada Khayals with Aalap and Taan in Yaman, Bhairav, Bhupali, Bihag, Bageshri, Malkauns, Jaijaivanti, Bhimpalasi
The Raga deep dive courses are aimed at internalising Raga concepts. In this Raga Deep dive course Raga Darbari is explored. Darbari as the name suggests is a majestic Raga. This Raga is sung in the night. Darbari, also known as Darbari Kaanada is a…
The student has completed HV308 at the academy OR the student has learnt Chhota Khayal in about 25 Ragas with Swar Vistar, Aalap and Taan. The student is able to sing Bada Khayals with Aalap and Taan in Yaman, Bhairav, Bhupali, Bihag, Bageshri, Malkauns, Jaijaivanti, Bhimpalasi, Todi, Darbari
The Raga deep dive courses are aimed at internalising Raga concepts. In this Raga Deep dive course the popular Raga Puriya Dhanashri is explored. Raga Puriya Dhanashri is a beautiful evening Raga, which has got immense appeal with the seemingl…
The student has completed HV308 at the academy OR the student has learnt Chhota Khayal in about 25 Ragas with Swar Vistar, Aalap and Taan. The student is able to sing Bada Khayals with Aalap and Taan in Yaman, Bhairav, Bhupali, Bihag, Bageshri, Malkauns, Jaijaivanti, Bhimpalasi, Todi, Darbari
The Raga deep dive courses are aimed at internalising Raga concepts. Raga Shree leaves a student with no option but deep dive. This Raga can be identified distinctly, the unique melody takes shape not just by the Swara Samoohas but the Shrutis or mi…
The student has completed HV108 at the academy and completed the Sa level.
This course provides the reference material for the second level examination at the academy, the Re level. With the introduction of the concepts of Swar Vistar, the understanding of each Raga is more clear. Along with the Pakad the student has aware…
The student has completed Hindustani Vocal Beginner 103 course at the academy.
The Sa Level Exam summarizes and reinforces HV101, 102 and 103. The initiation into Swar Sadhana has been done at this level. This includes perfection in Shruti, Stability of note, singing with a free voice, practice with different vowel sounds Aaka…
The student could be a beginner. It would help if the student has been initiated into Shuddh Swara practice, patternning with Swaras and Rhythm patterns.
The student needs to be keen to learn and sing a variety of songs.
This course includes three beautiful melodies. These songs are suitable for singing in groups as well as solos. Learning these songs helps a learner to strengthen the basic ideas of Sur and Laya by applying these ideas in singing these s…
The student has been initiated into Shuddh Swara practice, patternning with Swaras and Rhythm patterns. The student is keen to learn and sing a variety of songs.
This course includes a variety of songs based on Hindustani classical music.
The student has completed HV104A in the academy OR any equivalent learning. The student has been initiated into Shuddh Swara practice, patterning with Swaras and Rhythm patterns. The student is keen to learn and sing a variety of songs
In this course, the musical journey continues with the learning of melodies that linger in our heart, the tunes or the Dhun that accompanies the fragrance of the soil. The Raga learnt is Brindavani Sarang, that traces its origin to familiar folk mel…
The student has completed HV104 at the academy OR has learnt the basics of Hindustani classical Music for at least 1.5 years.
Meerabai is one of the most loved and adored saint poets of the Bhakti stream which richly contributed to the music and literature of India. She wrote songs in praise of Lord Krishna This course has three Meera Bhajans, based on Ragas Yaman, Bh…
The student has completed HV104 at the academy OR the student has learnt Hindustani classical for at least one year.
Kabir is the mystic poet who greatly influenced the Bhakti movement and generations to come. His Bhajans represent the Nirguni stream of Bhakti. His poetry is deep in philosophy and simple in language. Kabir inspires a classical musician as well as …
• A student who has learnt Hindustani Classical Music for at least three years , OR
• A student who has completed the HV201 course in Shankar Mahadevan Academy
• A student who has completed the Madhyama Pratham of the Akhil Bharatiya Gandharva Mahavidyalaya
"I am very happy to bring to you a composition by my beloved Guru, Ustad Khadim Hussain Khan, in the Raga Alhaiya Bilaval. My disciple, Mallika Kilpady, will be teaching you this song in a pre-recorded lesson." - Lalith J. Rao"
• A student who has learnt Hindustani Classical Music for at least three years , OR
• A student who has completed the HV201 course in Shankar Mahadevan Academy
• A student who has completed the Madhyama Pratham of the Akhil Bharatiya Gandharva Mahavidyalaya
"I am very happy to bring to you a composition by my beloved Guru, Ustad Khadim Hussain Khan, in the Raga Bageshri. My disciple, Bharathi Prathap, will be teaching you this song in a pre-recorded lesson." - Lalith J. Rao"
"I am very happy to bring to you a composition by my beloved Guru, Ustad Khadim Hussain Khan, in the Raga Bageshri. My disciple, Pratima Bellave, will be teaching you this song in a pre-recorded lesson." - Lalith J. Rao"
• A student who has learnt Hindustani Classical Music for at least three years , OR
• A student who has completed the HV201 course in Shankar Mahadevan Academy
• A student who has completed the Madhyama Pratham of the Akhil Bharatiya Gandharva Mahavidyalaya
"I am very happy to bring to you a composition by my beloved Guru, Ustad Khadim Hussain Khan, in the Raga Bhairav. My disciple, Niketa Lele, will be teaching you this song in a pre-recorded lesson." - Lalith J. Rao"
• A student who has learnt Hindustani Classical Music for at least three years , OR
• A student who has completed the HV201 course in Shankar Mahadevan Academy
• A student who has completed the Madhyama Pratham of the Akhil Bharatiya Gandharva Mahavidyalaya
"I am very happy to bring to you a composition by my beloved Guru, Ustad Khadim Hussain Khan, in the Raga Bhairavi. My disciple, Bharathi Prathap, will be teaching you this song in a pre-recorded lesson." - Lalith J. Rao"
• A student who has learnt Hindustani Classical Music for at least three years , OR
• A student who has completed the HV201 course in Shankar Mahadevan Academy
• A student who has completed the Madhyama Pratham of the Akhil Bharatiya Gandharva Mahavidyalaya
"I am very happy to bring to you a composition by my beloved Guru, Ustad Khadim Hussain Khan, in the Raga Bhopali. My disciple, Niketa Lele, will be teaching you this song in a pre-recorded lesson." - Lalith J. Rao"
• A student who has learnt Hindustani Classical Music for at least three years , OR
• A student who has completed the HV201 course in Shankar Mahadevan Academy
• A student who has completed the Madhyama Pratham of the Akhil Bharatiya Gandharva Mahavidyalaya
"I am very happy to bring to you a composition by my beloved Guru, Ustad Khadim Hussain Khan, in the Raga Bihag. My disciple, Deepa Karnad, will be teaching you this song in a pre-recorded lesson." - Lalith J. Rao"
• A student who has learnt Hindustani Classical Music for at least three years , OR
• A student who has completed the HV201 course in Shankar Mahadevan Academy
• A student who has completed the Madhyama Pratham of the Akhil Bharatiya Gandharva Mahavidyalaya
"I am very happy to bring to you a composition by my beloved Guru, Ustad Khadim Hussain Khan, in the Raga Bihag. My disciple, Bharathi Prathap, will be teaching you this song in a pre-recorded lesson." - Lalith J. Rao"
• A student who has learnt Hindustani Classical Music for at least three years , OR
• A student who has completed the HV201 course in Shankar Mahadevan Academy
• A student who has completed the Madhyama Pratham of the Akhil Bharatiya Gandharva Mahavidyalaya
"I am very happy to bring to you a composition by my beloved Guru, Ustad Khadim Hussain Khan, in the Raga Brindavani Sarang. My disciple, Nishant Panicker, will be teaching you this song in a pre-recorded lesson." - Lalith J. Rao"
• A student who has learnt Hindustani Classical Music for at least three years , OR
• A student who has completed the HV201 course in Shankar Mahadevan Academy
• A student who has completed the Madhyama Pratham of the Akhil Bharatiya Gandharva Mahavidyalaya
"I am very happy to bring to you a composition by my beloved Guru, Ustad Khadim Hussain Khan, in the Raga Des. My disciple, Pratima Bellave, will be teaching you this song in a pre-recorded lesson." - Lalith J. Rao"
• A student who has learnt Hindustani Classical Music for at least three years , OR
• A student who has completed the HV201 course in Shankar Mahadevan Academy
• A student who has completed the Madhyama Pratham of the Akhil Bharatiya Gandharva Mahavidyalaya
"I am very happy to bring to you a composition by my beloved Guru, Ustad Khadim Hussain Khan, in the Raga Deshkar. My disciple, Meera Sahasrabudhe, will be teaching you this song in a pre-recorded lesson." - Lalith J. Rao"
• A student who has learnt Hindustani Classical Music for at least three years , OR
• A student who has completed the HV201 course in Shankar Mahadevan Academy
• A student who has completed the Madhyama Pratham of the Akhil Bharatiya Gandharva Mahavidyalaya
"I am very happy to bring to you a composition by my beloved Guru, Ustad Khadim Hussain Khan, in the Raga Jaunpuri. My disciple, Meera Sahasrabudhe, will be teaching you this song in a pre-recorded lesson." - Lalith J. Rao"
• A student who has learnt Hindustani Classical Music for at least three years , OR
• A student who has completed the HV201 course in Shankar Mahadevan Academy
• A student who has completed the Madhyama Pratham of the Akhil Bharatiya Gandharva Mahavidyalaya
"I am very happy to bring to you a composition by my beloved Guru, Ustad Khadim Hussain Khan, in the Raga Jog. My disciple, Manohar Patwardhan, will be teaching you this song in a pre-recorded lesson." - Lalith J. Rao"
• A student who has learnt Hindustani Classical Music for at least three years , OR
• A student who has completed the HV201 course in Shankar Mahadevan Academy
• A student who has completed the Madhyama Pratham of the Akhil Bharatiya Gandharva Mahavidyalaya
"I am very happy to bring to you a composition by my beloved Guru, Ustad Khadim Hussain Khan, in the Raga Kafi. My disciple, Manohar Patwardhan, will be teaching you this song in a pre-recorded lesson." - Lalith J. Rao"
• A student who has learnt Hindustani Classical Music for at least three years , OR
• A student who has completed the HV201 course in Shankar Mahadevan Academy
• A student who has completed the Madhyama Pratham of the Akhil Bharatiya Gandharva Mahavidyalaya
"I am very happy to bring to you a composition by my beloved Guru, Ustad Khadim Hussain Khan, in the Raga Kedar. My disciple, Tara Kini, will be teaching you this song in a pre-recorded lesson." - Lalith J. Rao"
• A student who has learnt Hindustani Classical Music for at least three years , OR
• A student who has completed the HV201 course in Shankar Mahadevan Academy
• A student who has completed the Madhyama Pratham of the Akhil Bharatiya Gandharva Mahavidyalaya
"I am very happy to bring to you a composition by my beloved Guru, Ustad Khadim Hussain Khan, in the Raga Khamaj. My disciple, Mallika Kilpady, will be teaching you this song in a pre-recorded lesson." - Lalith J. Rao"
• A student who has learnt Hindustani Classical Music for at least three years , OR
• A student who has completed the HV201 course in Shankar Mahadevan Academy
• A student who has completed the Madhyama Pratham of the Akhil Bharatiya Gandharva Mahavidyalaya
"I am very happy to bring to you a composition by my beloved Guru, Ustad Khadim Hussain Khan, in the Raga Puriya. My disciple, Nishant Panicker, will be teaching you this song in a pre-recorded lesson." - Lalith J. Rao"
• A student who has learnt Hindustani Classical Music for at least three years , OR
• A student who has completed the HV201 course in Shankar Mahadevan Academy
• A student who has completed the Madhyama Pratham of the Akhil Bharatiya Gandharva Mahavidyalaya
"I am very happy to bring to you a composition by my beloved Guru, Ustad Khadim Hussain Khan, in the Raga Shankara. My disciple, Niketa Lele, will be teaching you this song in a pre-recorded lesson." - Lalith J. Rao"
• A student who has learnt Hindustani Classical Music for at least three years , OR
• A student who has completed the HV201 course in Shankar Mahadevan Academy
• A student who has completed the Madhyama Pratham of the Akhil Bharatiya Gandharva Mahavidyalaya
"I am very happy to bring to you a composition by my beloved Guru, Ustad Khadim Hussain Khan, in the Raga Shree. My disciple, Nishant Panicker, will be teaching you this song in a pre-recorded lesson." - Lalith J. Rao"
• A student who has learnt Hindustani Classical Music for at least three years , OR
• A student who has completed the HV201 course in Shankar Mahadevan Academy
• A student who has completed the Madhyama Pratham of the Akhil Bharatiya Gandharva Mahavidyalaya
"I am very happy to bring to you a composition by my beloved Guru, Ustad Khadim Hussain Khan, in the Raga Sohini. My disciple, Kailash Kulkarni, will be teaching you this song in a pre-recorded lesson." - Lalith J. Rao"
• A student who has learnt Hindustani Classical Music for at least three years , OR
• A student who has completed the HV201 course in Shankar Mahadevan Academy
• A student who has completed the Madhyama Pratham of the Akhil Bharatiya Gandharva Mahavidyalaya
"I am very happy to bring to you a composition by my beloved Guru, Ustad Khadim Hussain Khan, in the Raga Tilak Kamod. My disciple, Bharathi Prathap, will be teaching you this song in a pre-recorded lesson." - Lalith J. Rao"
• A student who has learnt Hindustani Classical Music for at least three years , OR
• A student who has completed the HV201 course in Shankar Mahadevan Academy
• A student who has completed the Madhyama Pratham of the Akhil Bharatiya Gandharva Mahavidyalaya
"I am very happy to bring to you a composition by my beloved Guru, Ustad Khadim Hussain Khan, in the Raga Yaman Kalyan. My disciple, Meera Sahasrabudhe, will be teaching you this song in a pre-recorded lesson." - Lalith J. Rao"
• A student who has learnt Hindustani Classical Music for at least five years , OR
• A student who has completed the HV301 course in Shankar Mahadevan Academy
• A student who has completed the Visharad Pratham of the Akhil Bharatiya Gandharva Mahavidyalaya
"I am very happy to bring to you a composition by my beloved Guru, Ustad Khadim Hussain Khan, in the Raga Adana. My disciple, Kailash Kulkarni, will be teaching you this song in a pre-recorded lesson." - Lalith J. Rao"
• A student who has learnt Hindustani Classical Music for at least five years , OR
• A student who has completed the HV301 course in Shankar Mahadevan Academy
• A student who has completed the Visharad Pratham of the Akhil Bharatiya Gandharva Mahavidyalaya
"I am very happy to bring to you a composition by my beloved Guru, Ustad Khadim Hussain Khan, in the Raga Adana. My disciple, Pratima Bellave, will be teaching you this song in a pre-recorded lesson." - Lalith J. Rao"
• A student who has learnt Hindustani Classical Music for at least five years , OR
• A student who has completed the HV301 course in Shankar Mahadevan Academy
• A student who has completed the Visharad Pratham of the Akhil Bharatiya Gandharva Mahavidyalaya
"I am very happy to bring to you a composition by my beloved Guru, Ustad Khadim Hussain Khan, in the Raga Darbari. My disciple, Nishant Panicker, will be teaching you this song in a pre-recorded lesson." - Lalith J. Rao"
• A student who has learnt Hindustani Classical Music for at least five years , OR
• A student who has completed the HV301 course in Shankar Mahadevan Academy
• A student who has completed the Visharad Pratham of the Akhil Bharatiya Gandharva Mahavidyalaya
"I am very happy to bring to you a composition by my beloved Guru, Ustad Khadim Hussain Khan, in the Raga Goud Malhar. My disciple, Manohar Patwardhan, will be teaching you this song in a pre-recorded lesson." - Lalith J. Rao"
• A student who has learnt Hindustani Classical Music for at least five years , OR
• A student who has completed the HV301 course in Shankar Mahadevan Academy
• A student who has completed the Visharad Pratham of the Akhil Bharatiya Gandharva Mahavidyalaya
"I am very happy to bring to you a composition by my beloved Guru, Ustad Khadim Hussain Khan, in the Raga Gujari Todi. My disciple, Meera Sahasrabudhe, will be teaching you this song in a pre-recorded lesson." - Lalith J. Rao"
• A student who has learnt Hindustani Classical Music for at least five years , OR
• A student who has completed the HV301 course in Shankar Mahadevan Academy
• A student who has completed the Visharad Pratham of the Akhil Bharatiya Gandharva Mahavidyalaya
"I am very happy to bring to you a composition by my beloved Guru, Ustad Khadim Hussain Khan, in the Raga Hindol. My disciple, Manohar Patwardhan, will be teaching you this song in a pre-recorded lesson." - Lalith J. Rao"
• A student who has learnt Hindustani Classical Music for at least five years , OR
• A student who has completed the HV301 course in Shankar Mahadevan Academy
• A student who has completed the Visharad Pratham of the Akhil Bharatiya Gandharva Mahavidyalaya
"I am very happy to bring to you a composition by my beloved Guru, Ustad Khadim Hussain Khan, in the Raga Jaijaivanti. My disciple, Bharathi Prathap, will be teaching you this song in a pre-recorded lesson." - Lalith J. Rao"
• A student who has learnt Hindustani Classical Music for at least five years , OR
• A student who has completed the HV301 course in Shankar Mahadevan Academy
• A student who has completed the Visharad Pratham of the Akhil Bharatiya Gandharva Mahavidyalaya
"I am very happy to bring to you a composition by my beloved Guru, Ustad Khadim Hussain Khan, in the Raga Jhinjoti. My disciple, Nishant Panicker, will be teaching you this song in a pre-recorded lesson." - Lalith J. Rao"
• A student who has learnt Hindustani Classical Music for at least five years , OR
• A student who has completed the HV301 course in Shankar Mahadevan Academy
• A student who has completed the Visharad Pratham of the Akhil Bharatiya Gandharva Mahavidyalaya
"I am very happy to bring to you a composition by my beloved Guru, Ustad Khadim Hussain Khan, in the Raga Kamod. My disciple, Kailash Kulkarni, will be teaching you this song in a pre-recorded lesson." - Lalith J. Rao"
• A student who has learnt Hindustani Classical Music for at least five years , OR
• A student who has completed the HV301 course in Shankar Mahadevan Academy
• A student who has completed the Visharad Pratham of the Akhil Bharatiya Gandharva Mahavidyalaya
"I am very happy to bring to you a composition by my beloved Guru, Ustad Khadim Hussain Khan, in the Raga Komal Ri Asavari. My disciple, Meera Sahasrabudhe, will be teaching you this song in a pre-recorded lesson." - Lalith J. Rao"
• A student who has learnt Hindustani Classical Music for at least five years , OR
• A student who has completed the HV301 course in Shankar Mahadevan Academy
• A student who has completed the Visharad Pratham of the Akhil Bharatiya Gandharva Mahavidyalaya
"I am very happy to bring to you a composition by my beloved Guru, Ustad Khadim Hussain Khan, in the Raga Maru Bihag. My disciple, Manohar Patwardhan, will be teaching you this song in a pre-recorded lesson." - Lalith J. Rao"
• A student who has learnt Hindustani Classical Music for at least five years , OR
• A student who has completed the HV301 course in Shankar Mahadevan Academy
• A student who has completed the Visharad Pratham of the Akhil Bharatiya Gandharva Mahavidyalaya
"I am very happy to bring to you a composition by my beloved Guru, Ustad Khadim Hussain Khan, in the Raga Pilu. My disciple, Nishant Panicker, will be teaching you this song in a pre-recorded lesson." - Lalith J. Rao"
• A student who has learnt Hindustani Classical Music for at least five years , OR
• A student who has completed the HV301 course in Shankar Mahadevan Academy
• A student who has completed the Visharad Pratham of the Akhil Bharatiya Gandharva Mahavidyalaya
"I am very happy to bring to you a composition by my beloved Guru, Ustad Khadim Hussain Khan, in the Raga Shivaranjani. My disciple, Tara Kini, will be teaching you this song in a pre-recorded lesson." - Lalith J. Rao"
• A student who has learnt Hindustani Classical Music for at least five years , OR
• A student who has completed the HV301 course in Shankar Mahadevan Academy
• A student who has completed the Visharad Pratham of the Akhil Bharatiya Gandharva Mahavidyalaya
"I am very happy to bring to you a composition by my beloved Guru, Ustad Khadim Hussain Khan, in the Raga Shudh Sarang. My disciple, Meera Sahasrabudhe, will be teaching you this song in a pre-recorded lesson." - Lalith J. Rao"
• A student who has learnt Hindustani Classical Music for at least five years , OR
• A student who has completed the HV301 course in Shankar Mahadevan Academy
• A student who has completed the Visharad Pratham of the Akhil Bharatiya Gandharva Mahavidyalaya
"I am very happy to bring to you a composition by my beloved Guru, Ustad Khadim Hussain Khan, in the Raga Shudh Sarang. My disciple, Meera Sahasrabudhe, will be teaching you this song in a pre-recorded lesson." - Lalith J. Rao"
• A student who has learnt Hindustani Classical Music for at least nine years , OR
• A student who has completed the HV401 course in Shankar Mahadevan Academy
• A student who has completed the Alankar Pratham of the Akhil Bharatiya Gandharva Mahavidyalaya
"I am very happy to bring to you a composition by my beloved Guru, Ustad Khadim Hussain Khan, in the Raga Barwa. My disciple, Tara Kini, will be teaching you this song in a pre-recorded lesson." - Lalith J. Rao"
• A student who has learnt Hindustani Classical Music for at least nine years , OR
• A student who has completed the HV401 course in Shankar Mahadevan Academy
• A student who has completed the Alankar Pratham of the Akhil Bharatiya Gandharva Mahavidyalaya
"I am very happy to bring to you a composition by my beloved Guru, Ustad Khadim Hussain Khan, in the Raga Basant Bahar. My disciple, Manohar Patwardhan, will be teaching you this song in a pre-recorded lesson." - Lalith J. Rao"
• A student who has learnt Hindustani Classical Music for at least nine years , OR
• A student who has completed the HV401 course in Shankar Mahadevan Academy
• A student who has completed the Alankar Pratham of the Akhil Bharatiya Gandharva Mahavidyalaya
"I am very happy to bring to you a composition by my beloved Guru, Ustad Khadim Hussain Khan, in the Raga Basant Bahar. My disciple, Nishant Panicker, will be teaching you this song in a pre-recorded lesson." - Lalith J. Rao"
• A student who has learnt Hindustani Classical Music for at least nine years , OR
• A student who has completed the HV401 course in Shankar Mahadevan Academy
• A student who has completed the Alankar Pratham of the Akhil Bharatiya Gandharva Mahavidyalaya
"I am very happy to bring to you a composition by my beloved Guru, Ustad Khadim Hussain Khan, in the Raga Bihagada. My disciple, Bharathi Prathap, will be teaching you this song in a pre-recorded lesson." - Lalith J. Rao"
• A student who has learnt Hindustani Classical Music for at least nine years , OR
• A student who has completed the HV401 course in Shankar Mahadevan Academy
• A student who has completed the Alankar Pratham of the Akhil Bharatiya Gandharva Mahavidyalaya
"I am very happy to bring to you a composition by my beloved Guru, Ustad Khadim Hussain Khan, in the Raga Champak Bilaval. My disciple, Tara Kini, will be teaching you this song in a pre-recorded lesson." - Lalith J. Rao"
• A student who has learnt Hindustani Classical Music for at least nine years , OR
• A student who has completed the HV401 course in Shankar Mahadevan Academy
• A student who has completed the Alankar Pratham of the Akhil Bharatiya Gandharva Mahavidyalaya
"I am very happy to bring to you a composition by my beloved Guru, Ustad Khadim Hussain Khan, in the Raga Chandrakauns. My disciple, Bharathi Prathap, will be teaching you this song in a pre-recorded lesson." - Lalith J. Rao"
• A student who has learnt Hindustani Classical Music for at least nine years , OR
• A student who has completed the HV401 course in Shankar Mahadevan Academy
• A student who has completed the Alankar Pratham of the Akhil Bharatiya Gandharva Mahavidyalaya
"I am very happy to bring to you a composition by my beloved Guru, Ustad Khadim Hussain Khan, in the Raga Deepak Kedar. My disciple, Tara Kini, will be teaching you this song in a pre-recorded lesson." - Lalith J. Rao"
• A student who has learnt Hindustani Classical Music for at least nine years , OR
• A student who has completed the HV401 course in Shankar Mahadevan Academy
• A student who has completed the Alankar Pratham of the Akhil Bharatiya Gandharva Mahavidyalaya
"I am very happy to bring to you a composition by my beloved Guru, Ustad Khadim Hussain Khan, in the Raga Dhanashri. My disciple, Kailash Kulkarni, will be teaching you this song in a pre-recorded lesson." - Lalith J. Rao"
• A student who has learnt Hindustani Classical Music for at least nine years , OR
• A student who has completed the HV401 course in Shankar Mahadevan Academy
• A student who has completed the Alankar Pratham of the Akhil Bharatiya Gandharva Mahavidyalaya
"I am very happy to bring to you a composition by my beloved Guru, Ustad Khadim Hussain Khan, in the Raga Gorakh Kalyan. My disciple, Deepa Karnad, will be teaching you this song in a pre-recorded lesson." - Lalith J. Rao"
• A student who has learnt Hindustani Classical Music for at least nine years , OR
• A student who has completed the HV401 course in Shankar Mahadevan Academy
• A student who has completed the Alankar Pratham of the Akhil Bharatiya Gandharva Mahavidyalaya
"I am very happy to bring to you a composition by my beloved Guru, Ustad Khadim Hussain Khan, in the Raga Hindoli. My disciple, Kailash Kulkarni, will be teaching you this song in a pre-recorded lesson." - Lalith J. Rao"
• A student who has learnt Hindustani Classical Music for at least nine years , OR
• A student who has completed the HV401 course in Shankar Mahadevan Academy
• A student who has completed the Alankar Pratham of the Akhil Bharatiya Gandharva Mahavidyalaya
"I am very happy to bring to you a composition by my beloved Guru, Ustad Khadim Hussain Khan, in the Raga Kafi Kanhada. My disciple, Bharathi Prathap, will be teaching you this song in a pre-recorded lesson." - Lalith J. Rao"
• A student who has learnt Hindustani Classical Music for at least nine years , OR
• A student who has completed the HV401 course in Shankar Mahadevan Academy
• A student who has completed the Alankar Pratham of the Akhil Bharatiya Gandharva Mahavidyalaya
"I am very happy to bring to you a composition by my beloved Guru, Ustad Khadim Hussain Khan, in the Raga Kalyan Nat. My disciple, Meera Sahasrabudhe, will be teaching you this song in a pre-recorded lesson." - Lalith J. Rao"
• A student who has learnt Hindustani Classical Music for at least nine years , OR
• A student who has completed the HV401 course in Shankar Mahadevan Academy
• A student who has completed the Alankar Pratham of the Akhil Bharatiya Gandharva Mahavidyalaya
"I am very happy to bring to you a composition by my beloved Guru, Ustad Khadim Hussain Khan, in the Raga Khambavati. My disciple, Pratima Bellave, will be teaching you this song in a pre-recorded lesson." - Lalith J. Rao"
• A student who has learnt Hindustani Classical Music for at least nine years , OR
• A student who has completed the HV401 course in Shankar Mahadevan Academy
• A student who has completed the Alankar Pratham of the Akhil Bharatiya Gandharva Mahavidyalaya
"I am very happy to bring to you a composition by my beloved Guru, Ustad Khadim Hussain Khan, in the Raga Khambavati. My disciple, Manohar Patwardhan, will be teaching you this song in a pre-recorded lesson." - Lalith J. Rao"
• A student who has learnt Hindustani Classical Music for at least nine years , OR
• A student who has completed the HV401 course in Shankar Mahadevan Academy
• A student who has completed the Alankar Pratham of the Akhil Bharatiya Gandharva Mahavidyalaya
"I am very happy to bring to you a composition by my beloved Guru, Ustad Khadim Hussain Khan, in the Raga Khem Kalyan. My disciple, Deepa Karnad, will be teaching you this song in a pre-recorded lesson." - Lalith J. Rao"
• A student who has learnt Hindustani Classical Music for at least nine years , OR
• A student who has completed the HV401 course in Shankar Mahadevan Academy
• A student who has completed the Alankar Pratham of the Akhil Bharatiya Gandharva Mahavidyalaya
"I am very happy to bring to you a composition by my beloved Guru, Ustad Khadim Hussain Khan, in the Raga Lalita Bhairav. My disciple, Bharathi Prathap, will be teaching you this song in a pre-recorded lesson." - Lalith J. Rao"
• A student who has learnt Hindustani Classical Music for at least nine years , OR
• A student who has completed the HV401 course in Shankar Mahadevan Academy
• A student who has completed the Alankar Pratham of the Akhil Bharatiya Gandharva Mahavidyalaya
"I am very happy to bring to you a composition by my beloved Guru, Ustad Khadim Hussain Khan, in the Raga Lalita Gouri. My disciple, Meera Sahasrabudhe, will be teaching you this song in a pre-recorded lesson." - Lalith J. Rao"
• A student who has learnt Hindustani Classical Music for at least nine years , OR
• A student who has completed the HV401 course in Shankar Mahadevan Academy
• A student who has completed the Alankar Pratham of the Akhil Bharatiya Gandharva Mahavidyalaya
"I am very happy to bring to you a composition by my beloved Guru, Ustad Khadim Hussain Khan, in the Raga Lankadahan Sarang. My disciple, Mallika Kilpady, will be teaching you this song in a pre-recorded lesson." - Lalith J. Rao"
• A student who has learnt Hindustani Classical Music for at least nine years , OR
• A student who has completed the HV401 course in Shankar Mahadevan Academy
• A student who has completed the Alankar Pratham of the Akhil Bharatiya Gandharva Mahavidyalaya
"I am very happy to bring to you a composition by my beloved Guru, Ustad Khadim Hussain Khan, in the Raga Maluha Kedar. My disciple, Manohar Patwardhan, will be teaching you this song in a pre-recorded lesson." - Lalith J. Rao"
• A student who has learnt Hindustani Classical Music for at least nine years , OR
• A student who has completed the HV401 course in Shankar Mahadevan Academy
• A student who has completed the Alankar Pratham of the Akhil Bharatiya Gandharva Mahavidyalaya
"I am very happy to bring to you a composition by my beloved Guru, Ustad Khadim Hussain Khan, in the Raga Maluha Kedar. My disciple, Nishant Panicker, will be teaching you this song in a pre-recorded lesson." - Lalith J. Rao"
• A student who has learnt Hindustani Classical Music for at least nine years , OR
• A student who has completed the HV401 course in Shankar Mahadevan Academy
• A student who has completed the Alankar Pratham of the Akhil Bharatiya Gandharva Mahavidyalaya
"I am very happy to bring to you a composition by my beloved Guru, Ustad Khadim Hussain Khan, in the Raga Miya Ki Sarang. My disciple, Tara Kini, will be teaching you this song in a pre-recorded lesson." - Lalith J. Rao"
• A student who has learnt Hindustani Classical Music for at least nine years , OR
• A student who has completed the HV401 course in Shankar Mahadevan Academy
• A student who has completed the Alankar Pratham of the Akhil Bharatiya Gandharva Mahavidyalaya
"I am very happy to bring to you a composition by my beloved Guru, Ustad Khadim Hussain Khan, in the Raga Patdeepaki. My disciple, Kailash Kulkarni, will be teaching you this song in a pre-recorded lesson." - Lalith J. Rao"
• A student who has learnt Hindustani Classical Music for at least nine years , OR
• A student who has completed the HV401 course in Shankar Mahadevan Academy
• A student who has completed the Alankar Pratham of the Akhil Bharatiya Gandharva Mahavidyalaya
"I am very happy to bring to you a composition by my beloved Guru, Ustad Khadim Hussain Khan, in the Raga Poorva. My disciple, Manohar Patwardhan, will be teaching you this song in a pre-recorded lesson." - Lalith J. Rao"
• A student who has learnt Hindustani Classical Music for at least nine years , OR
• A student who has completed the HV401 course in Shankar Mahadevan Academy
• A student who has completed the Alankar Pratham of the Akhil Bharatiya Gandharva Mahavidyalaya
"I am very happy to bring to you a composition by my beloved Guru, Ustad Khadim Hussain Khan, in the Raga Ram Gouri. My disciple, Bharathi Prathap, will be teaching you this song in a pre-recorded lesson." - Lalith J. Rao"
• A student who has learnt Hindustani Classical Music for at least nine years , OR
• A student who has completed the HV401 course in Shankar Mahadevan Academy
• A student who has completed the Alankar Pratham of the Akhil Bharatiya Gandharva Mahavidyalaya
"I am very happy to bring to you a composition by my beloved Guru, Ustad Khadim Hussain Khan, in the Raga Ramdasi Malhar. My disciple, Kailash Kulkarni, will be teaching you this song in a pre-recorded lesson." - Lalith J. Rao"
• A student who has learnt Hindustani Classical Music for at least nine years , OR
• A student who has completed the HV401 course in Shankar Mahadevan Academy
• A student who has completed the Alankar Pratham of the Akhil Bharatiya Gandharva Mahavidyalaya
"I am very happy to bring to you a composition by my beloved Guru, Ustad Khadim Hussain Khan, in the Raga Sajan Sohini. My disciple, Bharathi Prathap, will be teaching you this song in a pre-recorded lesson." - Lalith J. Rao"
• A student who has learnt Hindustani Classical Music for at least nine years , OR
• A student who has completed the HV401 course in Shankar Mahadevan Academy
• A student who has completed the Alankar Pratham of the Akhil Bharatiya Gandharva Mahavidyalaya
"I am very happy to bring to you a composition by my beloved Guru, Ustad Khadim Hussain Khan, in the Raga Sawani. My disciple, Meera Sahasrabudhe, will be teaching you this song in a pre-recorded lesson." - Lalith J. Rao"
• A student who has learnt Hindustani Classical Music for at least nine years , OR
• A student who has completed the HV401 course in Shankar Mahadevan Academy
• A student who has completed the Alankar Pratham of the Akhil Bharatiya Gandharva Mahavidyalaya
"I am very happy to bring to you a composition by my beloved Guru, Ustad Khadim Hussain Khan, in the Raga Sawant Sarang. My disciple, Tara Kini, will be teaching you this song in a pre-recorded lesson." - Lalith J. Rao"
• A student who has learnt Hindustani Classical Music for at least nine years , OR
• A student who has completed the HV401 course in Shankar Mahadevan Academy
• A student who has completed the Alankar Pratham of the Akhil Bharatiya Gandharva Mahavidyalaya
"I am very happy to bring to you a composition by my beloved Guru, Ustad Khadim Hussain Khan, in the Raga Suha. My disciple, Nishant Panicker, will be teaching you this song in a pre-recorded lesson." - Lalith J. Rao"
• A student who has learnt Hindustani Classical Music for at least nine years , OR
• A student who has completed the HV401 course in Shankar Mahadevan Academy
• A student who has completed the Alankar Pratham of the Akhil Bharatiya Gandharva Mahavidyalaya
"I am very happy to bring to you a composition by my beloved Guru, Ustad Khadim Hussain Khan, in the Raga Sundershri. My disciple, Bharathi Prathap, will be teaching you this song in a pre-recorded lesson." - Lalith J. Rao"
• A student who has learnt Hindustani Classical Music for at least nine years , OR
• A student who has completed the HV401 course in Shankar Mahadevan Academy
• A student who has completed the Alankar Pratham of the Akhil Bharatiya Gandharva Mahavidyalaya
"I am very happy to bring to you a composition by my beloved Guru, Ustad Khadim Hussain Khan, in the Raga Sundershri. My disciple, Bharathi Prathap, will be teaching you this song in a pre-recorded lesson." - Lalith J. Rao"
Skill Level HV105
The song Jhoolat Radha describes Radha and Krishna playing Holi on the banks of Jamuna, brings in playful elements of Kafi, maintaining the emotion of Bhakti through Bhimpalasi
Skill Level HV105
"Ya Mohan Ke Main Roop Lubhani" -Meera describes the enchanting form of Lord Krishna. This is one of the beautiful songs representing Sagun Bhakti literature.
Skill Level HV108. Sudent has training in classical music for at least 2 years.
The revered and loved saint of the Bhakti era is Meera Bai. Her songs have been sung by great masters like Pt. D.V. Palukar and Pt. Omkarnath Thakur. Singers like M.S. Subbalakshmi, Kishori Amoankar and Parveen Sultana have sung these Bhajans in the…
Skill Level HV108
Naam Hari Ka' is a popular Bhajan of Kabir, emphasizing the need to recite 'Hari Naam' and feel the presense of the Divine in ones own self
Skill Level HV201
"Remember God as time is flying" says Kabir in this Bhajan 'Beet Gaye Din'. This song set to Raga Bhairavi is a concert favorite song.
Skill Level HV201
Rehena Nahin, Des Birana hai' is a popular Kabir Bhajan seeking for the Divine that is permanant. This song has been composed in Raga Brindavani Sarang set to Taal Dadra
Skill Level HV206
Humko Pandharpur Jaana' is set Tilang expressing enthusiasm to see the Lord of Pandharapur.
Skill Level HV210
Man Laago Yaar Fakiri Mein' has been a concert favorite song repesenting Kabir's philosophy in simple words. The path of devotion is more valuable than all the wealth in the world -this emotion is expressed effectively by Raga Todi
Skill Level HV210
This Surdas Bhajan is set to a rare and one of the most beautiful morning Ragas Anand Bhairav. This is set to tune by Smt. Apoorva Gokhale. 'Udho Kaho Hari' is a Bhajan which is a part of the conversation of the Gopikas and Uddhav, who has bee…
Skill Level HV103
Hey Prabho Anandadaata' is a popular and melodious Bhajan in Yaman set to Taal Roopak. Different singers have sung this Bhajan in their unique syles. This Bhajan can be sung very well as a group prayer also.
Skill Level HV102
This chanting of Ram Naam creates a peaceful atmosphere. This Bhajan in the immortal voice of Jagjit Singh touched many hearts
Skill Level HV202
The Bhajan 'Hari Hari Japle' describes the significance of chanting. This song is set to Raga Bageshri. Bageshri is a beautiful night melody. This Raga can be explored in all three Saptaks and is one of the most preffered Ragas for classical m…
Skill Level HV203
Prabhu Mori Binati Suno' is a popular Bhajan in the melodious Raga Bihag set to Taal Roopak
Skill Level HV205
The melodious and energetic Bhajan on Lord Shiva is in the Raga Shankara
Skill Level HV204
Hay Prabhu Tum Sab is a melodious and popular prayer which can be sung individually and can be presented very well in a group
Skill Level HV201
Jaya Devi' is a Saraswati Stuti in Sanskrit popularised by Smt. Veena Saharsabudde.
Skill Level HV302
Marma Bandhatali' is a well known Marathi Natya Geet from the play 'Sanyasta Khadga'. Written by Shankar Balaji Shastri, set to tune by Pt. Ramakrishna Bua Vazeand originally sung by Dinanath Mangeshkar, this song conveys the essence of Raga P…
Skill Level HV301
Daya Ghana is the enchanting melody based on Poorvi which has been sung by Suresh Wadkar for a movie based on the life of Master Dinanath Mangeshkar. This immortal song is written by Sudhir Moghe and the music has been composed be Hridaynath Mangesh…
Skill Level HV202
The Bhajan 'Nirbhay Nirgun' is one of the most loved Nirguni Bhajan of Pt. Kumar Gandharv. This song represents Kabir's philosophy of the Divine with no attributes, Nirgun, Nirakar
Skill Level HV202
The Bhajan 'Avadhuta Yugan Yugan Hum Yogi' is one of the most loved Nirguni Bhajan of Pt. Kumar Gandharv. This song represents Kabir's Bhakti and quest for finding the Divine within oneself.
Skill Level HV203
This beautiful Kabir Bhajan sung by Pt. Kumar Gandharva has been a favorite among listeners of music. There are versions based on folk traditions. Here we are making an effort to soak into the essence of Kumarji's iterpretation. His rendition is rhy…
Skill Level HV104
Santo Andhadhund Andhiyara' is a Bhajan where Kabir says ,'when there is darkness evrywhere find the light within oneself'. This song has been set to a lilting folk based tune by Smt.Bharati Balakrishnan in her album'Sagun Nirgun'
Skill Level HV106
Mati Kahe' is one of the most loved Kabir Bhajans popularised by Smt. Laksmi Shankar
Skill Level HV102
Kheti Karo' is a Kabir Bhajan which can be highlighted as the best example of how Kabir could explain his profound philosophy of Bhakti in simple language. This Bhajan is sung in a lilting folk based tune and traditional Bhajan style.
Skill Level HV301
Sunta Hai' is a well known song which conveys the essense of Kabir's teachings. The song has been immortalised by Pt. Kumar Gandharv.
Skill Level HV206
Moko Kahan' is a popular and often sung Kabir Bhajan. This song has been beautifully composed in Raga Kalavati.
Skill Level HV201
Bhajo re Bhaiya' is a well known and enjoyable Kabir Bhajan. This song has been immortalised by Smt. M.S. Subbalakshmi
Skill Level HV207
Jheeni Chadariya' is a well known song which conveys the essense of Kabir's teachings. This song has been set to tune in Raga Charukeshi by the Gundecha brothers
Skill Level HV205
Jamuna Kinare is a melody emerging from the culturally rich land of Malwa. This folk melody is based on Raga Pahadi. It is interesting to see the transition of these melodies into classical music, to develop this unique genere of light classical mus…
Skill Level HV106
Aali Mohe laage Brindavan is a beautiful Meera Bhajan set to an uplifting tune in Raga Des and Taal Ropak by Sri Ravindra P Diwe.
Skill Level HV202
Karam Ki Gati' is a Meera Bhajan which stands out because the nature of the content in this particular Bhajan is Nirgun unlike other Meera Bhajan's. This song has been composed by Hridaynath Mangeshkar and sung by Lataji.
Skill Level HV205
Sawara re' is one of the most often sung Meera Bhajans in Raga Manj Khamaj
Skill Level HV205
Meera is the revered and loved saint poet of the Bhakti era. She wrote songs on devotion and her pursuit to spirituality was path breaking. Her love for Krishna is unparalleled. This song describes the pain of seperation of the soul or Atman from th…
Skill Level HV301
Meera Bai is the revered and loved saint of the Bhakti era. Her songs have been immortalised by great masters like Pt. D.V. Palukar and Pt. Omkarnath Thakur. Singers like M.S. Subbalakshmi, Kishori Amoankar and Parveen Sultana have sung these …
Skill Level HV107
Meera Bhajans sung by Lata Mangeshkar are all time favourites. Thaani Kai Kai Bol Sunava' is a popular Meera Bhajan sung in a lively rhythm. This song has been set to music by Hridaynath Mangeshkar. This sweet Bhajan sung in a lilting tune is learnt…
Skill Level HV202
Payoji Maine' is the evergreen Meera Bhajan which is a concert favourite. This Bhajan has been immortalised by Pt. D. V. Paluskar. This Bhajan has been later sung by Lataji and various artists in Hindustani as well as Carnatic music styles.
Skill Level HV202
Chalo Mann is a popular Meera Bhajan which has been immortalised by Pt. D.V. Paluskar.
Skill Level HV103
Kinaare Lagao is a Meera Bhajan which expresses profound thought in simple language. This is an attractive melody based on Raga Tilak Kamod, suitable for singing together.
The student has learnt Classical music for at least an year OR Skill Level HV107
Sri Ramachandra is a concert favourite Bhajan soaked in the beauty of the Raga Yaman Kalyan and the Bhakti of TulasiDas. This Bhajan is set to Taal Rupak. This song has been sung by various artists in their unique styles.
Skill Level HV302 or the equivalent level of learning
Jaya Rama Ramaa Ramanam is the beautiful Sanskrit verse from the Ramcharitmanas of Tulasidasji. This has been set to tune in the soothing Swaras of Raga Jaijaivanti. The characteristic expressions of the Raga can be achieved by regular Swar Sadhana.…
Skill Level HV202
Thumak Chalat is the Bhajan that paints the picture of the toddler Sri Ram, just learning to walk. This song of Tulasidas is soaked in 'Vatsalya Bhava' describing affection. The Bhajan is set to Taal Dadra, a six beat rhythm cycle. This course maps …
The student needs to have learnt Hindustani classical music for at least 3 years.
Janaki Nath Sahay is the Tulasidas Bhajan soaked in Bhakti. This song has been immortalised by Pt. D.V. Paluskar
Skill Level HV101
Hay Prabhu Tum Sab' is a melodious prayer in Raga Yaman. This can be sung individually and also in a group
Skill Level HV101
Vishwaadhaara Vinayaka is a melodious prayer to Lord Ganesha. This Ganesh Vandana can be sung individually and also in a group. This course includes a Shloka for composition
Skill Level HV203
Veena Vadini' is the Devi Stuti penned by Mahakavi Suryakant Tripathi 'Nirala'. The spirit of this song is effectively and skillfully expressed in Raga Hamsadhwani
The student has learnt Classical music for at least an year OR Skill Level HV106
Jaya jayati' is a popular stuti in Sanskrit sung in Raga Hamsadhrwani set to Taal Roopak. This is a verse from Goswamiji Tulasidas.This song has been performed and popularised by Carnatic and Hindustani classical singers.
Skill Level HV107
Darshan Do' is an enjoyable and popular devotional song. The deep feeling of devotion is beautifully expressed in Raga Kedar
The Skill Level recomended for this course is HV301. The student needs to have exposure to classical music for at least 4 years.
'Akhiyan Hari Darashan ki pyasi' is a song deeply immersed in the feeling of seperation from the Divine. The depth of devotion is portrayed by Ragas of the Pooriya family and Lalit. The Ragas seemlessly blend into each other highlighting the emotion…
Skill Level HV108
Tum Asha is the melodious and popular Prayer loved by all. This song has been sung by Lata Mangeshkar, composed by Hridaynath Mangeshkar and written by Pt. Narendra Sharma. This song is in the movie called 'Subah' . Students interested in HMS could …
Skill Level HV105
Mere maula Karam ho' is a well known Sufi song soaked in devotion and melody of Raga Pilu
Skill Level HV201
'O Laal meri' is a song that has been synonymous with Sufi singing. This song has been rendered by many artistes in their uniqe styles. This song of the Sufi saint Shabaz Kalandar is an all time favorite devotional song.
Skill Level HVS105
This evergreen Meera Bhajan set to Raga Yaman, describes the beautiful Lord who wears the peacock feather.
For any body who is looking for songs as lullabies for their child!
Did you know research shows that babies respond to music from the time they are in a mother's womb? That's why our Indian culture has a repertoire of songs that parents and grandparents use to introduce a baby to their mother tongue. It is an i…
Age group 3.5 years to 5 years
This course is for age group 3.5 to 5 yrs. At this age, kids are ready to take on the different adventures of the world. Their young minds are curious to seek and learn. It is clear that children are born with music and language skills usually follo…
Age 6.5 +
This course has been designed to teach hindustani music for children. In this category this is the first course, where hindustani basic concepts are introduced
Recommended for Age group of 10+yrs
This course has been designed to teach Hindustani Music for children. In this category this is the fourth course, where Hindustani Music basic concepts are Taught.
Discover your World through Music (3.5 years to 4.5 years)
Age group : 3.5 to 4.5. This age kids are still discovering the world outside their home.values like honesty, eating healthy, keeping their surroundings clean is imparted through songs and activities.Knowledge of parts of their body, different times…
Discover elements of Music (4.5years to 6 years)
Age group: 4.5 to 6.5.This age kids are ready to be taught elements of a song like tune, notes ,tempo and rhythm. Also they will be introduced to a musical instrument and different language song
Age 6.5 to 9
Age group: 6.5 to 9.This course will introduce three different genres of music, western classical,indian classical and folk to children. They will get familiar with these genres and understand the origin, meaning, instruments and other basic aspects…
Baby Steps to Music (2.5 years to 3.5years)
Age group : 2.5 to 3.5 In the age group,tiny tots step outside their homes, into the world of discovery. Music will be the primary medium towards teaching basic everyday concepts of their lives. Concepts like feelings, share, care, world of colors, …
Age group 2.5 to 6
This course, is built to get little ones interested in music. Basic classical concepts will be taught through Rhymes and Songs.
Ages 7 - 12 years
This course covers the basic elements of song composition. It will help students understand elements and build their own simple song.
Age group 6.5 to 10.5
This course will introduce and help children understand the various elements of music like tune, notes, rhythm,tempo and mood of a song through concept teaching, songs and activities. Also music will be used to enhance learning regular curriculum un…
5.5 yrs to 6.5 yrs
Age 2.5 +
Preschool kids will be using music in their curriculum units and also learning about basic elements of music. Language and festivals will be taught through music. The children will perform on stage through music.
Any one of Age 5+
Children enjoy melody and rhythm. This course is defined with the objective of introducing music to children using methodology that is fun and uses both guided-learning and self-learning. The latter by providing the learner opportunity for learning …
Age 6 years +
To teach the basics of hinustani Music in a simplified way. learn the basic concepts of sur,Laya and taal.
Students must be proficient with a professional-level DAW and sequencer of their choice (Digital Performer, Logic, SONAR, GarageBand, etc.), including the ability to record individual tracks, trace signal flow, complete a basic mix, route to and from effects and software instruments, and integrate any relevant MIDI gear as required. Students must have an advanced knowledge of MIDI sequencing, with the ability to edit pre-existing information. Students must also have an understanding of music theory and harmony, and be prepared to compose music and sound design elements in an appropriate genre for their game project. Knowledge of dramatic scoring techniques is suggested. Students should also be active as a casual gamer in some part of the industry whether it be console, computer, cell phone, or Web/Flash-based games.
Game Development Essentials: Game Audio Development by Jeannie Novak and Aaron Marks, Cengage Learning
http://unity3d.com/. It would be helpful to become familiar with the software and its user manual before the course starts.
http://audacity.sourceforge.net/
All Users
Mac Users
PC Users
An audio professional working in the gaming industry is required to possess not only musical and audio talent, but also knowledge and experience with typical game audio workflow. Introduction to Game Audio prepares you for a career in the industry …
Knowlege of Swara and Rhythm is good to have
Learn to sing your favorite songs for an occasion, performance, or just for fun. The student can select any 3 songs across genres or composers from our song library or any song or composition in any genre that they desire …
In the modern world photography is digital and instantaneous. But the principles of photography will always hold true. In this course, you will learn about light and shadow, setting a camera to capture the best imagery, image composition.
Ages 10-14. Students must bring their own camera for photography course.
This is a pack course for students who wish to sign up for multiple summer camp workshops. Courses include: Physics Theatre- Jumping Jacks - A Theatrical Production Basics of Photography
Grade 4 and above
Students should be able to understand fundamentals of Matter (in Physics)
Concepts in Physics are made more interesting by combining inter-disciplinary concepts from art, movement, music, fundamental values and theater. This course will enable a set of students to create a storybook, script a play, complete with art…
Ages 8-14
Concepts in Physics are made more interesting by combining inter-disciplinary concepts from art, movement, music, fundamental values and theater. This course will enable a set of students to create a storybook, script a play, complete with art…
For children aged between 2.5 and 6 years
Rhymes to Swaras is a unique course designed by Shankar Mahadevan Academy especially for kids below 6, to introduce them to the concepts of Indian notes (Swaras) through familiar nursery rhymes. This makes it comfortable and fun to learn for them. T…
For children aged between 2.5 and 6 years
Rhymes to Swaras is a unique course designed by Shankar Mahadevan Academy especially for kids below 6, to introduce them to the concepts of Indian notes (Swaras) through familiar nursery rhymes. This makes it comfortable and fun to learn for them. T…
Age above 6years and below 11 years
In the summer camp 2014, the children will be sampling different genres of music viz Rabindra Sangeet, Folk Music, Carnatic fusion, Bollywood, Hindustani compositions and World Music.It is a weekly module plan where one musical genre would be covere…
Children aged 9 and above can take part in the choir.
A choir conducted based on songs from Indian and Western music for children and adults diagnosed with ASD (Autism Spectrum Disorder), to bring out the passion of music within an individual. The choir focuses on singing a wide repertoire of songs in …
Vidyaarambh refers to the moment when the Guru (teacher) initiates the Shishya (student) into the path of learning. Ajnyaana Timiraandhasya Jnyaanaanjana Shalaakhaya Chakshurunmeelitam yena Tasmai Shree Gu…
This course has been designed and created for Teachers who want to start teaching Carnatic vocal music lessions or who are already teaching and would like to develop their teaching strategies to evolve into teachers who create an effective and…
This course has been designed and created for Teachers who want to start teaching vocal music lessons in schools or otherwise which does not cater to any specific genre or who are already teaching and would like to develop their teaching strategies …
This course has been designed and created for Teachers who want to start teaching Hindustani Vocal music lessons or who are already teaching and would like to develop their teaching strategies to evolve into teachers who create an effective an…
Student should be more than 7 years old.
Student must be interested in learning musical instrument and curiosity to discover the joy of learning.
Student must have completed WCP100B from SMA or should have basic understanding of reading sheet music (G Clef/ F Clef), C Major/ A minor Scale, Chord Family
Student should have Relevant Books for Trinity Initial Leval Western Classical Piano Exam
This course is ideal for students looking to take their first steps into the world of Western Classical Music (Piano). The course aims at providing a strong foundation where learning is a process of constant discovery. The student acqui…
Materials Required:
The course teaches the basics of Piano technique focusing mainly on having an understanding of the instrument, learning how to play and perform simple melodies, songs and classical pieces with the help of reading Staff Notation for both hands. The c…
Anyone above the age of 8 yrs. Interested in learning musical instrument and curiosity to discover the joy of learning. Student must have finish Course 102 or must having basic knowledge of playing, reading sheet music .
This course is ideal for students, who have basic knowledge of reading Western Classical Music (Piano). The student showing and interest to use basic elements of music (melody and rhythm) with harmony to improvise musical phrases. The course will gi…
MALHAR Batch for new students of Hindi Movie Songs for Adults
I
The Megapack is an interesting mix of old and new Bollywood numbers we all enjoy listening to. This pack gives you the opportunity to explore singing these songs by learning them yourself with the help of intricate and in-depth instructional videos.…
A beautiful composition by Music Director Pritam and Sung by Shreya Ghoshal and M G Shrikumar.
It has been observed that children with autism spectrum disorders (ASD) respond positively and pay attention to music. This course is aimed at bringing music into the lives of children along the autism spectrum and allow them to explore the Joy…
Saint Thiagaraja’s grand Ghana raga pancharatna is a must for all music students. Here we learn the last one in sree raga. The unique feature of this composition is that it starts on the second count of the thala. Here also the student is able…
Popular hit song by Arijith Singh from the film City Lights. The music director for this song is Jeeth Ganguly.
A very soulful song from the film KApoor and Songs sung by Arijit Singh
A popular song from the fim Meri Myari Bindu starring Ayushman Khurana and Parineethi chopra.
The student should have completed Carnatic Vocal Intermediate CV210 course at the academy OR the student should have the learning experience of carnatic classical music for at least 4 to 5 years - student should be able to sing Varnams, Krithis and Manodharma for Ragas mentioned in the course.
The Ma Level Exam consists of 2 contact review class for an hour, a written exam (take home assignment) and a viva voce. The Viva voce session is up to 1 hour long. The student will have access to the exam OM Book as soon as they enroll. The actual …
The student should have completed Carnatic Vocal Intermediate CV205 course at the academy OR the student should have the learning experience of carnatic classical music for about 3 to 4 years - student should be able to sing Varnams, Krithis and Manodharma for any or all of ragas mentioned in the course.
The Ga Level Exam consists of 4 contact review classes, a written exam (take home assignment) and a viva voce. The student will have access to the exam OM Book as soon as they enroll. The actual exam will be scheduled based on the student's con…
This is a demo course for instructors/counselors/admins to use to demo a student account.
The student should have completed Carnatic Vocal Intermediate CV308 course at the academy OR the student should have the learning experience of carnatic classical music for at least 5 years - student should be able to sing Varnams, Krithis and Manodharma for Ragas mentioned in the course.
The Pa Level Exam consists of 3 contact review class for an hour, a written exam (take home assignment) and a viva voce. The Viva voce session is up to 1 hour long. The student will have access to the exam OM Book as soon as they enroll. The actual …
In this course students will learn to perfect pitching, usage of notes, understanding one's range and its full potential ,understanding and perfecting different registers of voice and also using them in singing film songs ,learning voice cultu…
Prerequisite of the course: -
Interest in music and willingness to learn the instrument.
- Student should be 8 years and above
- Student should have a guitar
- GuitarTuna tuning app
The Fundamentals of Guitar is an introductory course designed for students who are taking their first steps to learn the guitar as a musical instrument. The course will introduce the student to the basics of playing music on the guitar, including te…
Those who have completed the CV309 from the Academy. Those who have trained in Carnatic music for at least 7.5 years and a strong foundation of Varnams, Kritis and singing kalpana swaras and alapanas as well as been introduced to Ragam, thanam and Pallavi singing.
From the very first level, emphasis will be laid on performances. The selection of compositions are in such a way that there will be a sub –main piece and a main piece which can be featured in a concert . Both these pieces give ample scope for…
Those who have completed the CV401 from the Academy. Those who have trained in Carnatic music for at least 8 years and a strong foundation of Varnams, Kritis and singing kalpana swaras and alapanas as well as been introduced to Ragam, thanam and Pallavi singing.
Those who have completed the CV401 from the Academy. Those who have trained in Carnatic music for at least 8 years and a strong foundation of Varnams, Kritis and singing kalpana swaras and alapanas as well as been introduced to Ragam, thanam and Pal…
Those who have completed the CV402 from the Academy. Those who have trained in Carnatic music for at least 8 years and a strong foundation of Varnams, Kritis and singing kalpana swaras and alapanas as well as been introduced to Ragam, thanam and Pallavi singing.
In this level , rakthi ragas like Begada and Dhanyasi are taught in great detail to sing ragam, thanam , niraval and swara prasthara. A self-study of devakriya kriti to develop the ability to listen , decode and write notations for the same. The stu…
Those who have completed the CV403 from the Academy. Those who have trained in Carnatic music for at least 8 .5 years and a strong foundation of Varnams, Kritis and singing kalpana swaras and alapanas as well as been introduced to Ragam, thanam and Pallavi singing.
In this level , students will learn to sing in detail ragas like Kalyanavasantham and Suruti. In this they will train to sing raga, thanam ,niraval and swara prasthara in at least two speeds. In self study they will listen to and decode the swaras o…
Those who have completed the CV404 from the Academy. Those who have trained in Carnatic music for at least 8 .5 years and a strong foundation of Varnams, Kritis and singing kalpana swaras and alapanas as well as been introduced to Ragam, thanam and Pallavi singing.
In this level , the students will learn a navagraha kriti . The student also learns how to sing the raga alapana of Asaveri and also how to put swaras for a challenging tala like Matya tala.Harikambodhi is handled in great detail as ragam , thalam ,…
Those who have completed the CV405 from the Academy. Those who have trained in Carnatic music for at least 8 .5 years and a strong foundation of Varnams, Kritis and singing kalpana swaras and alapanas as well as been introduced to Ragam, thanam and Pallavi singing.
In this level, the student handles in detail vasantha raga which is a Panchama varja raga. Here again the thala is also challenging as well as the composition. The student learns to sing niraval and swaraprasthara for this in at least two speeds. Va…
Those who have completed the CV406 from the Academy. Those who have trained in Carnatic music for at least 9 years and a strong foundation of Varnams, Kritis and singing kalpana swaras and alapanas as well as been introduced to Ragam, thanam and Pallavi singing.
In this level, the student learns to handle in detail rakti ragas like Anandabhairavi which can be sung as a main piece or sung as RTP. The student also learns one of the Avarna Kritis of Dikshitar in M. Chapu . Here to sing swaras in an emotive rag…
Completion of the 102 course.
Students should have the relevant books for Trinity College London - Acoustic Guitar Grade 1 Course
This course is for students who have completed the Guitar 102 course (Acoustic Guitar - Trinity College London - Grade 1 Part 1). This course further expands on reading Guitar Tablature and Staff Notation introduced in the first course. Students are…
This course is for students who wish to learn to play a song on the guitar. The student can pick any one song and learn it in 4 sessions. Hindi SongsPapa Kehten HainPal Pal Dil Ke PaasLagja GaleYaad Kiye Dilne Kahan Ho TumE…
This course is for students who wish to learn to play songs on the guitar. The student can pick any three songs from the list below learn it in 12 sessions. Hindi SongsPapa Kehten HainPal Pal Dil Ke PaasLagja GaleYaa…
This course is for students who wish to learn to play songs on the keyboad. The student can pick any song from the list below learn it in 4 sessions. Hindi SongsPapa Kehten HainPal Pal Dil Ke PaasLagja GaleYaad Kiye Dilne Kaha…
This course is for students who want to play songs on the keyboard. The student can pick any three songs from the list below OR any song of their choice and learn it in 12 sessions. Pal Pal Dil Ke PaasChup Chupke Chup ChupkeKal …
This course is ideal for students looking to take their first steps to learn the Keyboard. The course aims at providing a strong foundation where learning is a process of constant discovery. The course will lay the foundation for acquiring clarity o…
Course Prerequisites
◗ Student should be 8 years and above
◗ Student should have their own guitar so that they can practice at home
◗ Interest in music and willingness to learn the instrument as well as practice
◗ GuitarTuna tuning app on their mobile device
◗ Student should have completed our “Fundamentals of Guitar” Course
◗ Students should have the relevant books for Trinity College London - Acoustic Guitar Grade Initial Course
The Trinity College Initial Grade Acoustic Guitar course is designed to teach essential musical concepts to a beginner guitarist in accordance with the Acoustic Guitar Syllabus of the Internationally recognized Trinity College London. This course wi…
Student should have taken the Trinity Grade Initial Acoustic Guitar examination or covered all the pieces for the same (Taking the 101 course)**
** Students who have not cleared the Grade Initial exam or 101 course will have to get a counselling session done to acertain if they are indeed ready to learn content from Grade 1
Students should have the relevant books for Trinity College London - Acoustic Guitar Grade 1 Course
This course is for students who have completed the Guitar 101 course or have cleared the Trinity Acoustic Guitar Grade Initial examination .The course further expands on reading Guitar Tablature and Staff Notation introduced in the first course. Stu…
The student has completed HV100D at the academy OR
The child sings seven Shuddh Swaras in Swar and Aakar. The child is able to sing repetitive Alankar patterns and simple Alankar patterns (in rhythms of 2,3,4)
The child is able to sing a prayer and 3 Hindi songs (non film) in Sur and Taal. The admission in this case would be done as per the advise of experts at the academy.
This course suited for students of about 7 years to any age.
This course is designed for young learners of Hindustani Music. This course includes a Guru Vandana and two Bhajans. Kinare Lagaao is a Bhajan by saint poet Meera and Ehi Mudam is a Bhajan by Sri Narayana Tertha. The student reviews the songs learnt…
A student who has learnt Carnatic classical music for at least 3 years OR
A student who has completed the CV201 course in Shankar Mahadevan Academy OR
A student who has passed Junior Examination in Carnatic music of Karnataka Secondary Education Examination Board
This composition in Raga Udayaravichandrike, is composed on Lord Ganesha. Chowdiah requests the remover of obstacles to bless him, ganapriya ( one who loves music ) , who is worshipped by the Gods , the learned one who is worshipped before starting …
This self study course packs contains the following songs: Thalli PogatheyKannana KanneMaruvarthai Each lesson contains the lyrcis of the song, and audio/video lessons where experts guide you through the song and its nuances.
This self study pack consists of the following songs SamajavaragamanaInkem InkemBotta Bomma
This self study pack consists of the following songs Theevandi - jeevamshamayPoomuthole NeePicha Vecha Naal Each lesson contains the lyrics of the song, and audio/video lessons where experts guide you through the song and its nua…
This self study pack consists of the following songs Sur Niragas HoSairat Zala JiYad Lagla Each lesson contains the lyrics of the song, and audio/video lessons where experts guide you through the song and its nuances. …
This self study pack consists of the following songs Aaj Ek NaamTumi Jaake BhalobashoMon Majhi Re Each lesson contains the lyrics of the song, and audio/video lessons where experts guide you through the song and its nuances. …
Explore the wisdom of the couplets (dohas) of Sant Kabir with this self study mini pack. This self study pack consists of the following songs Santo Andhadhund AndhiyaraMati Kahe Kumhar seKheti Karo Hari Naam ki Manva Each lesson c…
A student who has learnt Carnatic classical music for at least 3 years OR
A student who has completed the CV201 course in Shankar Mahadevan Academy OR
A student who has passed Junior Examination in Carnatic music of Karnataka Secondary Education Examination Board
This composition in Raga Abheri is composed on Lord Nanjundeshwara. In this kriti, the composer requests the Lord to protect him and shower His blessings on him.
A student who has learnt Carnatic classical music for at least 3 years OR
A student who has completed the CV201 course in Shankar Mahadevan Academy OR
A student who has passed Junior Examination in Carnatic music of Karnataka Secondary Education Examination Board
This is a short,simple, yet elegant composition in Raga Bahudari,where the composer addresses Lord Ganapathi as Prasanna Ganapathi, the son of Lord Shiva, who is worshipped by the sages.
A student who has learnt Carnatic classical music for at least 3 years OR
A student who has completed the CV201 course in Shankar Mahadevan Academy OR
A student who has passed Junior Examination in Carnatic music of Karnataka Secondary Education Examination Board
This is a composition in Raga Bilahari, where T Chowdiah uses beautiful adjectives to describe Goddess Parvati
A student who has learnt Carnatic classical music for at least 3 years OR
A student who has completed the CV201 course in Shankar Mahadevan Academy OR
A student who has passed Junior Examination in Carnatic music of Karnataka Secondary Education Examination Board
This composition in Raga Dhanyasi, addresses Goddess Kamakshi. The composer addresses the Goddess as the one with a beautiful face, consort of Lord shiva who is compassionate
A student who has learnt Carnatic classical music for at least 3 years OR
A student who has completed the CV201 course in Shankar Mahadevan Academy OR
A student who has passed Junior Examination in Carnatic music of Karnataka Secondary Education Examination Board
This composition composed in Telugu, in Raga Kalyani, addresses Goddess Parvathi. The composer has intelligently included the ragamudra (name of the raga) also in the very first line of the composition
A student who has learnt Carnatic classical music for at least 3 years OR
A student who has completed the CV201 course in Shankar Mahadevan Academy OR
A student who has passed Junior Examination in Carnatic music of Karnataka Secondary Education Examination Board
This is a tillana composed in Raga Kapi.
A student who has learnt Carnatic classical music for at least 3 years OR
A student who has completed the CV201 course in Shankar Mahadevan Academy OR
A student who has passed Junior Examination in Carnatic music of Karnataka Secondary Education Examination Board
This is a composition on Lord Venkateshwara in the Raga Kedaragoula, where the composer describes the beauty of the Lord
A student who has learnt Carnatic classical music for at least 3 years OR
A student who has completed the CV201 course in Shankar Mahadevan Academy OR
A student who has passed Junior Examination in Carnatic music of Karnataka Secondary Education Examination Board
This composition on Goddess Chamundi, set to Raga Kharaharapriya, describes the goddess as the slayer of the demon Mahishasura. He also requests Her to protect him and shower his blessings
A student who has learnt Carnatic classical music for at least 3 years OR
A student who has completed the CV201 course in Shankar Mahadevan Academy OR
A student who has passed Junior Examination in Carnatic music of Karnataka Secondary Education Examination Board
This composition on Lord Shanmukha in Raga Kuntalavarali, describes Him as the one who dwells in Palani, one who is worshipped by the sages and Gods, slayer of demons and the protector of all.
A student who has learnt Carnatic classical music for at least 3 years OR
A student who has completed the CV201 course in Shankar Mahadevan Academy OR
A student who has passed Junior Examination in Carnatic music of Karnataka Secondary Education Examination Board
This is a tillana composed in Raga Nalinakanthi
A student who has learnt Carnatic classical music for at least 3 years OR
A student who has completed the CV201 course in Shankar Mahadevan Academy OR
A student who has passed Junior Examination in Carnatic music of Karnataka Secondary Education Examination Board
This is a composition in Raga Natakuranji, on Lord Shanmukha.
A student who has learnt Carnatic classical music for at least 3 years OR
A student who has completed the CV201 course in Shankar Mahadevan Academy OR
A student who has passed Junior Examination in Carnatic music of Karnataka Secondary Education Examination Board
This is a tillana composed in Raga Reethigowla
A student who has learnt Carnatic classical music for at least 3 years OR
A student who has completed the CV201 course in Shankar Mahadevan Academy OR
A student who has passed Junior Examination in Carnatic music of Karnataka Secondary Education Examination Board
This is a composition on Goddess Saraswathi, in Raga Saranga, where the composer describes her as the Mother of all, who is identified as the Goddess of Music and thus exclaims salutations to you Oh Mother !!
A student who has learnt Carnatic classical music for at least 3 years OR
A student who has completed the CV201 course in Shankar Mahadevan Academy OR
A student who has passed Junior Examination in Carnatic music of Karnataka Secondary Education Examination Board
This is a tillana in Raga Shahana
A student who has learnt Carnatic classical music for at least 3 years OR
A student who has completed the CV201 course in Shankar Mahadevan Academy OR
A student who has passed Junior Examination in Carnatic music of Karnataka Secondary Education Examination Board
This is a composition on Lord Shiva, set to Raga Shubhapantuvarali
A student who has learnt Carnatic classical music for at least 3 years OR
A student who has completed the CV201 course in Shankar Mahadevan Academy OR
A student who has passed Junior Examination in Carnatic music of Karnataka Secondary Education Examination Board
In this composition in Raga Keervani, the composer uses the name Keeravani as a ragamudra(name of the raga) and to address Goddess Parvathi as well.
Sun Raha Hai Na Tu (Male Version) is one of the most popular song from the hit movie "Ashiqui 2" sung by Ankit Tiwari. The music has been composed by Ankit Tiwari for this song.
The course aims at providing a strong foundation where learning is a process of constant discovery. The course will lay the foundation for acquiring clarity of concepts of Steady Beat, Rhythm, Tempo, Pitch, Volume and Note Values building the founda…
The student needs to have learnt music to a level equivalent to HV203 of the academy.
The Natya Geet tradition of Maharashtra and Karnataka has applied classical music to bring an evocativeness into the dramatic art. The story, the emotions, the acting and the music are all in continuous interplay, each heightening the effect of the …
Remember the lullabies your mother or grandmother sang to you while rocking you to sleep? That was perhaps your first introduction to music as well as to your culture. Now give your own child this gift of music. This self learning course brings you…
Remember the lullabies your mother or grandmother sang to you while rocking you to sleep? That was perhaps your first introduction to music as well as to your culture. Now give your own child this gift of music. This self learning course brings you…
Remember the lullabies your mother or grandmother sang to you while rocking you to sleep? That was perhaps your first introduction to music as well as to your culture. Now give your own child this gift of music. This self learning course brings your…
Level 200
Soundarya Lahari meaning waves of beauty, consists of two parts Ananda Lahari meaning waves of happiness (first 41 slokas) and Soundarya Lahari, depicting the beauty of the godess from head to toe( next 59 slokas). It is believed that Lord Gan…
This course covers a medley of songs by Lata Mangeshkar as performed by our students and teachers for SMA Tributes. The songs are: Yun Hasraton Ke Daag Lag Ja Gale Kuch Na Kaho Mera Saya Kabhi Kabhi O Palan Haare Tere Bina Zinadi Naina Barse …
Students are nominated by their teachers based on their seniority in the Academy, their performance skills as displayed in the various recitals and overall performance at course levels.
Artists are people who can’t tell the difference between work and play. SMA Playhouse is a place where our young homegrown artists come together and do what they do best – create, perform, record a music video of their own. Under the wat…
Need to be able to sing in different Raagas
Soundarya Lahari meaning waves of beauty, consists of two parts Ananda Lahari meaning waves of happiness (first 41 slokas) and Soundarya Lahari, depicting the beauty of the godess from head to toe( next 59 slokas). It is believed that Lord Gan…
The students should know how to sing all the basic lessons of Carnatic music including swara jathis and a few varnams. Students should be able to sing in a selected pitch and have a good understanding of Tala.
Learning more krithis introduces students to new Ragas and also ncrease ones repetoire. This course has 4 wonderful compsotions of different composers and in different Ragas. The student will learn one Varnam, a krithi, a tharangam and also a Devarn…
What's inside the learning pack? 7 self learning courses listed below, each with its own OMBook. You will find instuctional videos, lyrics, notations, practice/recording tools and more inside the OMBooks You can submit one practice recording per co…
Soundarya Lahari meaning waves of beauty, consists of two parts Ananda Lahari meaning waves ofhappiness (first 41 slokas) and Soundarya Lahari, depicting the beauty of the godess from head totoe( next 59 slokas).It is believed that Lord Ganesha hims…
An interest and curiousity in Ghazals as a genre of music.
Ability and willingness to attend weekly club meetings via online video conferencing.
The SMA Ghazal Club is to bring together Ghazal lovers together to discuss their favorite Shayars, Poets, Ghazal Composers and Singers. The Club would be a forum for Ghazal lovers to meet online and learn from their peers. An SMA faciliator wi…
The course holds 20 sholkas of Soundarya Lahari each tuned to different Raagas
Khairiyat is one of the most popular song from the hit movie "Chhichhore" sung by Arijit Singh. The music has been composed by Pritam for this song.
This course contains 5 self study courses. Each course has a set of 20 Shlokas of Soundarya Lahari. Each course contains the lyrics, notations and the audio of the Shlokas for you to listen and learn at your own pace. You can listen and play t…
Dil Diya Gallan is one of the most popular song from the hit movie "Tiger Zinda Hai" sung by Atif Aslam. The music has been composed by Vishal Shekhar for this song.
Student must be enrolled in an instructor-led course in Shankar Mahadevan Academy
Vidyaarmabh is a day when the Guru initiates the Shishya into a journey of learning. This is typically held on Vijaya Dashami day and is considered an auspicious day for new beginnings. In this course, the students and teachers connect o…
A beautiful and continously flowing song from the Film Agent Vinod, originally sung by Arijit Singh
This is a very popular song from the movie Sultan starring Salman Khan and Anushka Sharma. This song has been originally sung by Rahat Fateh Ali Khan.
This is an old classic sung by Lata Mangeshkar and the music composed by Madan Mohan.
Kalank title song is one of the most popular song from the hit movie "Kalank" sung by Arijit Singh. The music has been composed by Pritam for this song.
Tujhe Kitna Chahne Lage Hum is one of the most popular song from the hit movie "Kabir Singh" sung by Arijit Singh. The music has been composed by Mithoon for this song.
Ghungroo is one of the most popular song from the hit movie "War" sung by Arijit Singh. The music has been composed by Vishal Shekhar for this song.
This course aims to impart a definitive understanding of basic definitions pertaining to percussion such as beats, rhythms, bars and an introduction to the syllables that make up the language of Konnakol.
This course aims to delve deeper into the basic percussive concepts discussed in IPK101 in order to bring out the nuances of rhythmic compositions.
The student has completed HV205 at the academy. The student completed Sa and Re level examinations.
Ga is the level that reviews courses HV201 to HV205 and assesses the progress of the student. This course helps the student to prepare for this level examination by giving the necessary guidelines. The course includes Ragas Yaman and Bhupali B…
This course contains self study materials - video, lyrics and notatins for all the Chowdiah Composition courses.
This course is created for SMA Joyful Choir to rehearse for an online / in person performance
Student should be more than 10 years old.
Student must be interested in learning musical instrument and curiosity to discover the joy of learning.
Student must have completed WCP104 from SMA or should have basic understanding of reading sheet music (G Clef/ F Clef), Time Signature, Semiquavers
This course is ideal for students looking to take their first steps into the world of Western Classical Music (Piano). The course aims at providing a strong foundation where learning is a process of constant discovery. The student acquires the abili…
Student should be more than 9 years old.
Student must be interested in learning musical instrument and curiosity to discover the joy of learning.
Student must have completed WCP103 from SMA or should have basic understanding of reading sheet music (G Clef/ F Clef), Time Signature, Semiquavers
This course is ideal for students looking to take their first steps into the world of Western Classical Music (Piano). The course aims at providing a strong foundation where learning is a process of constant discovery. The student acquires the abili…
Abhi Mujh Me Kahin is one of the most popular song from the hit movie "Agneepath" sung by Sonu Nigam. The music has been composed by Ajay-Atul for this song.
This course is ideal for intermediate level students to guide them further into the world of Western Classical Music (Piano). The course aims at providing significant knowledge and learning piano through a process of constant discover…
The course is designed for singers who have a good knowledge of Sur (melody), Taal (rhythm), Dynamics, Expressions. Students aspiring to qualify for this course should be able to sing a song in a way that expresses your creativity and at the same time maintains the beauty and emotion of the original (if the song is a cover). Please note that we are looking for a voice that is unique and a singer skillful enough to master the song that is produced for them.
Students who apply must be 16 years or older at the time of enrolment.
Upload two recordings of 2mins or more with a Tanpura / basic pad and Click / Metronome.
Vocal processing and any digital alteration is strictly prohibited and will be disqualified, even if it is found post assessment of the prerequisite .
Playback singing has been an inseparable part of Indian culture since the advent of talkies in motion pictures. Playback singers have turned many unknown actors into overnight stars and have become the voice they are forever identified with. W…
The student has completed HV203 at the academy OR the student has practiced a variety of Alankars, the student has learnt Chhota Khayal in about 10 Ragas with Swar Vistar, Aalap and Taan.
The Raga deep dive courses are aimed at internalising Raga concepts. Brindavani Sarang also known as Sarang is one of the first few Ragas introduced to a student of classical music. This Raga could be traced back to its folk origins as well as the R…
The student has completed HV210 at the academy OR the student has practiced a variety of Alankars, the student has learnt Chhota Khayal in about 15 Ragas with Swar Vistar, Aalap and Taan.
The Raga deep dive courses are aimed at internalising Raga concepts. Bahar is a Raga associated with joy brought by the spring season. The structure may seem to consist of complex phrases that demand specific details. The melody is appealing a…
The student has completed H305 at the academy OR the student has practiced a variety of Alankars, the student has learnt Chhota Khayal in about 20 Ragas with Swar Vistar, Aalap and Taan.
The Raga deep dive courses are aimed at internalising Raga concepts. Basant is a Raga associated with the spring season.This Raga mostly expresses separation from the beloved and description of the season. Theory - Raga characteristics of Basa…
The student has completed H310 at the academy OR the student has practiced a variety of Alankars, the student has learnt Chhota Khayal in about 25 Ragas with Swar Vistar, Aalap and Taan.
The Raga deep dive courses are aimed at internalising Raga concepts. Miyan Malhar also synonymous with Malhar is a popular Raga associated with monsoons. Theory - Raga characteristics of Malhar , Malhar family Ragas
Materials Required:
This course is ideal for students looking to take their first steps into the world of Electronic Keyboard.The course aims at providing a strong foundation where learning is a process of constant discovery. The student acquires the ability to use bas…
Materials Required: Trinity College of London - Electronic Keyboard - Grade 3 book
** Students who have not cleared the Grade Initial exam or KEY101 course will have to get a counselling session done to acertain if they are indeed ready to learn content from Grade 1.
The course teaches the basics of keyboard technique focusing mainly on having an understanding of the instrument, learning how to play and perform simple melodies, songs and classical pieces with the help of reading Staff Notation for both hand…
Materials Required:
The course teaches the basics of keyboard technique focusing mainly on having an understanding of the instrument, learning how to play and perform simple melodies, songs and classical pieces with the help of reading Staff Notation for both hand…
This course can be used as a guide by the student to learn about the Academy, it's policies, using the student portal and OM Book.
The student has completed HV204 at the academy OR the student has learnt Chhota Khayal in about 12 Ragas with Swar Vistar, Aalap and Taan. The student is introduced to Bada Khayal singing with Aalap.
The Raga deep dive courses are aimed at internalising Raga concepts. In this Raga Deep dive course Raga Bhimpalasi is explored. This is a Raga that has its charm on the listeners in the form of a melody soaked in devotion, love and longing when…
Bekhayali is one of the most popular song from the hit movie "Kabir Singh" sung by Sachet Tondon. The music has been composed by Sachet-Parampara for this song.
Anyone who has learnt the basics of Carnatic music and needs a revision of important basic exercises and lessons.
The course is for anyone who would like to refresh or revise the course material from Sarali varisais right upto a few swarajathis and geethams. This is a 12 weeks course that will help with going over important basic Carnatic Lessons. This course c…
This course can be used as a guide by the student to learn about the Academy, it's policies, using the student portal and OM Book.
Student should be more than 10 years old.
Student must be interested in learning musical instrument and curiosity to discover the joy of learning.
Student must have completed WCP105 from SMA or should have basic understanding of reading sheet music (G Clef/ F Clef), Time Signature, Semiquavers
Student must have purchased the TCL Grade 3 Book Piano 2020-23
This course is ideal for students looking to take their first steps into the world of Western Classical Music (Piano). The course aims at providing a strong foundation where learning is a process of constant discovery. The student acquires the abili…
Student should have taken the Trinity Grade 3 Acoustic Guitar examination or covered all the pieces for the same (Taking the 106/107 course)**
Student should have Relevant Books for Trinity Grade 4 Acoustic Guitar Exam
** Students who have not cleared the Grade 3 lexam or course 106/107 will have to get a counselling session done to acertain if they are indeed ready to learn content from Grade 4
This course is for students who have completed the Trinity College Grade 3 course. The course further expands on reading Guitar Tablature and Staff Notation introduced in the first course. Students are also introduced to basic music theory. They wil…
The student needs to have completed HV207.
Thumri forms the main compositional form that is identifed with the genre of 'Upa Shastriya Sangit' or allied form of Hindustani classical music. Under the umrella of Thhumri compositional forms like Dadra, Kajri, Chaiti, Hori are included. Thumri h…
Materials Required:
The course teaches the basics of keyboard technique focusing mainly on having an understanding of the instrument, learning how to play and perform simple melodies, songs and classical pieces with the help of reading Staff Notation for both hand…
Completed the 201 course
The course is for students who have completed the 201 course. The course further expands on reading Guitar Tablature and Staff Notation introduced in the first course. Students are also introduced to music theory.They will learn melodies using techn…
The beneficiaries/students of the program will identify a coordinator who would help the students join the session online. These sessions would be projected on a large screen/SMART TV for the benefit of the students.
Sessions are conducted online over video conferencing using Shankar Mahadevan Academy’s state-of-the-art learning platform (SeekLMS). These are live, interactive sessions with a musically qualified mentor trained by Shankar Mahadevan Academy.&…
The Mini Pack is an eclectic mix of old and new Bollywood numbers we all enjoy listening to. The student can active any 3 out of the 7 songs. This pack gives you the opportunity to explore singing these songs by learning them yoursel…
The Mini Pack has 3 songs from Hindi Movies that children will love to sing! This pack gives you the opportunity to explore singing these songs by learning them yourself with the help of intricate and in-depth instructional videos. Look i…
Student must have completed Carnatic Vocals level 104 in the academy
Learning these beautiful yet simple Dikshithar Kritis will help you strengthen your understanding of the audava ragas (pentatonic scales) The three ragas covered are shuddha Saveri , Mohanam and Karnataka shuddha saveri This course teach…
Students should have taken the Trinity Grade 4 Electronic Keyboard examination or covered all the pieces for the same (Taking the 201-203 courses)**
Materials Required: Trinity College of London - Electronic Keyboard - Grade 3 book
** Students who have not cleared the Grade 2 exam or KEY104-105 course will have to get a counselling session done to acertain if they are indeed ready to learn content from Grade 3
The course teaches the basics of keyboard technique focusing mainly on having an understanding of the instrument, learning how to play and perform simple melodies, songs and classical pieces with the help of reading Staff Notation for both hand…
Student should have taken the Trinity Grade 4 Acoustic Guitar examination or covered all the pieces for the same (Taking the 201-203 course)**
Student should have Relevant Books for Trinity Grade 5 Acoustic Guitar Exam
** Students who have not cleared the Grade 4 lexam or course 201-203 will have to get a counselling session done to acertain if they are indeed ready to learn content from Grade 5
This course is for students who have completed the Trinity College Grade 4 course. The course further expands on reading Guitar Tablature and Staff Notation introduced in the first course. Students are also introduced to basic music theory. They wil…
The student has completed HV205 at the academy OR
the student has learnt Chhota Khayal in about 20 Ragas with Swar Vistar, Aalap and Taan. The student is able to sing Bada Khayals with Aalap and Taan in Ragas- Yaman,Bhupali. The student needs to take the pre requisite assessment in order to take admission to this course.
The Raga deep dive courses are aimed at internalising Raga concepts. In this Raga Deepdive course the ancient early morning Raga Bhairav is explored. Bhairav has a simple structure as an outline, but has a Raga roop that is ornamented with Meend, An…
The student should have completed the CV204 course at the academy or should have learnt at least 5 to 6 varnams in the basic ragas, 10 krithis in madhyama kala as well as vilamba kala. The student should be able to understand and sing with basic Gamakas, shruthi and Tala.
This course , the first in the Raga Deep Dive series provides a detailed insight into Raga Thodi. Hanumath Thodi is the 8th Melakartha raga in the 72 melakartha raga scheme. Singing a Raga is much more than just making permutations and combinations …
Prerequisite of the course: -
Interest in music and willingness to learn the instrument.
- Student should be 9 to 12 years of age
- Student should have a guitar
- GuitarTuna tuning app
The Fundamentals of Guitar is an introductory course designed for students who are taking their first steps to learn the guitar as a musical instrument. The course will introduce the student to the basics of playing music on the guitar.
The child needs to be between the ages for 6 and 8 years.
A course specially curated and designed for young children which will introduce them to the world of Carnatic Classical music through an easy to understand and sing approach. This is the first of the 4 courses designed to introdu…
Anyone who has an interest and passion to learn music and is above the age of 9 years
This course is ideal for students looking to take their first steps into the world of Carnatic Music.Entry level foundation course for students who are ready to start right at the beginning and do not have any prior experience learning Indian/Carnat…
This course is ideal for students looking to take their first steps to learn the Keyboard. The course aims at providing a strong foundation where learning is a process of constant discovery. The course will lay the foundation for acquiring clarity o…
Student must be 6 years old
This course has been designed for students in the age group of 6+ to 8 years to introduce them to the wonderful world of music. In this course while learning songs, the students will also learn the basic elements of music such as pitch and…
Children from 6 years to 8 years of age could enrol
This course is designed for young children to enjoy and appreciate Indian music. The lessons introduce the children to the fundamentals of Hindustani music with an approach of generating curiosity by imbibing creative thinking through co…
This course has been designed for students from the ages 8+ to 10 years. The students will learn songs and basic musical concepts through fun activities.
Students between the ages 9-12 could enrol
This course is ideal for students looking to take their first steps into the world of Hindustani Vocal Music. The course aims at providing a strong foundation where learning is a process of constant discovery. The course will lay the foundatio…
Student should have taken the Trinity Grade 1 Acoustic Guitar examination or covered all the pieces for the same (Taking the 102/103 courses)**
** Students who have not cleared the Grade 1 exam or 102/103 courses will have to get a counselling session done to acertain if they are indeed ready to learn content from Grade 2
Students should have the relevant books for Trinity College London - Acoustic Guitar Grade 2 Course
This course is for students who have completed the Trinity College Grade 1 course. The course further expands on reading Guitar Tablature and Staff Notation introduced in the first course. Students are also introduced to basic music theory.They will…
Knowledge of Swara and Rhythm is good to have.
Learn to sing your favorite songs for an occassion, performance or just for fun. The student can select any 1 song across genres or composers from our song library. This will be 4 weeks course (one class per week). The …
This course is ideal for students looking to take their first steps to learn the Keyboard. The course aims at providing a strong foundation where learning is a process of constant discovery. The course will lay the foundation for acquiring clarity o…
Prerequisite of the course: -
Interest in music and willingness to learn the instrument.
- Student should be above 12 years of age
- Student should have a guitar
- GuitarTuna tuning app
The Fundamentals of Guitar is an introductory course designed for students who are taking their first steps to learn the guitar as a musical instrument. The course will introduce the student to the basics of playing music on the guitar.
Skill Level CV202
Brocheva Revarura is a popular stage song, and one of the best known songs in Raga Khamas.
The student should be between the ages of 5 and 14
Shivaratri is a big festival in India, and marks the remembrance of "overcoming darkness and ignorance" in life and the world. It is observed by remembering Lord Shiva and chanting prayers, meditating, and of course, singing. And what better way to …
Age : 4 to 8 years
There is so much to enjoy and learn through festivals. For children, festivals are opportunities to enhance their horizons of knowledge. Occurring periodically, festivals teach children the concept of seasons, the diversity of traditions and customs…
Age: 6 and above
Patriotism is love, respect, and loyalty towards one’s country. It is a value that must be passed on to the next generation. A very important aspect of patriotism is also how each one of us can contribute to our nation’s development and …
The student should be of age 7 or above.
Janmashtami is a festival celebrated in many parts of India. Krishna Janmashtami or Gokulashtami is a festival that celebrates the birth of Lord Krishna, the eighth Avatar of Lord Vishnu. The course introduces simple and enjoyable songs for little c…
Age : 8+ years
Gandhi Jayanti is celebrated on 2nd October every year to mark the birth anniversary of the Father of our nation, Mahatma Gandhi. Through this course, we pay our respects to the Mahatma by learning and singing a song that was very dear to Gandhiji a…
Age : 8+ years
Learning songs in your mother tongue is one of the best sources of learning your mother tongue and connecting with one’s culture. It gives us a glimpse into the customs, traditions, history, language, people and music of a region. Through…
Age : 8+ years
Learning songs in your mother tongue is one of the best sources of learning your mother tongue and connecting with one’s culture. It gives us a glimpse into the customs, traditions, history, language, people and music of a region. Through…
Age : 8+ years
Learning songs in your mother tongue is one of the best sources of learning your mother tongue and connecting with one’s culture. It gives us a glimpse into the customs, traditions, history, language, people and music of a region. Through…
Age : 8+ years
Learning songs in your mother tongue is one of the best sources of learning your mother tongue and connecting with one’s culture. It gives us a glimpse into the customs, traditions, history, language, people and music of a region. Through…
The student should be above the age of 5.
The birth of Lord Ganesha, who is known by the names Ganapati, Ekadanta, Vinayaka, Pillaiyar, and Heramba, is one of the most widely celebrated festivals in the country. His blessings are often invoked before beginning anything since he is considere…
Any student between the age of 5 and 15 years.
Bhajan is a Sanskrit word meaning “singing to glorify God." At Shankar Mahadevan Academy, we teach Bhajans to children as a way of introducing them to and building their interest in music. Little children, most often, find it easy and enjoyabl…
Age:12 and above
Festivals are associated with music. Gurupurnima is a festival dedicated to Guru, the teacher who guides us through the bright path of knowledge. The process of learning from the teacher is celebrated on this day by expression of gratitude to Guru. …
The student needs to complete HV105 at the Academy OR has completed an equivalent learning level.
Age: 10 and above
Rama Navami is the day to celebrate the birth of Lord Sri Rama. Just the chanting of the name Rama has great significance. Singing songs dedicated to Rama best express the joy experienced while welcoming the Divine into this world. The first song is…
The student needs to complete HV105 at the academy
Age: 10 and above
Holi is a festival of colours. This festival brings hues of joy with music and dance. Holi ushers in the season of spring or Basant Rutu. This course includes two traditional compositions sung during the festival of Holi. These songs are weaved into…
The student has completed HV210 at the academy. The student completed Sa, Re, Ga level examinations.
Ma is the level that reviews courses HV206 to HV210 and assesses the progress of the student. This course helps the student to prepare for this level examination by giving the necessary guidelines. The course includes Ragas Bhairav and Bihag Bada Kh…
The student has completed HV305 at the academy. The student completed Sa, Re, Ga, Ma level examinations.
Pa is the level that reviews courses HV301 to HV305 and assesses the progress of the student. This course helps the student to prepare for this level examination by giving the necessary guidelines. The course includes Ragas Malkauns, Bhimpalasi, Bih…
The student has completed HV310 at the academy. The student completed Sa, Re, Ga, Ma,Pa level examinations.
Dha- Part 1 is the level that reviews courses HV306 to HV310 and assesses the progress of the student. This course helps the student to prepare for this level examination by giving the necessary guidelines. The course includes Ragas Todi, Jaunpuri, …
The student has completed HV310 at the academy. The student completed Sa, Re, Ga, Ma,Pa and Dha1 level examinations.
Dha- Part 2 is the level that reviews courses HV311 to HV316 and assesses the progress of the student. This course helps the student to prepare for this level examination by giving the necessary guidelines. The course includes Ragas Multani, Marva, …
The student needs to have completed HV304.
Thumri forms the main compositional form that is identifed with the genre of 'Upa Shastriya Sangit' or allied form of Hindustani classical music. Under the umrella of Thhumri compositional forms like Dadra, Kajri, Chaiti, Hori are included. Thumri h…
In this course, we reinforce the basic concepts of pitch, swaras, beat patterns, tempo, dynamics and expression and take it a level up by introducing simple swara patterns and note values. Students will learn about two important instr…
Materials Required:
The course teaches the basics of keyboard technique focusing mainly on having an understanding of the instrument, learning how to play and perform simple melodies, songs and classical pieces with the help of reading Staff Notation for both hand…
The student should have completed the CV204 course at the Academy or should have learnt at least 5 to 6 varnams in the basic ragas, 10 krithis in madhyama kala as well as vilamba kala. The student should be able to understand and sing with basic Gamakas, shruthi and Tala.
The second in the Raga Deep Dive series provides a detailed insight into the Raga Bhairavi.
Completion of 104 course
Students should have the relevant books for Trinity College London - Acoustic Guitar Grade 2 Course
This course is for students who have completed the Trinity College Grade 1 course. The course further expands on reading Guitar Tablature and Staff Notation introduced in the first course. Students are also introduced to basic music theory.They will…
Jam session conducted for peer discussion, interactions, games and more.
This course is designed for students who are interested in getting a glimpse of the vast treasure inherent in our Vedas through the lived experience of Saints across India. This glimpse will be enabled through a study of the Mandukya Upanishad that …
Completion of HSMAU201
This is the continuation of HSMAU201 series. The student will delve deeper into the philospohy of the Mandukya Upanishad. The students will learn Shlokas 2 to 6 and Sant Vanis that relate to these Shlokas.
Completion of HSMAU202
This is the continuation of HSMAU202. The student will delve deeper into the philospohy of the Mandukya Upanishad. The students will learn Shlokas 6 to 8 and Sant Vanis that relate to these Shlokas.
Completion of HSMAU203
This is the continuation of HSMAU203. The student will delve deeper into the philospohy of the Mandukya Upanishad. The students will learn Shlokas 9 to 12 and Sant Vanis that relate to these Shlokas. With this, the student completes the study o…
This course is a beginner course designed for students who are interested in getting a glimpse of the vast treasure inherent in our Vedas through the lived experience of Saints across India. This glimpse will be enabled through a study of the Manduk…
Completion of HSMAU101
This is the continuation of the HSMAU101 where the student will delve deeper into the philospohy of the Mandukya Upanishad. The students will learn Shlokas 2 to 5 and Sant Vanis that relate to these Shlokas.
Completion of HSMAU102
This is the continuation of HSMAU 102. Students will delve deeper into the philospohy of the Mandukya Upanishad. The students will learn Shlokas 6 to 8 and Sant Vanis that relate to these Shlokas.
Completion of HSMAU103
This is the continuation of HSMAU 103. Students will delve deeper into the philospohy of the Mandukya Upanishad. The students will learn Shlokas 9 to 12 and Sant Vanis that relate to these Shlokas. With this, the student completes the study of all t…
Student must be 4 years old.
This course is ideal to initiate children aged 4+ to 6 years into the wonderful world of music. In this course, we will introduce the basic elements of music such as Steady beat , Tempo, Pitch and swaras. The aim is to get children in…
Student should have completed HV107 and the student needs to be nominated by the teacher
Beginner Prayag is a course designed with an aim to prepare students for a concert. This is a concert preparation course with the added element of collaboration that enhances one's experience through peer learning. The batch of three students receiv…
Student should have completed HV205 and the student needs to be nominated by the teacher.
Intermediate Prayag is a course designed with an aim to prepare students learning at the intermediate level for a concert. This is a concert preparation course with the added element of collaboration that enhances one's experience through peer learn…
Student should have completed CV107 and the student needs to be nominated by the teacher.
Beginner Prayag is a course designed with an aim to prepare students for a concert. This is a concert preparation course with the added element of collaboration that enhances one's experience through peer learning. The batch of three students receiv…
Student should have completed CV205 and the student needs to be nominated by the teacher.
Intermediate Prayag is a course designed with an aim to prepare students learning at the intermediate level for a concert. This is a concert preparation course with the added element of collaboration that enhances one's experience through peer learn…
Student should have completed HV305 and the student needs to be nominated by the teacher.
Advanced Prayag is a course designed for enhancing the presentational skills of students who are learning at advanced levels. This is a concert preparation course with insights into various aspects of presentation required to establish a connect wit…
This course includes songs that express our love for our favorite Lord Ganesha, also known as Ganapati and Vigneshwara. Ganesha Chaturthi is the most awaited festival of the year. This day Lord Ganesha is welcomed not only into the homes of devotees…
This course can be taken up by anyone who enjoys singing and wishes to learn
Lord Krishna has inspired literature and music. This course includes two beautiful songs dedicated to Krishna. Krishna Janmashthami is the day to celebrate the birth of Krishna. What could be better than singing songs? Enjoy singing and celebrate th…
Student should have completed CV305 and the student needs to be nominated by the teacher.
Advanced Prayag is a course designed for enhancing the presentational skills of students who are learning at advanced levels. This is a concert preparation course with insights into various aspects of presentation required to establish a connect wit…
This course is ideal for intermediate level students to guide them further into the world of Western Classical Music (Piano). The course aims at providing significant knowledge and learning piano through a process of constant discover…
Anybody who loves music can take up this course
This course has 4 simple songs and bhajans on Devi. Young students will enjoy learning these small songs and sing them for the festivals.
The student has completed HV310 at the academy OR the student has learnt Chhota Khayal and BadaKhayal with improvisation in about 20 Ragas with Swar Vistar, Aalap and Taan. The Bada Khayal includes the following Ragas- Yaman, Bhairav, Bhupali, Bihag, Bageshri, Malkauns, Bhimpalasi
The Raga deep dive courses are aimed at internalising Raga concepts. In this Raga Deepdive course the concert favourite and attractive morning Raga Ahir Bhairav is chosen for exploration. This is a Raga that unfolds with many hues. There is an ele…
The student has completed HV310 at the academy OR the student has learnt Chhota Khayal and BadaKhayal with improvisation in about 20 Ragas with Swar Vistar, Aalap and Taan. The Bada Khayal includes the following Ragas- Yaman, Bhairav, Bhupali, Bihag, Bageshri, Malkauns, Bhimpalasi
The Raga deep dive courses are aimed at internalising Raga concepts. This course takes up the beautiful Raga Madhuvanti, that gained popularity on the consert stage during modern times. This Raga is also known as Ambika, befittingly adressed as a Ra…
Student should have taken the Trinity Grade 2 Acoustic Guitar examination or covered all the pieces for the same (Taking the 104/105 courses)**
** Students who have not cleared the Grade 2 exam or 104/105 course will have to get a counselling session done to acertain if they are indeed ready to learn content from Grade 3
Students should have the relevant books for Trinity College London - Acoustic Guitar Grade 3 Course
This course is for students who have completed the Trinity College Grade 2 course. The course further expands on reading Guitar Tablature and Staff Notation introduced in the first course. Students are also introduced to basic music theory. They wil…
Age 3+ years
This course aims at connecting a child to the mother tongue through songs. Music aids a child's sensory development. Learning a song enhances a child's natural ability to decode sounds and words. By learning the songs in the mother tongue …
Age 3+ years
This course aims at connecting a child to the mother tongue through songs. Music aids a child's sensory development. Learning a song enhances a child's natural ability to decode sounds and words. By learning the songs in the mother tongue …
‘Garbh Sangeet’ is a course that is specially created for mothers-to-be. This course brings a collection of songs and Ragas for learning along with more music that is best suited for listening during the prenatal time. 'Garb…
Age 3+ years
This course aims at connecting a child to the mother tongue through songs. Music aids a child's sensory development. Learning a song enhances a child's natural ability to decode sounds and words. By learning the songs in the mother tongue …
Age 3+ years
This course aims at connecting a child to the mother tongue through songs. Music aids a child's sensory development. Learning a song enhances a child's natural ability to decode sounds and words. By learning the songs in the mother tongue …
Age : 3 years and above
This course aims at connecting a child to the mother tongue through songs. Music aids a child's sensory development. Learning a song enhances a child's natural ability to decode sounds and words. By learning the songs in the mother tongue …
Age : 3 years and above
This course aims at connecting a child to the mother tongue through songs. Music aids a child's sensory development. Learning a song enhances a child's natural ability to decode sounds and words. By learning the songs in the mother tongue …
Basics of Carnatic music (Sarali, Janta, Dhati varisais), Familiarity with the sapta tala Alankarams. Should know more than 4 geethams and also basic Swarajathis - Khamas, Bilahari and Ananda Bhairavi.Student should also know 2 lakshana geethams and atleast 4 varnams. Student should also be familiar with and be able to identify the ragams. Should be able to sing the basic exercises in different ragas. The student should know the Scales ( arohana and avarohana ) of all ragams.
The student will continue to explore learning the important compositional form of Varnam in different Ragas. This course introduces the student to learn the varnams in Ragas Kalyani and Hamsadhwani - one Sampoorna Prathi Madhyama Raga and another Ja…
The performance sessions are for Grow with Music course program with Shankar Mahadevan Academy, at our centers or schools
Age Criteria: 5 Years and above
In this course, students can sign up to participate in SANGAM ONLINE 2023 sessions.
Knowledge of Swara and Rhythm is good to have
Students must be over 14 years old. For our younger students, we advice our Children's course
Karaoke singing is popular with both amateur and advanced singers. In Karaoke Singing, the singer lends the lead voice to a backing track. Learning how to sing along with a track is both an art and a craft to be mastered. At the same tim…
Age group: 8 and above
The student should have a personal interest in leaning Western music; how to play the piano and reading sheet music.
Should have completed 104 course and/or TCL Electronic Keyboard Grade 1 Exam.
Materials Required:
Trinity College of London - Electronic Keyboard - Grade 2 book
Note Book
Manuscript Book
The course teaches the basics of keyboard technique focusing mainly on having an understanding of the instrument, learning how to play and perform simple melodies, songs and classical pieces with the help of reading Staff Notation for both hands. Th…
The student should have completed HV108 from the academy OR
The student should be able to:
In this course HV109 the student revisits and reviews Ragas learned earlier, works on the Raga roop and Swar Vistar with attention to developing the ability of switching Ragas. The create their own composition of a medley of about 4 Ragas, with the …
Love is in the air! With this self-study pack, pick any 3 songs from the given list of old and new romantic Hindi songs! Learn the nuances of the songs and sing them to your loved one on their special day.
The student should have completed HV109 from the academy OR
The student should be able to:
The course HV110 is the concluding course of the Beginners Level, before the Re level certification course. The student is introduced to Raga Bhimpalasi and reviews Ragas learnt until now. Ragas Kafi and Des are revised in detail along with th…
This program is designed to start little ones from the age of 2.5 to 4 to experience music and its elements through fun activities and songs ! Nurturing musical abilities in children from a young age is shown to improve cognitive development. Every …
Completion of GWM103C course
This course is designed for children aged 6 to 8 years, offering them an opportunity to explore and enjoy music like never before. Through this course students will be introduced to the basic elements of music. Musical concepts will be demystified a…
Student should have taken the Trinity Grade 5 Acoustic Guitar examination or covered all the pieces for the same (Taking the 204-206 courses)**
Student should have Relevant Books for Trinity Grade 6 Acoustic Guitar Exam
** Students who have not cleared the Grade 5 exam or 204-206 course will have to get a counselling session done to acertain if they are indeed ready to learn content from Grade 6
This course is for students who have completed the Trinity College Grade 5 course. The course further expands on reading Guitar Tablature and Staff Notation introduced in the first course. Students are also introduced to advanced music theory. They …
Completion of 301 course
This course is for students who have completed the 301 course. The course further expands on reading Guitar Tablature and Staff Notation introduced in the first course. Students are also introduced to advanced music theory. They will learn melodies …
Student should have taken the Trinity Grade 6 Acoustic Guitar examination or covered all the pieces for the same (Taking the 301-304 courses)**
Student should have Relevant Books for Trinity Grade 7 Acoustic Guitar Exam
** Students who have not cleared the Grade 6 exam or 301-304 course will have to get a counselling session done to acertain if they are indeed ready to learn content from Grade 7
This course is for students who have completed the Trinity College Grade 6 course. The course further expands on reading Guitar Tablature and Staff Notation introduced in the first course. Students are also introduced to advanced music theory. They …
Completion of 305 course
This course is for students who have completed the 305 course. The course further expands on reading Guitar Tablature and Staff Notation introduced in the first course. Students are also introduced to advanced music theory. They will learn melodies …
Completion of 502 course
This course is for students who have completed the 306 course. The course further expands on reading Guitar Tablature and Staff Notation introduced in the first course. Students are also introduced to advanced music theory. They will learn melodies …
Materials Required: Trinity College of London - Electronic Keyboard - Grade 3 book
** Students who have not cleared the Grade 2 exam or KEY104-105 course will have to get a counselling session done to acertain if they are indeed ready to learn content from Grade 3.
The course teaches the basics of keyboard technique focusing mainly on having an understanding of the instrument, learning how to play and perform simple melodies, songs and classical pieces with the help of reading Staff Notation for both hand…
Student should have taken the Trinity Grade 3 Electronic Keyboard examination or covered all the pieces for the same (Taking the 106-107 courses)**
Student should have Relevant Books for Trinity Grade 4 Electronic Keyboard Exam
** Students who have not cleared the Grade 3 exam or 106-107 course will have to get a counselling session done to acertain if they are indeed ready to learn content from Grade 4
The course teaches the basics of keyboard technique focusing mainly on having an understanding of the instrument, learning how to play and perform simple melodies, songs and classical pieces with the help of reading Staff Notation for both hand…
Students should have taken the Trinity Grade 4 Electronic Keyboard examination or covered all the pieces for the same (Taking the 201-203 courses)**
Materials Required: Trinity College of London - Electronic Keyboard - Grade 4 book
** Students who have not cleared the Grade 3 exam or KEY106-107 course will have to get a counselling session done to acertain if they are indeed ready to learn content from Grade 4
This course is for students who have completed the KEY201 course. The Grade 4 course is divided into 3 parts to ensure students have ample of practice to be able to perform a minimum of 3 pieces if not all. Students are also introduced to grade spec…
Students should have taken the Trinity Grade 4 Electronic Keyboard examination or covered all the pieces for the same (Taking the 201-203 courses)**
Materials Required: Trinity College of London - Electronic Keyboard - Grade 5 book
** Students who have not cleared the Grade 4 exam or 201-203 course will have to get a counselling session done to acertain if they are indeed ready to learn content from Grade 5
This course is for students who have either taken the Trinity Electronic Keyboard Grade 4 examination or completed the Grade 4 courses. This course is divided into 3 parts to ensure students have ample of practice to be able to perform a minimum of …
Ability to
- Decode gapped rhythmic patterns in songs
- Construct and recite Theermanams and simple Korappus
- Perform rhythmic calculations in Chattusram (4/4) or Thisram (3/4)
- Distinguish Chattusram (4/4), Thisram (3/4), Khandam (5/4) and Misram (7/4)
These are typically covered in the previous course IPK102.
The next level of the IPK series that focuses more on performance.
Students should have taken the Trinity Grade 4 Electronic Keyboard examination or covered all the pieces for the same (Taking the 201-203 courses)**
Materials Required: Trinity College of London - Electronic Keyboard - Grade 5 book
** Students who have not cleared the Grade 4 exam or 201-203 course will have to get a counselling session done to acertain if they are indeed ready to learn content from Grade 5
This course is for students who have completed the KEY204 course. The Grade 5 course is divided into 3 parts to ensure students have ample of practice to be able to perform a minimum of 3 pieces if not all. Students are also introduced to grade spec…
Students should have taken the Trinity Grade 4 Electronic Keyboard examination or covered all the pieces for the same (Taking the 201-203 courses)**
Materials Required: Trinity College of London - Electronic Keyboard - Grade 5 book
** Students who have not cleared the Grade 4 exam or 201-203 course will have to get a counselling session done to acertain if they are indeed ready to learn content from Grade 5
This course is for students who have completed the KEY205 course. The Grade 5 course is divided into 3 parts to ensure students have ample of practice to be able to perform a minimum of 3 pieces if not all. Students are also introduced to grade spec…
Students should have taken the Trinity Grade 6 Electronic Keyboard examination or covered all the pieces for the same (Taking the 204-206 courses)**
Student should have Relevant Books for Trinity Grade 6 Electronic Keyboard Exam
** Students who have not cleared the Grade 5 exam or 204-206 course will have to get a counselling session done to acertain if they are indeed ready to learn content from Grade 6
This course is for students who have completed the KEY301 course. The Grade 6 course is divided into 3 parts to ensure students have ample of practice to be able to perform a minimum of 3 pieces if not all. Students are also introduced to grade spec…
Students should have taken the Trinity Grade 6 Electronic Keyboard examination or covered all the pieces for the same (Taking the 204-206 courses)**
Student should have Relevant Books for Trinity Grade 6 Electronic Keyboard Exam
** Students who have not cleared the Grade 5 exam or 204-206 course will have to get a counselling session done to acertain if they are indeed ready to learn content from Grade 6
This course is for students who have completed the KEY301 course. The Grade 6 course is divided into 3 parts to ensure students have ample of practice to be able to perform a minimum of 3 pieces if not all. Students are also introduced to grade spec…
Students should have taken the Trinity Grade 6 Electronic Keyboard examination or covered all the pieces for the same (Taking the 204-206 courses)**
Student should have Relevant Books for Trinity Grade 6 Electronic Keyboard Exam
** Students who have not cleared the Grade 5 exam or 204-206 course will have to get a counselling session done to acertain if they are indeed ready to learn content from Grade 6
This course is for students who have completed the KEY301 course. The Grade 6 course is divided into 3 parts to ensure students have ample of practice to be able to perform a minimum of 3 pieces if not all. Students are also introduced to grade spec…
Knowlege of Swara and Rhythm is good to have
Learn to sing your favorite songs for an occassion, performance or just for fun. The student can select any 1 songs across genres or composers from our song library. This will be 4 weeks course (one class p…
Students who have completed the CV102 course or on the reccomendation by the teacher.
In this course, you will have the opportunity to learn a combination of basic exercises & songs discovering along the way the immense joy that music can bring. Whether you're a beginner or have some musical background, this course is designed to…
The student should have the basic knowledge of Shruthi, Laya and should have learnt a few basic Ragas and varisais. Students who have completed the CV103 or CV103A course will be more suitable to take up this course.
In this course, you will have the opportunity to learn basic exercises continuing with the Dhatu varisais & melasthayi varisais. Whether you're a beginner or have some musical background, this course is designed to help you develop your skills a…
In this course, you will have the opportunity to learn three beautiful songs and discover the immense joy that music can bring. Whether you're a beginner or have some musical background, this course is designed to help you develop your skills and en…
This course does not have skill based pre requisites; the colloection of songs is based on Hindustani Music. Students with love for singing could enroll.
This course offers a collection of beautiful compositions from Hindustani classical, Bhajan and folk genres. The content has been designed for students with passion to sing. The students would be facilitated to learn musical concepts through song co…
This course does not define a skill based pre requisites; the colloection of songs is based on Hindustani Music. It is suggested that students complete the course HV1001 and continue learning in the suggested sequence.
This set of courses have been designed for students with passion to sing. The students would be facilitated to learn musical concepts and techniques through a variety of song compositions. The songs are based on Hindustani Music with influences of d…
This course does not define a skill based pre requisites; the colloection of songs is based on Hindustani Music. It is suggested that students complete the courses HVS101,102, 103 and continue learning in the suggested sequence.
Khamaj is a melody that finds way into the hearts of music lovers through folk music, popular film songs, Bhajans, Thumri as well as Khayal and Dhrupad. Khamaj. This course offers compositions based on Raga Khamaj, a composer’s favourite Raga.…
Completion of GWM105B course
This course is designed for students who have completed GWM105B course. In this course students will guided by our expert instructors in building a strong foundation in the the basic elements of music sur (pitch), taal(rhythm) and bhaav(ex…
Introducing compositions that are desnse lyrically and rhythmically.Understand how by manipulating the pace and setting the raga appropriately the difficulty is hidden from the listener. The module is rounded off by a smaller composition set in a ra…
The student needs to have completed HV210 at the academy OR the student needs to have the following skills- Alankar singing in different rhythm patterns.Ability to distiguish and sing Shudh, Komal and Tivra Swaras.Good sense of Laya and Taal. Student has learnt Chhota Khayal in at least 12 Ragas .
This course , the first in the Raga Deep Dive provides an insight into Raga Bihag. Hindustani classical music, the Ragdhari Sangeet is the music of improvisation within the perview of the Raga. Singing a Raga is much more than just making permutatio…
The student needs to have completed HV210 at the academy OR the student needs to have the following skills- Alankar singing in different rhythm patterns.Ability to distiguish and sing Shudh, Komal and Tivra Swaras.Good sense of Laya and Taal. Student has learnt Chhota Khayal in at least 12 Ragas
This course provides an insight into the lilting and melodious Raga Tilak Kamod. Singing a Raga is much more than just making permutations and combinations with Swaras. It involves a keen sense of understanding the persona that every Raga has. This …
Ability to
- Decode gapped rhythmic patterns in songs
- Construct and recite Theermanams and Korappus
- Perform rhythmic calculations in Chattusram (4/4), Thisram (3/4) and Khandam (5/4)
- Ability to recite in different speeds (tempos) in Chattusram (4/4)
These are typically covered in the previous course IPK103.
A continuation of IPK103, this course introduces the students to new structures of composition and pursues training through performance of the concepts that were introduced in IPK103.
The student needs to complete the course HV204 at the academy OR the student needs to have the following skills- Alankar singing in different rhythm patterns. Ability to distiguish and sing Shudh, Komal and Tivra Swaras. Good sense of Laya and Taal. Student has learnt and practiced Chhota Khayal in at least 12 Ragas
This course in the Raga Deep Dive series, provides an insight into Raga Malkauns. Hindusthani classical music, the Ragdari Sangeet is the music of improvisation within the perview of the Raga. Singing a Raga is much more than just making permutation…
This course does not have skill based pre requisites; the colloection of songs is based on Hindustani Music. Students with love for singing could enroll.
This course offers a collection of beautiful compositions from Hindustani classical, Bhajan and folk genres. The content has been designed for students with passion to sing. The students would be facilitated to learn musical concepts through song co…
This course does not have skill based pre requisites; the colloection of songs is based on Hindustani Music. Students with love for singing could enroll.
This course offers a collection of beautiful compositions from Hindustani classical, Bhajan and folk genres. The content has been designed for students with passion to sing. The students would be facilitated to learn musical concepts through song co…
This course does not demand a skill based pre requisite.
This course is the second one from the 'Garbh Sangeet' courses. ‘Garbh Sangeet’ courses are specially created for mothers-to-be. These courses bring a collection of songs and Ragas for learning along with more music that is best suited f…
Start recording -> start the tanpura, start the metronome at a medium pace, announce the pitch sing the above exercise, change the tanpura to a higher pitch, announce the pitch, sing the same phrase, and change the tanpura to a 2 notches lower, announce the pitch, sing the same phrase.
Note: Do not take the help of a harmonium or keyboard to sing the entire phrase by playing along the instrument.
Pitch also known as Shruthi is the foundation for music and is an important aspect for learners and performers. This is what keeps all the musicians in sync while performing and provides a delightful experience for the audience to listen. …
Pick your best pitch for the best output and voice projection.
Sing Mukhda and one antara of a song - along with tanpura & metronome in the below mentioned beat patterns.
Set the metronome to a three beat and sing a three beat song and set the metronome to a four beat pattern and sing a four beat song.
- a three beat song - example: piyu bole
- a four beat song - example: koi kahe kehta rahe
Note: These are just example songs, students are free to choose their language/genre/style (could be devotional/folk/filmi/non filmi/semi classical/indian/western/any genre song). Add modulation/emotion to suit the mood of the song ( happy sad/dance/melancholy) Optionally, add your own creative variations to the song if you can think of any.
Pitch also known as Shruthi is the foundation for music and is an important aspect for learners and performers. This is what keeps all the musicians in sync while performing and provides a delightful experience for the audience to listen. …
This course is ideal for intermediate level students to guide them further into the world of Western Classical Music (Piano). The course aims at providing significant knowledge and learning piano through a process of constant discover…
Students who have completed the CV106 / CV106A course, or on the reccomendation by the teacher can take up this course.
In this course, you will have the opportunity to learn a combination of basic exercises & songs discovering along the way the immense joy that music can bring. Whether you're a beginner or have some musical background, this course is designed to…
Students who have completed upto the CV107 / CV107A course, or on the reccomendation by the teacher can take up this course.
In this course, you will have the opportunity to learn a combination of basic exercises & songs discovering along the way the immense joy that music can bring. Whether you're a beginner or have some musical background, this course is designed to…
The student should have completed the CV108A or the CV108 course. Must be familair with all basic excercises along with geethams and swarajathis.
In this course, you will have the opportunity to learn a combination of basic exercises & songs discovering along the way the immense joy that music can bring. Whether you're a beginner or have some musical background, this course is designed to…
In this course, you will have the opportunity to learn a combination of basic exercises & songs discovering along the way the immense joy that music can bring. Whether you're a beginner or have some musical background, this course is designed to…
The ability to compose/knowledge of:
- Theermanams in different placements and nadais
- Korvais
- anticipate (to a basic extent) the rhythmic patterns while listening
A continuation of IPK104, this course introduces the students to new structures of composition and pursues training through performance of the concepts that were introduced in IPK104.
The student has completed HV104A in the academy OR any equivalent learning. The student has been initiated into Shuddh Swara practice, patterning with Swaras and Rhythm patterns. The student is keen to learn and sing a variety of songs
This course takes up more song compositions in the concert favourite Raga Yaman and includes the exuberant Raga Des. The Raga-roop of Des is introduced along with learning of the beautiful song Vande Mataram. In addition to this course offers more c…
The student has completed HV207 at the academy OR the student has learnt Chhota Khayal in about 12 Ragas with Swar Vistar, Aalap and Taan. The student is able to sing Bada Khayals with Aalap and Taan in any 4 of the following Ragas- Yaman, Bhairav, Bhupali, Bihag, Bageshri, Malkauns, Bhimpalasi
Raga Marva is an evening Raga that establishes a strong presence with its characteristic swara combinations. The Raga deep dive course aims at internalising Raga concepts and Raga exploration. Paltas and a variety of Taan patterns are practised to p…
The student should be interested in singing.
Step into the world of Hindustani music this summer at our online summer classes, where expert trainers are ready to lead you on a musical journey filled with exploration and discovery. With a focus on diverse genres like chants, Bhajans, Sufi, and …
The student must have an interest towards learning music.
Immerse yourself this summer into learning the fundamentals of Carnatic classical music and get introduced to different compositional forms. The course is exclusively designed to introduce students to basics in a fun and engaging manner. The student…
Student should have learnt basics of Carnatic music (Varisais)
Immerse yourself this summer into learning and exploring different compositions of Carnatic classical music. This 12 session course is exclusively designed for students who have a background in learning classical music and will use that as a foundat…
Immerse yourself this summer into learning and exploring different compositions of Carnatic classical music. This 12 session course is exclusively designed for students who have a background in learning classical music and will use that as a foundat…
4 to 6 years
Summer is a great time for your children to relax, unwind, and bask in the glory of music! It not only brings them joy and excitement but also enables them to express themselves deeply and fully. Shankar Mahadevan Academy has come up with a special …
The participant is an enrolled student of SMA within the specified date and the student has enrolled for Sangam
This is a specially designed course for students to practice and perform at Sangam. Students could use OM Riyaz and practice the composition assigned to them.
6 to 8 years
Summer is a great time for your children to relax, unwind and bask in the glory of music! It not only brings them joy and excitement but also enables them to bring out their expression deeply and fully. Shankar Mahadevan Academy has come up with a s…
10 to 13 years
Summer is a great time for your children to relax, unwind, and bask in the glory of music! It not only brings them joy and excitement but also enables them to express themselves deeply and fully. Shankar Mahadevan Academy has come up with a special …
The ability to compose/knowledge of:
- Abhipraayams and Korvais
- Trikaalam
- anticipate (to a basic extent) the rhythmic patterns while listening
A continuation of IPK201, this course introduces the students to new structures of composition and pursues training through performance of the concepts that were introduced in IPK201.
Student should be able to sing seven swaras and simple swara patterns
Take your knowledge of Hindustani classical music to the next level with our intermediate-level course.You will refine your understanding of swaras, alankar, paltas and delve into raga-based compositions.Join us on this enriching journey to elevate …
Student should be able to sing seven swaras and simple swara patterns
Take a deep dive into Hindustani classical music with our Advanced-level course. You will refine your understanding of swaras, alankar, paltas and delve into raga-based compositions. Join us on this enriching journey to elevate your musical skills a…
Student should be more than 9 years old
Student must have interest in learning musical instrument.
Student must have curiosity to discover the joy of learning music.
Student must have learnt atleast 1 yr on Piano.
Student must have completed foundation part 2 from Shankar Mahadevan Academy.
This course is designed for students who have fundamental knowledge of music. Students would start to explore avenues of the music world. Students will start enjoying instruments they opt to play. This course will give opportunities to students to b…
Student should be more than 10 years old
Student must have interest in learning musical instrument.
Student must have curiosity to discover the joy of learning music.
Student must have learnt atleast 1 yr on Piano.
Student must have completed TCL Initial Grade Piano Examination
This course is designed for students who have fundamental knowledge of music. Students would start to explore avenues of the music world. Students will start enjoying instruments they opt to play. This course will give opportunities to students to b…
Students must have selected Hindustani Classical Vocals as their subject in the CBSE curriculum at their respective schools.
This is the 1st course of the 4-course series for Class 9th CBSE Hindustani Vocal Curriculum. This course covers the topics of the CBSE curriculum with an emphasis on developing listening skills, understanding musical structures, and applying theore…
Students must have selected Hindustani Classical Vocals as their subject in the CBSE curriculum at their respective schools.
This is the 3rd course of the 4-course series for Class 9th CBSE Hindustani Vocal Curriculum. This course covers the topics of the CBSE curriculum with an emphasis on developing listening skills, understanding musical structures, and applying theore…
Student should be more than 10 years old
Student must have interest in learning musical instrument
Student must have curiosity to discover the joy of learning music
Student must have learnt atleast 1 yr on Keyboard
This course is designed for students who have fundamental knowledge of music. Students would start to explore avenues of the music world. Students will start enjoying instruments they opt to play. This course will give opportunities to students to b…
This course contains the Raama Medley for the Voice Gym students enrolled for Sangam 2024 - Live in Bengaluru. Each student will be assigned with this medley to sing for Sangam.
The participant is an enrolled student of SMA within the specified date and the student has enrolled for Offline Sangam 2024.
This is a specially designed course for students to practice and perform at the annual festival- Sangam
The participant is an enrolled student of SMA within the specified date and the student has enrolled for Offline Sangam 2024.
This is a specially designed course for students to practice and perform at the annual festival- Sangam
Student should be more than 10 years old.
Student must be interested in learning musical instrument and curiosity to discover the joy of learning.
Student must have completed WCP107 from SMA or should have basic understanding of reading sheet music (G Clef/ F Clef), Time Signature, Semiquavers
Student must have purchased the TCL Grade 3 Book Piano 2020-23
This course is ideal for students looking to take their first steps into the world of Western Classical Music (Piano). The course aims at providing a strong foundation where learning is a process of constant discovery. The student acquires the abili…
Students must have selected Hindustani Classical Vocals as their subject in the CBSE curriculum at their respective schools.
This is the 2nd course of the 4-course series for Class 9th CBSE Hindustani Vocal Curriculum. This course covers the topics of the CBSE curriculum with an emphasis on developing listening skills, understanding musical structures, and applying theore…
Students must have selected Hindustani Classical Vocals as their subject in the CBSE curriculum at their respective schools.
This is the 4th course of the 4-course series for Class 9th CBSE Hindustani Vocal Curriculum. This course covers the topics of the CBSE curriculum with an emphasis on developing listening skills, understanding musical structures, and applying theore…
This is to prepare the teachers of the academy for a performance dedicated to Our Dearest Shankar ji.
Students must have selected Hindustani Classical Vocals as their subject in the CBSE curriculum at their respective schools.
This is the 1st course of the 4-course series for Class 10th CBSE Hindustani Vocal Curriculum. This course covers the topics of the CBSE curriculum with an emphasis on developing listening skills, understanding musical structures, and applying theor…
Students must have selected Hindustani Classical Vocals as their subject in the CBSE curriculum at their respective schools.
This is the 2nd course of the 4-course series for Class 10th CBSE Hindustani Vocal Curriculum. This course covers the topics of the CBSE curriculum with an emphasis on developing listening skills, understanding musical structures, and applying theor…
Students must have selected Hindustani Classical Vocals as their subject in the CBSE curriculum at their respective schools.
This is the 3rd course of the 4-course series for Class 10th CBSE Hindustani Vocal Curriculum. This course covers the topics of the CBSE curriculum with an emphasis on developing listening skills, understanding musical structures, and applying theor…
Students must have selected Hindustani Classical Vocals as their subject in the CBSE curriculum at their respective schools.
This is the 4th course of the 4-course series for Class 10th CBSE Hindustani Vocal Curriculum. This course covers the topics of the CBSE curriculum with an emphasis on developing listening skills, understanding musical structures, and applying theor…
Students must have selected Hindustani Classical Vocals as their subject in the CBSE curriculum at their respective schools.
This is the 1st course of the 4-course series for Class 12th CBSE Hindustani Vocal Curriculum. This course covers the topics of the CBSE curriculum with an emphasis on developing listening skills, understanding musical structures, and applying theor…
Students must have selected Hindustani Classical Vocals as their subject in the CBSE curriculum at their respective schools.
This is the 2nd course of the 4-course series for Class 12th CBSE Hindustani Vocal Curriculum. This course covers the topics of the CBSE curriculum with an emphasis on developing listening skills, understanding musical structures, and applying theor…
Students must have selected Hindustani Classical Vocals as their subject in the CBSE curriculum at their respective schools.
This is the 3rd course of the 4-course series for Class 12th CBSE Hindustani Vocal Curriculum. This course covers the topics of the CBSE curriculum with an emphasis on developing listening skills, understanding musical structures, and applying theor…
Students must have selected Hindustani Classical Vocals as their subject in the CBSE curriculum at their respective schools.
This is the 4th course of the 4-course series for Class 12th CBSE Hindustani Vocal Curriculum. This course covers the topics of the CBSE curriculum with an emphasis on developing listening skills, understanding musical structures, and applying theor…
Students must have selected Hindustani Classical Vocals as their subject in the CBSE curriculum at their respective schools.
This is the 1st course of the 4-course series for Class 11th CBSE Hindustani Vocal Curriculum. This course covers the topics of the CBSE curriculum with an emphasis on developing listening skills, understanding musical structures, and applying theor…
Students must have selected Hindustani Classical Vocals as their subject in the CBSE curriculum at their respective schools.
This is the 2nd course of the 4-course series for Class 11th CBSE Hindustani Vocal Curriculum. This course covers the topics of the CBSE curriculum with an emphasis on developing listening skills, understanding musical structures, and applying theor…
Students must have selected Hindustani Classical Vocals as their subject in the CBSE curriculum at their respective schools.
This is the 3rd course of the 4-course series for Class 11th CBSE Hindustani Vocal Curriculum. This course covers the topics of the CBSE curriculum with an emphasis on developing listening skills, understanding musical structures, and applying theor…
Students must have selected Hindustani Classical Vocals as their subject in the CBSE curriculum at their respective schools.
This is the 4th course of the 4-course series for Class 11th CBSE Hindustani Vocal Curriculum. This course covers the topics of the CBSE curriculum with an emphasis on developing listening skills, understanding musical structures, and applying theor…
Student should be more than 10 years old
Student must have interest in learning musical instrument
Student must have curiosity to discover the joy of learning music
Student must have learnt atleast 1 yr on Keyboard
This course is designed for students who have fundamental knowledge of music. Students would start to explore avenues of the music world. Students will start enjoying instruments they opt to play. This course will give opportunities to students to b…
Student should be more than 10 years old
Student must have interest in learning musical instrument
Student must have curiosity to discover the joy of learning music
Student must have learnt atleast 1 yr on Acoustic Guitar/ Nylon Guitar
This course is designed for students who have fundamental knowledge of music. Students would start to explore avenues of the music world. Students will start enjoying instruments they opt to play. This course will give opportunities to students to b…
Student should be more than 10 years old
Student must have interest in learning musical instrument.
Student must have curiosity to discover the joy of learning music.
Student must have learnt atleast 1.5 yr on Piano.
Student must have completed TCL Grade 1 Piano Examination
This course is designed for students who have fundamental knowledge of music. Students would start to explore avenues of the music world. Students will start enjoying instruments they opt to play. This course will give opportunities to students to b…
The participant is an enrolled student of SMA within the specified date and the student has enrolled for Sangam 2023 (online)
This is a specially designed course for students to practice and perform at the global music festival- Sangam. In addition, students are guided on how to record their performance video, since this is an online event. The event would be held onl…
Student should be more than 10 years old
Student must have interest in learning musical instrument
Student must have curiosity to discover the joy of learning music
Student must have learnt atleast 2 yr on Keyboard
This course is designed for students who have fundamental knowledge of music. Students would start to explore avenues of the music world. Students will start enjoying instruments they opt to play. This course will give opportunities to students to b…
Student should be more than 10 years old
Student must have interest in learning musical instrument
Student must have curiosity to discover the joy of learning music
Student must have learnt atleast 1 yr on Acoustic Guitar/ Nylon Guitar
This course is designed for students who have fundamental knowledge of music. Students would start to explore avenues of the music world. Students will start enjoying instruments they opt to play. This course will give opportunities to students to b…
Student should be more than 10 years old
Student must have interest in learning musical instrument
Student must have curiosity to discover the joy of learning music
Student must have learnt atleast 2 yr on Acoustic Guitar/ Nylon Guitar
This course is designed for students who have fundamental knowledge of music. Students would start to explore avenues of the music world. Students will start enjoying instruments they opt to play. This course will give opportunities to students to b…
The student needs to complete HV307 OR needs to complete the 4th year from the PSS and must qualify the prerequisite assessment set by the academy.
THis course under Hindustani Vocal is specially desiged for specific traning pertaining to the 5th year examination of Prayag Sangit Samiti, one of the pioneer institutions in the area of Music Education in India.
In this course three beautiful compositions from three different composers bring about the variety in style. compositions are a Tiruppuagazh in Hamir kalyany by Arunagirinathar, a composition by Patnam subramanya Iyer and a composition of Mysur…
Three beautiful compositions from three different composers bring about the variety in style. Compositions in raga kuntalavarali,Nata and Chakravaka
The student has completed HV310 at the academy OR the student has learnt Chhota Khayal and BadaKhayal with improvisation in about 20 Ragas with Swar Vistar, Aalap and Taan. The Bada Khayal includes the following Ragas- Yaman, Bhairav, Bhupali, Bihag, Bageshri, Malkauns, Bhimpalasi
The Raga deep dive courses are aimed at internalising Raga concepts by learning and improvising different types of compositions in a Raga. In this Raga Deep dive course the beautiful melodious Raga Kedar is chosen for study. This is a Raga that evok…
The student needs to have completed HV210 at the academy OR the student needs to have the following skills- Alankar singing in different rhythm patterns.Ability to distiguish and sing Shudh, Komal and Tivra Swaras.Good sense of Laya and Taal. Student has learnt Chhota Khayal in at least 12 Ragas
The Raga deep dive courses are aimed at internalising Raga concepts by learning and improvising different types of compositions in a Raga. In this Raga Deep dive course the attractive Raga Kalavati is chosen for learning.
Completion of IPK104:
1. Knowledge of Finale composition structures- theermaanams and korvais
2. Knowledge of sarvalagus and koraippus
3. Introductory knowledge of placements and song accompaniments
This course is ideal for intermediate level students to guide them further into the world of Western Classical Music (Piano). The course aims at providing significant knowledge and learning piano through a process of constant discovery. The student …
This course is ideal for intermediate level students to guide them further into the world of Western Classical Music (Piano). The course aims at providing significant knowledge and learning piano through a process of constant discovery. The student …
This course is ideal for intermediate level students to guide them further into the world of Western Classical Music (Piano). The course aims at providing significant knowledge and learning piano through a process of constant discover…
This course is ideal for intermediate level students to guide them further into the world of Western Classical Music (Piano). The course aims at providing significant knowledge and learning piano through a process of constant discover…
There are no prerequisites for this course. This has been designed for beginners and everything about the basics would be covered. Although, the student compulsorily needs to have an instrument.
This course aims to get piano enthusiasts started on their musical journey. It starts you off from the basics and gets you to play basic songs and rhythms. You also learn about the ins and outs of the piano as a musical instrument, its history, its …
This course contains details and elements of all the devotional and bhajan songs (DBS) that will be performed by the Vocal students of Inspire India Project at Ekta. Ekta is the annual grand recital of Inspire India Project, an initiative by Shankar…
This course contains the Travel Medley for the Voice Gym students enrolled for Sangam 2025 - Online. Each student will be assigned with this medley to sing for Sangam.
The students will play their piano/keyboard on top of a backing track, a medley of S.P Balasubramanyam songs. The list of songs that are included in the medley is as follows; 1. Roja Janeman 2. Neele Neele Ambar pe 3. Pehla Pehla Pyaar hai 4. …
The student needs to complete HVPS501 OR needs to complete the 4th year from the PSS and must qualify the prerequisite assessment set by the academy.
This course under Hindustani Vocal is specially desiged for specific traning pertaining to the 5th year examination of Prayag Sangit Samiti, one of the pioneer institutions in the area of Music Education in India.
Students who wish to join this course must have a strong foundation in the following concepts:
This course is an extension to Fundamentals of Piano which was essentially designed to teach piano from scratch. Students can not directly join this course and must have a strong foundation in their basic knowledge of the instrument if they wish to …
Completion of GWM105C course
This course is designed for students who have completed GWM105C course. In this course students will guided by our expert instructors in building a strong foundation in the the basic elements of music sur (pitch), taal(rhythm) and bhaav(expression).…